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Home/DIGI.vid | In-house videos

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Research Centre

Tuli Research Centre for India Studies (Editor), The Khan of Mughal-e-Azam: Naushad on Bade Ghulam Ali, 1986, In-house Video
Tuli Research Centre for India Studies (Editor). The Khan of Mughal-e-Azam: Naushad on Bade Ghulam Ali, 1986 | In-house Video
Tuli Research Centre for India Studies (Editor), Suraj Ka Satvan Ghoda, 1992, In-house Video
Tuli Research Centre for India Studies (Editor). Suraj Ka Satvan Ghoda, 01 October 1992 | In-house Video
Tuli Research Centre for India Studies (Editor), The Making of the Mahatma, 1996, In-house Video
Tuli Research Centre for India Studies (Editor). The Making of the Mahatma, 04 October 1996 | In-house Video
Tuli Research Centre for India Studies (Editor), Anurag Kashyap on Character Research and Casting (Part 1), 2007, In-house Video
Tuli Research Centre for India Studies (Editor). Anurag Kashyap on Character Research and Casting (Part 1), 24 July 2007 | In-house Video
Tuli Research Centre for India Studies (Editor), Konkona Sen Sharma on her First Film, 2007, In-house Video
Tuli Research Centre for India Studies (Editor). Konkona Sen Sharma on her First Film, 27 July 2007 | In-house Video
Tuli Research Centre for India Studies (Editor), Writing a Screenplay - Anurag Kashyap, 2007, In-house Video
Tuli Research Centre for India Studies (Editor). Writing a Screenplay - Anurag Kashyap, 24 July 2007 | In-house Video
Tuli Research Centre for India Studies (Editor), Research & Black Friday - Anurag Kashyap, 2007, In-house Video
Tuli Research Centre for India Studies (Editor). Research & Black Friday - Anurag Kashyap, 24 July 2007 | In-house Video
Tuli Research Centre for India Studies (Editor), The Art of Script & Dialogue Writing: Anurag Kashyap, 2007, In-house Video
Tuli Research Centre for India Studies (Editor). The Art of Script & Dialogue Writing: Anurag Kashyap, 24 July 2007 | In-house Video
Tuli Research Centre for India Studies (Editor), India's Cinematic Vision: Sudhir Mishra, 2007, In-house Video
Tuli Research Centre for India Studies (Editor). India's Cinematic Vision: Sudhir Mishra, 27 July 2007 | In-house Video
Tuli Research Centre for India Studies (Editor), "Indian Cinema & the Nation in 1955", 2007, In-house Video
Tuli Research Centre for India Studies (Editor). "Indian Cinema & the Nation in 1955", 27 July 2007 | In-house Video
Tuli Research Centre for India Studies (Editor), "Our Visual imagination is under assault…" Ashok Vajpayi at the The Osianama, 2007, In-house Video
Tuli Research Centre for India Studies (Editor). "Our Visual imagination is under assault…" Ashok Vajpayi at the The Osianama, 27 July 2007 | In-house Video
Tuli Research Centre for India Studies (Editor), Anurag Kashyap on Character Research and Casting (Part 2), 2007, In-house Video
Tuli Research Centre for India Studies (Editor). Anurag Kashyap on Character Research and Casting (Part 2), 24 July 2007 | In-house Video
Tuli Research Centre for India Studies (Editor), The Films of 1955: Mani Kaul, 2007, In-house Video
Tuli Research Centre for India Studies (Editor). The Films of 1955: Mani Kaul, 27 July 2007 | In-house Video
Tuli Research Centre for India Studies (Editor), Romi Khosla on CreativeTalent (Part 2), 2007, In-house Video
Tuli Research Centre for India Studies (Editor). Romi Khosla on CreativeTalent (Part 2), 28 July 2007 | In-house Video
Tuli Research Centre for India Studies (Editor), Konkona Sen Sharma on Filmmakers & Screenwriters, 2007, In-house Video
Tuli Research Centre for India Studies (Editor). Konkona Sen Sharma on Filmmakers & Screenwriters, 27 July 2007 | In-house Video
Tuli Research Centre for India Studies (Editor), Saeed Mirza: A glimpse into his Teaching Journey, 2007, In-house Video
Tuli Research Centre for India Studies (Editor). Saeed Mirza: A glimpse into his Teaching Journey, 23 July 2007 | In-house Video
Tuli Research Centre for India Studies (Editor), Romi Khosla on CreativeTalent (Part 1), 2007, In-house Video
Tuli Research Centre for India Studies (Editor). Romi Khosla on CreativeTalent (Part 1), 28 July 2007 | In-house Video
Tuli Research Centre for India Studies (Editor), Culture and the Vietnam War: Saeed Mirza, 2007, In-house Video
Tuli Research Centre for India Studies (Editor). Culture and the Vietnam War: Saeed Mirza, 23 July 2007 | In-house Video
Tuli Research Centre for India Studies (Editor), Towards Building Cultural Centres: Romi, 2007, In-house Video
Tuli Research Centre for India Studies (Editor). Towards Building Cultural Centres: Romi, 28 July 2007 | In-house Video
Tuli Research Centre for India Studies (Editor), Towards Building Cultural Centres, 2007, In-house Video
Tuli Research Centre for India Studies (Editor). Towards Building Cultural Centres, 28 July 2007 | In-house Video
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Tuli Research Centre for India Studies (Editor). Music in the Films of Guru Dutt: Dreams, Desire, and Disillusionment, 31 August 2026 | In-house Video, 2026 · 1 Hour 15 min · Long-form Video
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Tuli Research Centre for India Studies (Editor). Music in the Films of Guru Dutt: Dreams, Desire, and Disillusionment, 31 August 2026 | In-house Video
2026 · 1 Hour 15 min · Long-form Video
Tuli Research Centre for India Studies (Editor). "Babuji Dheere Chalna" - More Than Just a Club Song, 31 August 2026 | In-house Video, 2026 · 14 min 52 sec · Long-form Video
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Tuli Research Centre for India Studies (Editor). "Babuji Dheere Chalna" - More Than Just a Club Song, 31 August 2026 | In-house Video
2026 · 14 min 52 sec · Long-form Video
Tuli Research Centre for India Studies (Editor). "Din Hai Bahar Ke" - The Coming Together of Folk and Modern Sensibilities, 31 August 2026 | In-house Video, 2026 · 1 min 01 sec · Vertical Video
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Tuli Research Centre for India Studies (Editor). "Din Hai Bahar Ke" - The Coming Together of Folk and Modern Sensibilities, 31 August 2026 | In-house Video
2026 · 1 min 01 sec · Vertical Video
Tuli Research Centre for India Studies (Editor). "Babuji Dheere Chalna" - A Song of Playful Defiance, 31 August 2026 | In-house Video, 2026 · 1 min 02 sec · Vertical Video
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Tuli Research Centre for India Studies (Editor). "Babuji Dheere Chalna" - A Song of Playful Defiance, 31 August 2026 | In-house Video
2026 · 1 min 02 sec · Vertical Video
Tuli Research Centre for India Studies (Editor). "Udein Jab Jab Zulfein Teri" - Romance, Folklore, and the Looming Motor Car, 31 August 2026 | In-house Video, 2026 · 1 min 26 sec · Vertical Video
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Tuli Research Centre for India Studies (Editor). "Udein Jab Jab Zulfein Teri" - Romance, Folklore, and the Looming Motor Car, 31 August 2026 | In-house Video
2026 · 1 min 26 sec · Vertical Video
Tuli Research Centre for India Studies (Editor). "Dil Ke Armaan Aansuon Mein Bah Gaye" - Love, Longing and the Popularity of the Ghazal, 31 August 2026 | In-house Video, 2026 · 23 min 46 sec · Long-form Video
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Tuli Research Centre for India Studies (Editor). "Dil Ke Armaan Aansuon Mein Bah Gaye" - Love, Longing and the Popularity of the Ghazal, 31 August 2026 | In-house Video
2026 · 23 min 46 sec · Long-form Video
Tuli Research Centre for India Studies (Editor). "Dil Ke Armaan Aansuon Mein Bah Gaye" - Loneliness Depicted through Mise-en-Scène, 31 August 2026 | In-house Video, 2026 · 1 in 08 sec · Vertical Video
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Tuli Research Centre for India Studies (Editor). "Dil Ke Armaan Aansuon Mein Bah Gaye" - Loneliness Depicted through Mise-en-Scène, 31 August 2026 | In-house Video
2026 · 1 in 08 sec · Vertical Video
Tuli Research Centre for India Studies (Editor). Music in the Films of B.R. Chopra and V. Shantaram, 31 August 2026 | In-house Video, 2026 · 43 sec · Vertical Video
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Tuli Research Centre for India Studies (Editor). Music in the Films of B.R. Chopra and V. Shantaram, 31 August 2026 | In-house Video
2026 · 43 sec · Vertical Video
Tuli Research Centre for India Studies (Editor). "Ae Maalik Tere Bande Hum" - A Bhajan from V Shantaram's film about prison reform, 31 August 2026 | In-house Video, 2026 · 1 min 06 sec · Vertical Video
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Tuli Research Centre for India Studies (Editor). "Ae Maalik Tere Bande Hum" - A Bhajan from V Shantaram's film about prison reform, 31 August 2026 | In-house Video
2026 · 1 min 06 sec · Vertical Video
Tuli Research Centre for India Studies (Editor). "Din Hai Bahar Ke" - A Celebration of Youthful Love, 31 August 2026 | In-house Video, 2026 · 14 min 27 sec · Long-form Video
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Tuli Research Centre for India Studies (Editor). "Din Hai Bahar Ke" - A Celebration of Youthful Love, 31 August 2026 | In-house Video
2026 · 14 min 27 sec · Long-form Video
Tuli Research Centre for India Studies (Editor). "Ae Maalik Tere Bande Hum" - A Film Song that became a School Prayer, 31 August 2026 | In-house Video, 2026 · 1 hour 11 min · Long-form Video
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Tuli Research Centre for India Studies (Editor). "Ae Maalik Tere Bande Hum" - A Film Song that became a School Prayer, 31 August 2026 | In-house Video
2026 · 1 hour 11 min · Long-form Video
Tuli Research Centre for India Studies (Editor). "Udein Jab Jab Zulfen Teri" - Romance and Resistance in BR Chopra's Naya Daur (1957), 31 August 2026 | In-house Video, 2026 · 16 min 27 sec · Long-form Video
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Tuli Research Centre for India Studies (Editor). "Udein Jab Jab Zulfen Teri" - Romance and Resistance in BR Chopra's Naya Daur (1957), 31 August 2026 | In-house Video
2026 · 16 min 27 sec · Long-form Video
Tuli Research Centre for India Studies (Editor). Music in the Films of B.R. Chopra and V. Shantaram, 31 August 2026 | In-house Video, 2026 · 1 hour 11 min · Long-form Video
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Tuli Research Centre for India Studies (Editor). Music in the Films of B.R. Chopra and V. Shantaram, 31 August 2026 | In-house Video
2026 · 1 hour 11 min · Long-form Video
Tuli Research Centre for India Studies (Editor). "Waqt Ne Kiya Kya Haseen Sitam" - The Haunting Song of Guru Dutt’s Life, 31 August 2026 | In-house Video, 2026 · 55 sec · Vertical Video
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Tuli Research Centre for India Studies (Editor). "Waqt Ne Kiya Kya Haseen Sitam" - The Haunting Song of Guru Dutt’s Life, 31 August 2026 | In-house Video
2026 · 55 sec · Vertical Video
Tuli Research Centre for India Studies (Editor). "Jinhe Naaz Hai Hind Par Woh Kahan Hain" - The Anguish of the Nation, 31 August 2026 | In-house Video, 2026 · 1 min 27 sec · Vertical Video
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Tuli Research Centre for India Studies (Editor). "Jinhe Naaz Hai Hind Par Woh Kahan Hain" - The Anguish of the Nation, 31 August 2026 | In-house Video
2026 · 1 min 27 sec · Vertical Video
Tuli Research Centre for India Studies (Editor). "Waqt Ne Kiya Kya Haseen Sitam"- The Song Lata Mangeshkar Wished She Had Sung, 31 August 2026 | In-house Video, 2026 · 22 min 32 sec · Long-form Video
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Tuli Research Centre for India Studies (Editor). "Waqt Ne Kiya Kya Haseen Sitam"- The Song Lata Mangeshkar Wished She Had Sung, 31 August 2026 | In-house Video
2026 · 22 min 32 sec · Long-form Video
Tuli Research Centre for India Studies (Editor). "Yeh Duniya Agar Mil Bhi Jaye To Kya Hai" - The Poet's Disillusionment on Screen, 31 August 2026 | In-house Video, 2026 · 18 min 11 sec · Long-form Video
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Tuli Research Centre for India Studies (Editor). "Yeh Duniya Agar Mil Bhi Jaye To Kya Hai" - The Poet's Disillusionment on Screen, 31 August 2026 | In-house Video
2026 · 18 min 11 sec · Long-form Video
Tuli Research Centre for India Studies (Editor). Poetry, Music and Melancholy in Guru Dutt’s Film Songs, 31 August 2026 | In-house Video, 2026 · 1 min 07 sec · Vertical Video
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Tuli Research Centre for India Studies (Editor). Poetry, Music and Melancholy in Guru Dutt’s Film Songs, 31 August 2026 | In-house Video
2026 · 1 min 07 sec · Vertical Video
Tuli Research Centre for India Studies (Editor). Sahir' Ludhianvi's Question to the Nation in "Jinhe Naaz Hai Hind Par Woh Kahan Hain", 31 August 2026 | In-house Video, 2026 · 18 min 11 sec · Long-form Video
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Tuli Research Centre for India Studies (Editor). Sahir' Ludhianvi's Question to the Nation in "Jinhe Naaz Hai Hind Par Woh Kahan Hain", 31 August 2026 | In-house Video
2026 · 18 min 11 sec · Long-form Video
Tuli Research Centre for India Studies (Editor). The Idea of Artistic Integrity in Guru Dutt's Magnum Opus, 31 August 2026 | In-house Video, 2026 · 1 min 02 sec · Vertical Video
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Tuli Research Centre for India Studies (Editor). The Idea of Artistic Integrity in Guru Dutt's Magnum Opus, 31 August 2026 | In-house Video
2026 · 1 min 02 sec · Vertical Video
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© Tuli Research Centre for India Studies 2026

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Tuli Research Centre

for India Studies

A free and open knowledge base for the modern and contemporary Indian arts, cinema, photography and cultural heritage.

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© Tuli Research Centre for India Studies 2026

                          Tuli Research Centre for India Studies (Editor). The Romantic, Patriotic and Emotional Landscape of Chetan Anand’s Classic Hindi Film Songs, 21 July 2026 | In-house Video | CinemaEducation | 00883636
                          1 hour 6 min · Long-form Video

                          The Romantic, Patriotic and Emotional Landscape of Chetan Anand’s Classic Hindi Film Songs

                          Tuli Research Centre for India Studies (Editor)

                          Document TypeIn-house Video
                          Date21 July 2026
                          Duration1 hour 6 min
                          FormatLong-form Video
                          Description
                          Four iconic songs from Chetan Anand's cinema, deconstructed: "Kar Chale Hum Fida" (Haqeeqat, 1964), "Yeh Duniya Yeh Mehfil" (Heer Ranjha, 1970), "Milo Na Tum To Hum Ghabraye" (Heer Ranjha, 1970) and "Yeh Mana Meri Jaan" (Hanste Zakhm, 1973). Why is "Kar Chale Hum Fida" ("Ab Tumhare Hawale Watan Saathiyon") not a song of victory, but a song of responsibility? How was "Yeh Duniya Yeh Mehfil" written overnight, rejected on the eve of recording, reborn in a 2 a.m. phone call, with Kaifi Azmi writing the antaras on the spot and Mohammed Rafi in tears at the rehearsal? Why was the colour yellow banned from the screen in Heer Ranjha until spring arrives with "Milo Na Tum"? And how did "Yeh Mana Meri Jaan" fuse qawwali, bhangra and class rebellion into one of Hindi cinema's most joyous songs? Ketan Anand, who worked alongside his father, joins experts Ravikant, Pavan Jha and Neville Tuli to explore themes of sacrifice, patriotism, disillusionment, longing and desire in Chetan Anand's films, highlighting the creative legacy of Kaifi Azmi, Madan Mohan, Lata Mangeshkar and Mohammed Rafi. Anand's oeuvre is marked by a strong humanist sensibility, social realism, war and poetic romance, class conflict and duty, and rare emotional intensity. The discussion examines how film music, lyrics, performance and cinematic storytelling come together to create meaning, transcending entertainment to become part of India's collective memory and emotional landscape. Chapters: 0:00 — "Kar Chale Hum Fida" (Haqeeqat, 1964) 5:43 — Discussion: The War, the Pain, a Song of Responsibility 21:02 — "Yeh Duniya Yeh Mehfil" (Heer Ranjha, 1970) 28:03 — Discussion: the 2 a.m. story & a film written as a poem 41:02 — "Milo Na Tum To Hum Ghabraye" (Heer Ranjha, 1970) 44:33 — Discussion: The Joy of Falling in Love 50:12 — "Yeh Mana Meri Jaan" (Hanste Zakhm, 1973) 57:44 — Discussion: Qawwali, Bhangra & Rebellion This session was part of the series 'Deconstructing the Film Song: A Musical Glue for Nation-Building,' presented by the Tuli Research Centre for India Studies (TRIS) as part of the 7th Self-Discovery via Rediscovering India Festival.

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                          Chetan AnandRaj KapoorGuru DuttDigital in House VideosV ShantaramB R ChopraMadan MohanO P NayyarSachin Dev BurmanVasant DesaiBombay RaviKaifi AzmiShailendraHasrat JaipuriMajrooh SultanpuriSahir LudhianviShakeel BadayuniHasan KamalHeer Raanjha 1970Do Ankhen Barah Haath 1957Deconstructing the Film Song 2026Neville TuliShyamaJohnny WalkerJagdeepV K MurthyRaj KhoslaShamshad BegumGeeta DuttMohammad RafiDilip KumarVyjayanthimalaLeela ChitnisAsha BhosleWaheeda RehmanMala SinhaMehmoodSulochanaMeena KumariSunil DuttRaaj KumarSharmila TagoreSadhanaAchala SachdevBalraj SahniShashikalaShashi KapoorYash ChopraDharam ChopraManna DeyMahendra KapoorPrithviraj KapoorJal MistryNoor JahanDilraj KaurJagjeet KaurLata MangeshkarManoj KumarRajendra KumarDharmendraKhwaja Ahmad AbbasRadhu KarmakarNitin MukeshNadiraNargisMukeshLeela Mishra
                          Research Categories
                          01Cinema as a Critical Educational Resource