Tun Tun

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Tun Tun

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1_CinemaEducation

Personality.Actor

Tun Tun

Introduction
Filmography
Research Centre
Tun Tun
Uma Devi Khatri (11 July 1923 – 24 November 2003) fondly remembered by her stage name Tun Tun, Uma Devi was a multifaceted artist who left an indelible mark on Indian cinema. Revered as Hindi cinema's first female comedienne, she appeared in over a hundred films, transforming her distinctive persona into a source of laughter and charm for generations of audiences. She was also an accomplished and popular singer who did playback for many actresses in films. Born in a small village near Amroha in Uttar Pradesh, Uma Devi's early life was scarred by tragedy. Her parents and brother were murdered over a land dispute when she was barely a child, leaving her in the care of relatives and servants. In her later years, she recalled, “I don't remember who my parents were or how they looked... I must have been barely two when they died.” Her childhood, steeped in poverty and hardship, could have extinguished her spirit, yet it became the crucible that forged her resilience. During her youth, she met Akhtar Abbas Kazi, an Excise Inspector who recognized her talent and became her guiding influence. When Kazi moved to Lahore during the Partition, Uma Devi, weary of life's uncertainties, journeyed to Bombay to pursue her dream of becoming a singer. Her determination led her to famed composer Naushad Ali, whom she boldly approached for an opportunity. Impressed by her confidence, Naushad gave her a break in Wamiq Azra (1946). Her melodious renditions in Dard (1947), including Afsana Likh Rahi Hoon” and Yeh Kaun Chala, brought her recognition. However, as newer voices like Lata Mangeshkar's rose to prominence, Naushad encouraged her to explore acting. Thus, Tun Tun was born with her debut in Babul (1950) alongside Dilip Kumar. Her vivacious humour, expressive face, and unabashed wit made her an instant favourite. Over the next five decades, she reigned as India's quintessential comedienne, appearing in nearly 200 films, turning her physique into a symbol of warmth and mirth rather than limitation. As the trailblazer of female comedy in Bollywood, Tun Tun shattered gender conventions, establishing a legacy that inspired generations of women performers who followed in her luminous footsteps.
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Uma Devi Khatri (11 July 1923 – 24 November 2003) fondly remembered by her stage name Tun Tun, Uma Devi was a multifaceted artist who left an indelible mark on Indian cinema. Revered as Hindi cinema's first female comedienne, she appeared in over a hundred films, transforming her distinctive persona into a source of laughter and charm for generations of audiences. She was also an accomplished and popular singer who did playback for many actresses in films. Born in a small village near Amroha in Uttar Pradesh, Uma Devi's early life was scarred by tragedy. Her parents and brother were murdered over a land dispute when she was barely a child, leaving her in the care of relatives and servants. In her later years, she recalled, “I don't remember who my parents were or how they looked... I must have been barely two when they died.” Her childhood, steeped in poverty and hardship, could have extinguished her spirit, yet it became the crucible that forged her resilience. During her youth, she met Akhtar Abbas Kazi, an Excise Inspector who recognized her talent and became her guiding influence. When Kazi moved to Lahore during the Partition, Uma Devi, weary of life's uncertainties, journeyed to Bombay to pursue her dream of becoming a singer. Her determination led her to famed composer Naushad Ali, whom she boldly approached for an opportunity. Impressed by her confidence, Naushad gave her a break in Wamiq Azra (1946). Her melodious renditions in Dard (1947), including Afsana Likh Rahi Hoon” and Yeh Kaun Chala, brought her recognition. However, as newer voices like Lata Mangeshkar's rose to prominence, Naushad encouraged her to explore acting. Thus, Tun Tun was born with her debut in Babul (1950) alongside Dilip Kumar. Her vivacious humour, expressive face, and unabashed wit made her an instant favourite. Over the next five decades, she reigned as India's quintessential comedienne, appearing in nearly 200 films, turning her physique into a symbol of warmth and mirth rather than limitation. As the trailblazer of female comedy in Bollywood, Tun Tun shattered gender conventions, establishing a legacy that inspired generations of women performers who followed in her luminous footsteps.
Tun Tun
Uma Devi Khatri (11 July 1923 – 24 November 2003) fondly remembered by her stage name Tun Tun, Uma Devi was a multifaceted artist who left an indelible mark on Indian cinema. Revered as Hindi cinema's first female comedienne, she appeared in over a hundred films, transforming her distinctive persona into a source of laughter and charm for generations of audiences. She was also an accomplished and popular singer who did playback for many actresses in films. Born in a small village near Amroha in Uttar Pradesh, Uma Devi's early life was scarred by tragedy. Her parents and brother were murdered over a land dispute when she was barely a child, leaving her in the care of relatives and servants. In her later years, she recalled, “I don't remember who my parents were or how they looked... I must have been barely two when they died.” Her childhood, steeped in poverty and hardship, could have extinguished her spirit, yet it became the crucible that forged her resilience. During her youth, she met Akhtar Abbas Kazi, an Excise Inspector who recognized her talent and became her guiding influence. When Kazi moved to Lahore during the Partition, Uma Devi, weary of life's uncertainties, journeyed to Bombay to pursue her dream of becoming a singer. Her determination led her to famed composer Naushad Ali, whom she boldly approached for an opportunity. Impressed by her confidence, Naushad gave her a break in Wamiq Azra (1946). Her melodious renditions in Dard (1947), including Afsana Likh Rahi Hoon” and Yeh Kaun Chala, brought her recognition. However, as newer voices like Lata Mangeshkar's rose to prominence, Naushad encouraged her to explore acting. Thus, Tun Tun was born with her debut in Babul (1950) alongside Dilip Kumar. Her vivacious humour, expressive face, and unabashed wit made her an instant favourite. Over the next five decades, she reigned as India's quintessential comedienne, appearing in nearly 200 films, turning her physique into a symbol of warmth and mirth rather than limitation. As the trailblazer of female comedy in Bollywood, Tun Tun shattered gender conventions, establishing a legacy that inspired generations of women performers who followed in her luminous footsteps.

Introduction

Filmography

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1933

Puran Bhakat | Hindi | Actor

Feature | Fiction | Black and White | Booklet
1938

Dhartimata | Hindi | Actor

Feature | Fiction | Black and White | Booklet
1940

Hatimtai Ki Beti | Hindi | Actor

Booklet
1947

Dard | Hindi | Playback Singer

Feature | Fiction | Black and White | Booklet
1947

Natak | Hindi | Playback Singer

Feature | Fiction | Black and White | Booklet
1948

Anjuman | Hindi | Playback Singer

Feature | Fiction | Black and White
1948

Anokhi Ada | Hindi | Playback Singer

Feature | Fiction | Black and White | Booklet
1949

Chandni Raat | Hindi | Playback Singer

Feature | Fiction | Black and White | Booklet
1952

Jungle Ka Jawahar | Hindi | Playback Singer

Feature | Fiction | Black and White | Booklet
1954

Chandni Chowk | Hindi | Actor

Feature | Fiction | Black and White | Booklet

Research Centre

All

796

Library

1

Archive

795

Highlights

10

Sircar, B.N. (Producer), Puran Bhakat, 1933 | Cyclostyled Lyrics Leaflet

Sircar, B.N. (Producer), Puran Bhakat, 1933 | Cyclostyled Lyrics Leaflet

Sircar, B.N. (Producer), Puran Bhakat, 1933 | Cyclostyled Lyrics Leaflet

Sircar, B.N. (Producer), Puran Bhakat, 1933 | Cyclostyled Lyrics Leaflet

Sircar, B.N. (Producer), Dhartimata, 1938 | Song-Synopsis Booklet

Sircar, B.N. (Producer), Dhartimata, 1938 | Song-Synopsis Booklet

Sircar, B.N. (Producer), Dhartimata, 1938 | Song-Synopsis Booklet

Sircar, B.N. (Producer), Dhartimata, 1938 | Song-Synopsis Booklet

Sircar, B.N. (Producer), Dhartimata, 1938 | Handbill

Sircar, B.N. (Producer), Dhartimata, 1938 | Handbill

Vakil, Nanubhai B. (Producer), Hatimtai Ki Beti, 1940 | Song-Synopsis Booklet

Vakil, Nanubhai B. (Producer), Hatimtai Ki Beti, 1940 | Song-Synopsis Booklet

Mustafa (Designer), Natak, 1947 | Half Sheet Poster

Mustafa (Designer), Natak, 1947 | Half Sheet Poster

Kardar, A.R. (Producer), Dard, 1947 | Cyclostyled Lyrics Leaflet

Kardar, A.R. (Producer), Dard, 1947 | Cyclostyled Lyrics Leaflet

Kardar, A.R. (Producer), Dard, 1947 | Photographic Still

Kardar, A.R. (Producer), Dard, 1947 | Photographic Still

Kardar, A.R. (Producer), Dard, 1947 | Photographic Still

Kardar, A.R. (Producer), Dard, 1947 | Photographic Still

Kardar, A.R. (Producer), Dard, 1947 | Photographic Still

Kardar, A.R. (Producer), Dard, 1947 | Photographic Still

Kardar, A.R. (Producer), Dard, 1947 | Photographic Still

Kardar, A.R. (Producer), Dard, 1947 | Photographic Still

Kardar, A.R. (Producer), Dard, 1947 | Photographic Still

Kardar, A.R. (Producer), Dard, 1947 | Photographic Still

Mehboob (Producer), Anokhi Ada, 1948 | Song-Synopsis Booklet

Mehboob (Producer), Anokhi Ada, 1948 | Song-Synopsis Booklet

Irani, Faredoon A. (Cinematographer), Anokhi Ada, 1948 | Lobby Card

Irani, Faredoon A. (Cinematographer), Anokhi Ada, 1948 | Lobby Card

Irani, Faredoon A. (Cinematographer), Anokhi Ada, 1948 | Lobby Card

Irani, Faredoon A. (Cinematographer), Anokhi Ada, 1948 | Lobby Card

Irani, Faredoon A. (Cinematographer), Anokhi Ada, 1948 | Lobby Card

Irani, Faredoon A. (Cinematographer), Anokhi Ada, 1948 | Lobby Card

Irani, Faredoon A. (Cinematographer), Anokhi Ada, 1948 | Lobby Card

Irani, Faredoon A. (Cinematographer), Anokhi Ada, 1948 | Lobby Card

Irani, Faredoon A. (Cinematographer), Anokhi Ada, 1948 | Lobby Card

Irani, Faredoon A. (Cinematographer), Anokhi Ada, 1948 | Lobby Card

Irani, Faredoon A. (Cinematographer), Anokhi Ada, 1948 | Photographic Still

Irani, Faredoon A. (Cinematographer), Anokhi Ada, 1948 | Photographic Still

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