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Search275,000+ actors, artists, objects, artworks, films, exhibitions, archives

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Lucknow

Lucknow

Uttar Pradesh

Location.Architectural Heritage Site
Contents
Introduction
Body of Work13
Research Centre119
Posts1
Calendar1
Home/5_ArcHeritage/Location/Lucknow
Lucknow — featured artwork

Introduction

Geographical details

StateUttar Pradesh
CapitalYes
Longitude80.9462' E
Latitude26.8467' N
Population35,00,000
Area632 sq. km.
LanguagesAwadhi, Hindi, Urdu
RiversGomati River (Tributary of Ganga)
LakesKathuata jheel, Butler lake, Ghanta ghar talab
Linked citiesKolkata, Mumbai, Chennai
Map of Uttar Pradesh
Uttar Pradesh

Spoken languages

Show figures
Spoken languages
Category200120112021
Hindi9,00,0009,00,0009,00,000
Awadhi8,50,0008,50,0008,50,000
Urdu40,00040,00040,000

Population by gender

Show figures
Population by gender
Category20012011
Male19,32,31723,94,476
Female17,15,51721,95,362
Other191504

Population by religion

Show figures
Population by religion
Category20012011
Hindu21,81,78535,37,787
Muslim5,43,0459,85,070
Christian13,15520,493
Buddhist19,68823,883
Sikh2,8163,877
Jain2,0514,975
Other26113,753

Architectural Landmarks

15
Bara Imambara
Bara Imambara1784
The Residency
The Residency1800
La Martiniere College
La Martiniere College1800
Chhatar Manzil
Chhatar Manzil1781
Hussainabad Clock Tower
Hussainabad Clock Tower1881
Gateway Of Bara Imambara
Gateway Of Bara Imambara1785
Rumi Darwaza
Rumi Darwaza1784
All Saints Garrison Church
All Saints Garrison Church1913
King Georges Medical College
King Georges Medical College1905
Asafi Masjid
Asafi Masjid1784
Moti Mahal
Moti Mahal1814
QR
Qadam Rasul
BK
Bibiapur Kothi
Dilkhusha Palace
Dilkhusha Palace1805
Shah Najaf Imambara
Shah Najaf Imambara1816

Body of Work

Chhatar Manzil, 1781
Chhatar Manzil, 1781
Rumi Darwaza, 1784
Rumi Darwaza, 1784
Asafi Masjid, 1784
Asafi Masjid, 1784
Bara Imambara, 1784
Bara Imambara, 1784
Gateway of Bara Imambara, 1785
Gateway of Bara Imambara, 1785
The Residency, 1800
The Residency, 1800
La Martiniere College, 1800
La Martiniere College, 1800
Dilkhusha Palace, 1805
Dilkhusha Palace, 1805
Moti Mahal, 1814
Moti Mahal, 1814
Shah Najaf Imambara, 1816
Shah Najaf Imambara, 1816
Hussainabad Clock Tower, 1881
Hussainabad Clock Tower, 1881
King George's Medical College, 1905
King George's Medical College, 1905
All Saints Garrison Church, 1913
All Saints Garrison Church, 1913

Research Centre

Posts 1

  1. Colonel Mordaunt's Cockfight
    Colonel Mordaunt's Cockfight
    Cockfights were a popular sport in India and other parts of the world in the late eighteenth-century. In 1786, the then Governor-General of India Warren Hastings commissioned German-born artist Johann Zoffany to paint the historic cockfight that had many British East India Company employees and Indian royalties in attendance. Several versions of the painting have thus been made and depicted in various mediums over the course of more than two centuries, including the cock-fight scene in Satyajit Ray's 1977 film Shatranj Ke Khilari.
    1_CinemaEducation2_FineArts4_PopCulture6_EconomicsArt
    Shatranj Ke KhilariSatyajit RayLucknowNemai Ghosh
    Read Post →

Calendar 1

View All →
  1. Self Discover via Rediscovering India Series Part III History of Photography in India
    ArchivedExhibitionProject 3
    Self Discover via Rediscovering India Series Part III History of Photography in India
    21st - 31st January 2025
    Self Discover via Rediscovering India Series Part III
    Read More →
    3_Photography·Select Highlights From The History Of Photography In India 22 January 1 February 2025 Project 3 Cal
    +28 more

Related

7

Personalities

6

Ebrahim Alkazi
Ebrahim AlkaziComparable Artworks
Felice Beato
Felice BeatoComparable Artworks
Nemai Ghosh
Nemai GhoshComparable Artworks
Samuel Bourne
Samuel BourneComparable Artworks
Satyajit Ray
Satyajit RayComparable Artworks
Soumendu Roy
Soumendu RoyComparable Artworks

Films

1

Shatranj Ke Khilari (1977)Shooting Location
                          Bara Imambara
                          1 / 9
                          9

                          Bara Imambara

                          Patron
                          1. Commissioned by Nawab Asaf-ud-Daula. 2. Moheb-ullah and Kefait-ullah, father and son, were the architects.
                          Architectural style
                          Nawabi Awadh
                          Structure
                          1. Rectangular plan divided into nine chambers. 2. The central chamber is the largest and measures 164 feet by 52 feet (50 by 16 meters) and is over 49 feet (15 meters) high. 3. The eight chambers surrounding the central bay are smaller in both area and height and are more for circulatory purpose. 4. The long central chamber has a concrete vault. 5. Remaining bays are treated in a variety of roofing techniques. 6. The arched roof of the central vault is built without beams, making it one of the largest concrete shells in the world. 7. The gateway on the northen side of the enclosure wall is a rectangular edifice penetrated by three foliated arches, whose spandrels bear the fish motif and which are summoned by a row of tiny chattris on the roofline. The arches descend onto three levels of oriel windows, whose presence suggests that the gateway may have been an answering ornamental one.
                          Layout
                          1. The Imambara has three interlocked forecourts, each with numerous imposing gateways, and a main court containing such notable buildings as the Asafi Masjid and Baoli. 2. The numerous openings, however, have made it possible to create a unique feature in the form of a labyrinth. The imambara is popular amongst its visitors for the 'Bhool Bhooliya' or labyrinth that is formed by the many balconies and passages that branch off from 489 identical doorways. 3. The central chamber contains the grave of Nawab Asaf al-Daula 4. Only imambara that has six entrances into the central bay as opposed to the conventional five.
                          Materials
                          1. Brick and mortar structure. 2. Finials made of green glazed ware.
                          Event
                          It is used for ceremonies performed by Shia muslims to commemorate the death of Hussain, the grandson of Prophet Muhammad, at Karbala in 680 AD.
                          Status
                          Archeological Survey of India, Centrally Protected
                          The Bara Imambara is a monument of central importance in the evolution of Nawabi architecture, as it led to the widespread adaptation of an imambara type. Imambara is typically a building in which are conducted the ceremony of Muharram; and at other times Tazias and Shrines are preserved in it. Built in 1784, Bara Imambaea is a colossal building which lies directly south of Lakshman Tila, west of the former Machi Bhavan, and roughly north of Chauk. The main part of the building, the first floor is reached by a broad but steep flight of steps on the eastern flank of the building and is composed of narrow, low-ceilinged galleries and vaulted passageways. Many of these passageways have been blocked and the interiors are dark thus providing an air of mysteriousness and have come traditionally to be associated as a maze. In fact, these were never intended to be a maze at all.

                          Related Artworks7

                          Antiquarian Photograph3
                          Felice Beato (Photographer), Mosque inside Asophood Dowlah's Imaumbara, now used as a Hospital, Lucknow, 1858, Antiquarian Photograph
                          Beato, Felice (Photographer). Mosque inside Asophood Dowlah's Imaumbara, now used as a Hospital, Lucknow, March-April 1858 | Antiquarian Photograph
                          Felice Beato (Photographer), The great Imaumbara used as a Magazine, Lucknow, 1858, Antiquarian Photograph
                          Beato, Felice (Photographer). The great Imaumbara used as a Magazine, Lucknow, March-April 1858 | Antiquarian Photograph
                          Studio V. & E. Pont (Photographic Studio), Great Mosque inside Imambara, Lucknow, 1870, Antiquarian Photograph
                          Studio V. & E. Pont (Photographic Studio). Great Mosque inside Imambara, Lucknow, c.1870 | Antiquarian Photograph
                          Contemporary Photograph4
                          Unknown (Photographer), Bara Imambara, Contemporary Photograph
                          Unknown (Photographer). Bara Imambara, n.d. | Contemporary Photograph
                          Unknown (Photographer), Bara Imambara, Contemporary Photograph
                          Unknown (Photographer). Bara Imambara, n.d. | Contemporary Photograph
                          Unknown (Photographer), Bara Imambara, Contemporary Photograph
                          Unknown (Photographer). Bara Imambara, n.d. | Contemporary Photograph
                          Unknown (Photographer), Bara Imambara, Contemporary Photograph
                          Unknown (Photographer). Bara Imambara, n.d. | Contemporary Photograph
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