Shatranj Ke Khilari (1977)

Shatranj Ke Khilari (1977)

3 October 1977

Calcutta

Shatranj Ke Khilari (1977)

Satyajit Ray directs his only Hindi feature starring Sanjeev Kumar and Saeed Jaffrey as chess-obsessed nawabs during the British annexation of Awadh

Introduction

Preface — Shatranj Ke Khilari (1977)

Jindal, Suresh (Producer) Shatranj Ke Khilari 1977 | Lobby Card

Jindal, Suresh (Producer) Shatranj Ke Khilari 1977 | Lobby Card

Jindal, Suresh (Producer) Shatranj Ke Khilari 1977 | Song Synopsis Booklet

Jindal, Suresh (Producer) Shatranj Ke Khilari 1977 | Song Synopsis Booklet

Ray, Satyajit (Director) Shatranj Ke Khilari 1977 | Poster

Ray, Satyajit (Director) Shatranj Ke Khilari 1977 | Poster

Zaidi, Shama (Costume Designer) Shatranj Ke Khilari 1977 | Costume

Zaidi, Shama (Costume Designer) Shatranj Ke Khilari 1977 | Costume

Roy, Soumendu (Cinematographer) Shatranj Ke Khilari 1977 | Photographic Still

Roy, Soumendu (Cinematographer) Shatranj Ke Khilari 1977 | Photographic Still

Roy, Soumendu (Cinematographer), Shatranj Ke Khilari, 1977 | Photographic Still Mounted on Lobby Card

Roy, Soumendu (Cinematographer), Shatranj Ke Khilari, 1977 | Photographic Still Mounted on Lobby Card

Ghosh, Nemai (Still Photographer), Shatranj Ke Khilari, 1977 | Working Still

Ghosh, Nemai (Still Photographer), Shatranj Ke Khilari, 1977 | Working Still

Jindal, Suresh (Producer) Shatranj Ke Khilari 1977 | Showcard

Jindal, Suresh (Producer) Shatranj Ke Khilari 1977 | Showcard

Shatranj Ke Khilari is the only feature-length film made by Satyajit Ray in Hindi language. Set on the cusp of the 1857 Mutiny, it delves into the lives of two decadent noblemen, portrayed by actors Sanjeev Kumar and Saeed Jaffrey, in Nawab Wajid Ali Shah's Lucknow—the capital of Awadh and one of the few empires still untouched by colonial domination at that time. In tandem with Ray's tendency to adapt existing works of literature, barring only a couple of his feature films, Shatranj Ke Khilari's profound scaffolding is credited to Premchand. Still, Ray transforms and enriches the literary work through intermediality using hand-painted title cards, animation and elaborate song and dance sequences, creating a bridge between literature, animation, performance and paintings. As the kingdom crumbles, the film focuses on the two noblemen who exist in a vacuum outside...

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निर्देशक सत्यजित राय की सिनेमाई यात्रा में शतरंज के खिलाड़ी एकमात्र ऐसी फ़ीचर लम्बाई की फ़िल्म है, जिसे उन्होंने हिन्दी भाषा में बनाया। फ़िल्म आधुनिक हिन्दी के संभवत: सबसे चर्चित कथाकार प्रेमचंद की इसी शीर्षक से 1924 में लिखी कहानी पर आधारित है। राय ने हिन्दी भाषा में दो ही फ़िल्में बनाईं, और दोनों प्रेमचंद की कहानियों पर आधारित हैं। दूसरी टेलिफ़िल्म सद्गति (1981) है, जो उन्होंने दूरदर्शन के लिए निर्देशित की थी। सन् 1857 के विद्रोह की पृष्ठभूमि पर बनी शतरंज के खिलाड़ी के केंद्र में हैं लखनऊ के दो पतनशील कुलीन मिर्ज़ा सज्जाद अली (संजीव कुमार) और मीर रौशन अली (सईद जाफ़री), जिन्हें शतरंज खेलने की लत है। अवध सल्तनत की राजधानी में यह नवाब वाजिद अली शाह का समय है, ब्रिटिश औपनिवेशिक शासन के कब्ज़े से ठीक पहले का समय। प्रेमचंद की कहानी से अलग हटते हुए राय ने अपनी फ़िल्म में वाजिद अली शाह (अमजद खान) को किरदार के बतौर भी शामिल किया है। राय की बांग्ला भाषा में निर्मित ज़्यादातर फ़िल्मों की तरह उनकी हिन्दी भाषा की दोनों फ़िल्में भी साहित्यिक कृतियों को अपना आधार बनाती हैं। पर राय यहाँ हाथ से पेंट किए गए शीर्षक कार्ड, एनीमेशन, गीतों, नृत्य आदि का इस्तेमाल करते हुए प्रेमचंद की कहानी में रचनात्मकता के नए आयाम जोड़ देते...

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Body of Work

Shatranj Ke Khilari (1977)

The following is a collection of photographs, captured by Nemai Ghosh, seen in the sequential order of the film. The collection includes both photographic stills and working stills.

Roy, Soumendu (Cinematographer), Shatranj Ke Khilari, 1977 | Photographic Still | CinemaEducation | 00662878

Roy, Soumendu (Cinematographer), Shatranj Ke Khilari, 1977 | Photographic Still | CinemaEducation | 00662878

[1/35]

Two noblemen of the Awadh Province under the rule of Nawab Wajid Ali Shah, Mirza Sajjad Ali and Mir Roshan Ali are passionately obsessed with the game of chess and spend their days playing for hours. They are seen offering the evening prayer or Maghrib ki Namaz before starting another round of chess.

Roy, Soumendu (Cinematographer), Shatranj Ke Khilari, 1977 | Photographic Still | CinemaEducation | 00662878
Roy, Soumendu (Cinematographer), Shatranj Ke Khilari, 1977 | Photographic Still | CinemaEducation | 00662879
Roy, Soumendu (Cinematographer), Shatranj Ke Khilari, 1977 | Photographic Still | CinemaEducation | 00662880
Roy, Soumendu (Cinematographer), Shatranj Ke Khilari, 1977 | Photographic Still | CinemaEducation | 00662881
Roy, Soumendu (Cinematographer), Shatranj Ke Khilari, 1977 | Photographic Still | CinemaEducation | 00662882
Roy, Soumendu (Cinematographer), Shatranj Ke Khilari, 1977 | Photographic Still | CinemaEducation | 00662883
Roy, Soumendu (Cinematographer), Shatranj Ke Khilari, 1977 | Photographic Still | CinemaEducation | 00662884
Roy, Soumendu (Cinematographer), Shatranj Ke Khilari, 1977 | Photographic Still | CinemaEducation | 00662885
Roy, Soumendu (Cinematographer), Shatranj Ke Khilari, 1977 | Photographic Still | CinemaEducation | 00662886
Roy, Soumendu (Cinematographer), Shatranj Ke Khilari, 1977 | Photographic Still | CinemaEducation | 00662887
Roy, Soumendu (Cinematographer), Shatranj Ke Khilari, 1977 | Photographic Still | CinemaEducation | 00662888
Roy, Soumendu (Cinematographer), Shatranj Ke Khilari, 1977 | Photographic Still | CinemaEducation | 00662889
Roy, Soumendu (Cinematographer), Shatranj Ke Khilari, 1977 | Photographic Still | CinemaEducation | 00662890
Roy, Soumendu (Cinematographer), Shatranj Ke Khilari, 1977 | Photographic Still | CinemaEducation | 00662891
Roy, Soumendu (Cinematographer), Shatranj Ke Khilari, 1977 | Photographic Still | CinemaEducation | 00662892
Roy, Soumendu (Cinematographer), Shatranj Ke Khilari, 1977 | Photographic Still | CinemaEducation | 00662893
Roy, Soumendu (Cinematographer), Shatranj Ke Khilari, 1977 | Photographic Still | CinemaEducation | 00662894
Roy, Soumendu (Cinematographer), Shatranj Ke Khilari, 1977 | Photographic Still | CinemaEducation | 00662895
Roy, Soumendu (Cinematographer), Shatranj Ke Khilari, 1977 | Photographic Still | CinemaEducation | 00662896
Roy, Soumendu (Cinematographer), Shatranj Ke Khilari, 1977 | Photographic Still | CinemaEducation | 00662897
Roy, Soumendu (Cinematographer), Shatranj Ke Khilari, 1977 | Photographic Still | CinemaEducation | 00662898
Ghosh, Nemai (Still Photographer), Shatranj Ke Khilari, 1977 | Working Still | CinemaEducation | 00663648
Ghosh, Nemai (Still Photographer), Shatranj Ke Khilari, 1977 | Working Still | CinemaEducation | 00663649
Ghosh, Nemai (Still Photographer), Shatranj Ke Khilari, 1977 | Working Still | CinemaEducation | 00663650
Ghosh, Nemai (Still Photographer), Shatranj Ke Khilari, 1977 | Working Still | CinemaEducation | 00663651
Ghosh, Nemai (Still Photographer), Shatranj Ke Khilari, 1977 | Working Still | CinemaEducation | 00663652
Ghosh, Nemai (Still Photographer), Shatranj Ke Khilari, 1977 | Working Still | CinemaEducation | 00663653
Ghosh, Nemai (Still Photographer), Shatranj Ke Khilari, 1977 | Working Still | CinemaEducation | 00663654
Ghosh, Nemai (Still Photographer), Shatranj Ke Khilari, 1977 | Working Still | CinemaEducation | 00663655
Ghosh, Nemai (Still Photographer), Shatranj Ke Khilari, 1977 | Working Still | CinemaEducation | 00663656
Ghosh, Nemai (Still Photographer), Shatranj Ke Khilari, 1977 | Working Still | CinemaEducation | 00663657
Ghosh, Nemai (Still Photographer), Shatranj Ke Khilari, 1977 | Working Still | CinemaEducation | 00663658
Ghosh, Nemai (Still Photographer), Shatranj Ke Khilari, 1977 | Working Still | CinemaEducation | 00663659
Ghosh, Nemai (Still Photographer), Shatranj Ke Khilari, 1977 | Working Still | CinemaEducation | 00663660
Ghosh, Nemai (Still Photographer), Shatranj Ke Khilari, 1977 | Working Still | CinemaEducation | 00663661

The following is a collection of photographs, captured by Nemai Ghosh, seen in the sequential order of the film. The collection includes both photographic stills and working stills.

Roy, Soumendu (Cinematographer), Shatranj Ke Khilari, 1977 | Photographic Still | CinemaEducation | 00662878
Roy, Soumendu (Cinematographer), Shatranj Ke Khilari, 1977 | Photographic Still | CinemaEducation | 00662879
Roy, Soumendu (Cinematographer), Shatranj Ke Khilari, 1977 | Photographic Still | CinemaEducation | 00662880
Roy, Soumendu (Cinematographer), Shatranj Ke Khilari, 1977 | Photographic Still | CinemaEducation | 00662878

Roy, Soumendu (Cinematographer), Shatranj Ke Khilari, 1977 | Photographic Still | CinemaEducation | 00662878

[1/35]

Two noblemen of the Awadh Province under the rule of Nawab Wajid Ali Shah, Mirza Sajjad Ali and Mir Roshan Ali are passionately obsessed with the game of chess and spend their days playing for hours. They are seen offering the evening prayer or Maghrib ki Namaz before starting another round of chess.

Economics of Cinema

Shatranj Ke Khilari (1977)

1978

Shatranj Ke Khilari - World Premiere, Competition Section | Berlin Film Festival | Berlin | Premieres | 22 February 1978 to 03 May 1978

1981

Retrospective: Film India - Complete Satyajit Ray Retrospective | Museum of Modern Art | New York | Retrospectives | 25 June 1981 to 24 July 1981

1996

Satyajit Ray Retrospective | Grey Art Gallery | New York University | Retrospectives | 10 May 1996 to 02 November 1996

2006

Satyajit Ray: Lekha Theke Chhab | Bengal Gallery of Fine Arts of India | Bangladesh National Museum | Bangladesh | Retrospectives | 01 April 2006 to 01 April 2006

2009

The World of Satyajit Ray | Film Society of Lincoln Center's Walter Reade Theater | New York | Retrospectives | 15 August 2009 to 30 August 2009

2010

Satyajit Ray Retrospective | National Museum of Singapore | Singapore | Retrospectives | 10 January 2010 to 24 October 2010

2011

Satyajit Ray Retrospective | Film South Asia (FSA) | Yale Maya Kendra, Kathmandu | Retrospectives | 21 February 2011 to 25 February 2011

2013

Satyajit Ray Retrospective | British Film Institute | London | Retrospectives | 01 August 2013 to 01 September 2013

2014

The Brilliance of Satyajit Ray | Berkeley Art Museum | Pacific Film Archive | | Retrospectives | 17 January 2014 to 31 August 2014

2014

The Sun and the Moon: The Films of Satyajit Ray | Toronto International Film Festival (TIFF) | TIFF Bell Lightbox, Toronto | Retrospectives | 07 March 2014 to 17 August 2014

2016

Satyajit Ray Film Retrospective | Jerusalem, Tel Aviv, Haifa Cinematheques | Israel | Retrospectives | 24 July 2016 to 08 August 2016

2018

Satyajit Ray Retrospective | Rasa Festival | Ann Arbor District Library, Downtown Branch, USA | Retrospectives | 30 September 2018 to 30 September 2018

2019

Satyajit Ray: A Retrospective | Southern Asia at Chicago | Chicago | Retrospectives | 04 March 2019 to 05 June 2019

Research Centre

Tuli Research Centre for India Studies (Editor). Gabbar Singh and Nawab Wajid Ali Khan: Amjad Khan, 17 March 2025 | In-house Video

Tuli Research Centre for India Studies (Editor). Gabbar Singh and Nawab Wajid Ali Khan: Amjad Khan, 17 March 2025 | In-house Video

Tuli Research Centre for India Studies (Editor). Re-examining Colonel Mordaunt’s Cock-Fight, 22 February 2025 | In-house Video

Tuli Research Centre for India Studies (Editor). Re-examining Colonel Mordaunt’s Cock-Fight, 22 February 2025 | In-house Video

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