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Introduction

Vivan Sundaram was a multidisciplinary artist whose work spans painting, installation, photography, video, and archival intervention. Trained at Baroda and the Slade School in London, his early involvement in leftist politics and student activism shaped his later critical engagement with art as a socio-political tool. Sundaram's practice moved from expressionist figuration to conceptual and installation-based forms, often interrogating memory, urban space, and the archive. Key projects such as Memorial (1993), Trash (2008), and Re-take of Amrita (2001–02) exemplify his interest in intergenerational history, material reuse, and the politics of representation. He frequently collaborated with historians, designers, and activists, situating his practice within broader discursive fields. Sundaram's work resists medium-specificity, operating instead through a mode of assemblage both materially and epistemologically. His contribution lies in expanding the parameters of contemporary Indian art to include questions of historiography, ecology, and the politics of form.

Zodiac sign
Gemini
Age
80
Place of Birth
Shimla, Himachal Pradesh, India
Place of Death
New Delhi, NCT of Delhi, India
Spouse(s)
Geeta kapur
State Country of Birth
Himachal Pradesh, India
State Country of Death
NCT of Delhi, India

Exhibitions

  1. 1965

    1. Five Painters, Curated by Mansaram, Taj Art Gallery Mumbai, India
  2. 1966

    1. Paintings, Taj Art Gallery, Mumbai, India
    2. Paintings, Dhoomimal Art Gallery, New Delhi, India
  3. 1967

    1. Contemporaty Indian Art of India and Iran, Ben and Abby Grey Foundation, New York, USA
    2. Graphic Prints from Slade School, Clare College, Cambridge, UK
  4. 1968

    1. Paintings, Arts Laboratory, London, UK
    2. Young Contemporaries, Royal Academy of Arts, London, UK
  5. 1972

    1. Gallery Chemould, Kolkata, India
    2. The Heights of Macchu Picchu, Drawings based on Pablo Neruda's poem, Kunika Chemould Art Centre, New Delhi, India
  6. 1974

    1. Group Exhibition, Lalit Kala Akademi, Rabindra Bhavan, New Delhi, India
    2. Bhupen Khakhar and Vivan Sundaram, Jehangir Art Gallery, Mumbai, India
  7. 1975

    1. Lalit Kala Akademi, Rabindra Bhavan, New Delhi, India
  8. 1976

    1. The Discreet Charm of the Bourgeoisie, Paintings, Lalit Kala Akademi, Rabindra Bhavan, New Delhi, India
    2. Jehangir Art Gallery, Mumbai, India
    3. Academy of Fine Arts, Kolkata, India
  9. 1977

    1. Jehangir Art Gallery, Mumbai, India
    2. The Indian Emergency, Drawings, Black Partridge Gallery, New Delhi, India
    3. Pictorial Space, Lalit Kala Akademi, Rabindra Bhavan, New Delhi, India
    4. Bhupen Khakhar and Vivan Sundaram, Jehangir Art Gallery, Mumbai, India
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Sundaram, Vivan (Artist). Vivan Sundaram, 1974 | Solo Exhibition Catalogue | 00882819

Sundaram, Vivan (Artist). Vivan Sundaram, 1974 | Solo Exhibition Catalogue | 00882819

Chronicled Highlights 141963 – 2012

Vivan Sundaram — Shimla, Himachal Pradesh, India.

1963
Public Auction HighPainting
Christie's · South Asian Modern + Contemporary ArtNew York · 18 September 2024

In 2024, the artist achieved a new high in the auction market with the sale of Untitled (A Winter Night) (1963), offered in the South Asian Modern + Contemporary Art by Christie's, which concluded on 18 September 2024 at New York, achieving a sale price of ₹73,75,037.04 ($88,200). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.

Sundaram, Vivan (Artist). Untitled (A Winter Night), 1963 | Painting
Selling price
INR73,75,037
26% above high estimate
Estimate
INR 41,80,860 – 58,53,204
Rate per sq in
INR 4,749
Medium
Oil on canvas
Dimensions
32.6 × 47.6 in (83 × 121 cm)
Signature
S/d 'Vivan '63' (on the reverse)
Lot
645 · Ch.NeY/18.09.24
Provenance
Acquired directly from the artist
1967
Public Auction HighPainting
Sotheby's · Modern & Contemporary South Asian ArtNew York · 26 March 2026

In 2026, the artist achieved a new high in the auction market with the sale of Inbetweenness (1967), offered in the Modern & Contemporary South Asian Art by Sotheby's, which concluded on 26 March 2026 at New York, achieving a sale price of ₹8,47,60,524.8 ($896,000). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.

Sundaram, Vivan (Artist). Inbetweenness, 1967 | Painting
Selling price
INR8,47,60,525
647% above high estimate
Estimate
INR 75,67,904 – 1,13,51,856
Rate per sq in
INR 42,380
Medium
Oil on canvas
Dimensions
50 × 40 in (127 × 102 cm)
Signature
Signed, dated, titled and inscribed 'Vivan Sundaram / VIVAN SUNDARAM. / SLADE SCHOOL. / Title - "INBETWEENESS" / 40" X 50". / MARCH. 67. / LONDON. / FOR MONTREAUL [sic]' on reverse
Lot
322 · So.NeY/26.03.26
Provenance
Acquired from George M. Butcher, Le Demain Doré Gallery, Montréal, 1986
1981
Public Auction HighPainting
Sotheby's · Indian and Southeast Asian Art: Including Modern Indian PaintingsNew York · 29 March 2006

In 2006, the artist achieved a new high in the auction market with the sale of Passage (1981), offered in the Indian and Southeast Asian Art: Including Modern Indian Paintings by Sotheby's, which concluded on 29 March 2006 at New York, achieving a sale price of ₹22,79,190 ($51,000). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.

Sundaram, Vivan (Artist). Passage, 1981 | Painting
Selling price
INR22,79,190
183% above high estimate
Estimate
INR 5,36,280 – 8,04,420
Rate per sq in
INR 906
Medium
Oil on canvas
Dimensions
36.3 × 69.3 in (92 × 176 cm)
Lot
120 · So.NeY/29.03.06
1985
Public Auction HighPainting
Osian's · Historical Series IIINew Delhi · 24 November 2006

In 2006, the artist achieved a new high in the auction market with the sale of Two Boys Sitting On The Outer Wall (Kalidas & Pandu) (1985), offered in the Historical Series III by Osian's, which concluded on 24 November 2006 at New Delhi, achieving a sale price of ₹28,80,000 ($64,185). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.

Sundaram, Vivan (Artist). Two Boys Sitting On The Outer Wall (Kalidas & Pandu), 1984-1985 | Painting
Selling price
INR28,80,000
Within estimate
Estimate
INR 24,00,000 – 30,00,000
Rate per sq in
INR 862
Medium
Oil on canvas
Dimensions
78.5 × 42.5 in (200 × 108 cm)
Lot
114 · Os.Del/24.11.06
1987
Image 1/2
First Auction Appearance | BOOK.AUCDrawing
Christie's · Contemporary Indian Art (Charity Auction)Mumbai · 20 December 1987

On 20 December 1987, Vivan Sundaram made their debut in the Indian public auction market when Intimate Landing was presented as Lot 33 in Contemporary Indian Art (Charity Auction), conducted by Christie's in Mumbai, India. This auction marked the artist's first recorded appearance in the public auction market, establishing the earliest chapter of their auction history.

Sundaram, Vivan (Artist). Intimate Landing, 1987 | Drawing
Medium
Dry pastel on paper
Lot
33 · Ch.Mum/20.12.87
1987
Public Auction HighDrawing
Christie's · Indian Contemporary ArtLondon · 04 June 1997

In 1997, the artist achieved a new high in the auction market with the sale of Untitled (1987), offered in the Indian Contemporary Art by Christie's, which concluded on 04 June 1997 at London, achieving a sale price of ₹43,784 ($1,224). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.

Sundaram, Vivan (Artist). Untitled, 1987 | Drawing
Selling price
INR43,784
Below low estimate
Estimate
INR 46,828 – 70,242
Rate per sq in
INR 238
Medium
Pastel, black chalk and gouache on paper
Dimensions
11.5 × 16 in (29 × 41 cm)
Lot
201 · Ch.Lon/04.06.97
1988
Public Auction HighPainting
Bowrings · Modern and Contemporary Indian PaintingsMumbai · 21 March 2002

In 2002, the artist achieved a new high in the auction market with the sale of Fisherwomen Of Bombay (1988), offered in the Modern and Contemporary Indian Paintings by Bowrings, which concluded on 21 March 2002 at Mumbai, achieving a sale price of ₹9,30,000 ($19,077). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.

Sundaram, Vivan (Artist). Fisherwomen Of Bombay, 1988 | Painting
Selling price
INR9,30,000
3% above high estimate
Estimate
INR 7,00,000 – 9,00,000
Rate per sq in
INR 180
Medium
Oil on canvas
Dimensions
74.8 × 68.9 in (190 × 175 cm)
Lot
112 · Bow.Mum/21.03.02
1988
Public Auction HighPainting
Pundole · The Fine Art SaleMumbai · 22 November 2018

In 2018, the artist achieved a new high in the auction market with the sale of Boy and Totems (1988), offered in the The Fine Art Sale by Pundole, which concluded on 22 November 2018 at Mumbai, achieving a sale price of ₹48,00,000 ($67,435.9). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.

Sundaram, Vivan (Artist). Boy and Totems, 1988 | Painting
Selling price
INR48,00,000
140% above high estimate
Estimate
INR 15,00,000 – 20,00,000
Rate per sq in
INR 565
Medium
Oil on canvas
Dimensions
69.1 × 123 in (176 × 312 cm)
Lot
54 · Pu.Mum/22.11.18
1989
Public Auction HighPainting
Sotheby's · Contemporary Indian Paintings: From the Chester and Davida Herwitz CollectionNew York · 05 December 2000

In 2000, the artist achieved a new high in the auction market with the sale of Untitled (1989), offered in the Contemporary Indian Paintings: From the Chester and Davida Herwitz Collection by Sotheby's, which concluded on 05 December 2000 at New York, achieving a sale price of ₹2,52,720 ($5,400). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.

Sundaram, Vivan (Artist). Untitled, 1988-1989 | Painting
Selling price
INR2,52,720
Within estimate
Estimate
INR 2,34,000 – 3,27,600
Rate per sq in
INR 75.23
Medium
Mixed media installation
Dimensions
96 × 35 in (244 × 89 cm)
Lot
24 · So.NeY/05.12.00
Provenance
Chester and Davida Herwitz Collection, USA
1989
Public Auction HighPainting
Osian's · The Masterpieces & Museum Quality Series: Indian Contemporary Art – Books, Paintings & SculptureNew Delhi · 15 October 2004

In 2004, the artist achieved a new high in the auction market with the sale of The Carpenter & His Wife (1989), offered in the The Masterpieces & Museum Quality Series: Indian Contemporary Art – Books, Paintings & Sculpture by Osian's, which concluded on 15 October 2004 at New Delhi, achieving a sale price of ₹14,95,631 ($32,613). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.

Sundaram, Vivan (Artist). The Carpenter & His Wife, 1989 | Painting
Selling price
INR14,95,631
20% above high estimate
Estimate
INR 10,00,000 – 12,50,000
Rate per sq in
INR 642
Medium
Oil on canvas
Dimensions
43.5 × 53.5 in (111 × 136 cm)
Lot
122 · Os.Del/15.10.04
1989
Public Auction HighPainting
Pundole · The Fine Art SaleMumbai · 25 September 2025

In 2025, the artist achieved a new high in the auction market with the sale of Ship Aground (1989), offered in the The Fine Art Sale by Pundole, which concluded on 25 September 2025 at Mumbai, achieving a sale price of ₹2,60,00,000 ($293,223.38). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.

Sundaram, Vivan (Artist). Ship Aground, 1988-89 | Painting
Selling price
INR2,60,00,000
420% above high estimate
Estimate
INR 30,00,000 – 50,00,000
Rate per sq in
INR 7,073
Medium
Oil on canvas
Dimensions
68.7 × 53.5 in (175 × 136 cm)
Signature
Signed, dated and inscribed ‘‘Ship Aground’ - 1988-89 / Vivan Sundaram’ on reverse
Lot
40 · Pu.Mum/25.09.25
Provenance
Property from an important collection
1990
Public Auction HighPainting
Christie's · South Asian ArtMumbai · 19 December 2013

In 2013, the artist achieved a new high in the auction market with the sale of Easel Painting (1990), offered in the South Asian Art by Christie's, which concluded on 19 December 2013 at Mumbai, achieving a sale price of ₹32,50,000 ($52,100). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.

Sundaram, Vivan (Artist). Easel Painting, 1989-1990 | Painting
Selling price
INR32,50,000
63% above high estimate
Estimate
INR 15,00,000 – 20,00,000
Rate per sq in
INR 564
Medium
Oil on canvas
Dimensions
65.6 × 87.9 in (167 × 223 cm)
Signature
Titled, s/d 'Easel Painting 1989-90 Vivan Sundaram' (verso)
Lot
48 · Ch.Mum/19.12.13
12 of 14

Economics of Art

20 of 48

Research Centre

Posts 2

  1. All Living Souls
    Tuli Research Centre for India Studies presents All Living Souls - Expressed in the Modern and Contemporary Fine & Popular Indian Arts Curated by Neville Tuli As part of launching the 16th Research Category for India Studies - "The Animal-Human-Nature-Continuum" we present a fascinating exhibition of modern and contemporary Indian fine and popular arts and their expression of the ideas and forms related to the dialogue between animals and humans, and the larger cosmic and spiritual thoughts which abide therein. Please visit the Exhibition and see the artworks by modern and contemporary masters such as Rabindranath Tagore, D.P. Roy Chowdhury, M.F. Husain, J. Swaminathan, J. Sultan Ali, Somnath Hore, Ganesh Pyne, Manjit Bawa, K. Laxma Goud, Krishna Reddy, Jyoti Bhatt, Rekha Rodwittiya, Amit Ambalal, among others, along with vintage and rare prints from the pioneering Indian chromolithographic presses such as Chitrashala, Ravi Varma, Calcutta Art Studio, Chore Bagan & Kansaripara.
  2. SWARAJ - Revisualising India's Political History
    "What does 𝗦𝘄𝗮𝗿𝗮𝗷 truly mean? Is freedom achieved at a single historic moment or period, or must self-rule be continually imagined, questioned and renewed? India's journey towards Swaraj was shaped not by one voice or one path, but through reform and resistance, revolution and non-violence, political thought, public protest, art, print, photography, cinema and the collective will of its people. The Tuli Research Centre for India Studies (T.R.I.S.) presents 𝗦𝗪𝗔𝗥𝗔𝗝: 𝗥𝗲𝘃𝗶𝘀𝘂𝗮𝗹𝗶𝘀𝗶𝗻𝗴 𝗜𝗻𝗱𝗶𝗮'𝘀 𝗣𝗼𝗹𝗶𝘁𝗶𝗰𝗮𝗹 𝗛𝗶𝘀𝘁𝗼𝗿𝘆, a pioneering exhibition curated by Neville Tuli. Bringing together rare artworks, prints, photographs, books, film publicity art, political propaganda and visual-textual-audio archives, SWARAJ traces India's complex journey towards political self-rule and self-discovery. From early European coastal encounters, the Bengal Renaissance and the First War of Independence in 1857 to the rise of Bharat Mata, the Tiranga, Gandhiji's inspired satyagraha, civil disobedience and mass mobilisation, the exhibition explores how the idea of India was envisioned, contested and transformed. It journeys through revolutionary movements and non-violence, subaltern uprisings, the Partition, the Constitution, the integration of the Princely States, the Emergency, wars, civic dissent and people's protests. It also foregrounds the vital role of artists, photographers, publishers, newspapers, journals, cartoons and cinema in recording and shaping the nation's political consciousness. SWARAJ invites us to encounter history not as something distant or settled, but as a daily living inheritance that continues to influence who we are and how we understand freedom, identity, and ourselves today. Watch the video for a glimpse into this expansive visual journey, and follow the exhibition as it revisualises India's political history through art, image, text and sound.

Calendar 2

  1. SWARAJ - Revisualising India's Political History
    ArchivedOpening PreviewProject 82
    SWARAJ - Revisualising India's Political History
    An Exhibition of Modern & Contemporary Fine & Popular Arts, Photography, Film Memorabilia and Visual-Textual-Audio Archive
    12th August 2026
    6:00 PM - 9:00 PM
    Visual Arts Gallery, India Habitat Centre, Lodhi Road, New Delhi,
    The Tuli Research Centre for India Studies (T.R.I.S.) announces its seventh exhibition. “Swaraj – Revisualising India's Political History” -- An exhibition of Modern and Contemporary Fine and Popular Arts, Photography, Film Memorabilia and Visual-Textual-Audio Archives. Swaraj will open at 6 p.m. on Wednesday, 12 August 2026 at the Visual Arts Gallery and will remain open till 7 p.m. Sunday, 16 August 2026. Tuli Research Centre for India Studies (T.R.I.S.) presents SWARAJ | Revisualising India's Political History, a pioneering inter-disciplinary offline-online exhibition conceptualised and curated by Neville Tuli with Team T.R.I.S.. SWARAJ explores India's journey towards political self-rule and self-discovery through a remarkable collection of rare modern and contemporary fine and popular arts, albums, photographs, books, prints, propaganda, cartoons, film publicity artworks and other "text-visual-audio" archives contextualised within a clear historical framework, which defines T.R.I.S.' pedagogic approach to learning. The Exhibition will be of particular interest to students and scholars of India & Cultural Studies, and India's political and modern histories as well as those interested in the passage of events and ideas from the mid-1850s leading up to the turn of the 21st century. Unique to the Tuli Research Centre for India Studies is the richness of visual material that not only exhorts a deeper understanding of the art and archival materials on display but also brings alive the multi-layered narratives of the exhibition and naturally India's journey in being ad searching for herself.
    Read More →
    +16 more
  2. SWARAJ - Revisualising India's Political History
    ArchivedExhibitionProject 81
    SWARAJ - Revisualising India's Political History
    An Exhibition of Modern & Contemporary Fine & Popular Arts, Photography, Film Memorabilia and Visual-Textual-Audio Archive
    12th - 19th August 2026
    10:00 AM - 7:00 PM
    Visual Arts Gallery, India Habitat Centre, Lodhi Road, New Delhi,
    19
    The Tuli Research Centre for India Studies (T.R.I.S.) announces its seventh exhibition. “Swaraj – Revisualising India's Political History” -- An exhibition of Modern and Contemporary Fine and Popular Arts, Photography, Film Memorabilia and Visual-Textual-Audio Archives. Swaraj will open at 6 p.m. on Wednesday, 12 August 2026 at the Visual Arts Gallery and will remain open till 7 p.m. Sunday, 16 August 2026. Tuli Research Centre for India Studies (T.R.I.S.) presents SWARAJ | Revisualising India's Political History, a pioneering inter-disciplinary offline-online exhibition conceptualised and curated by Neville Tuli with Team T.R.I.S.. SWARAJ explores India's journey towards political self-rule and self-discovery through a remarkable collection of rare modern and contemporary fine and popular arts, albums, photographs, books, prints, propaganda, cartoons, film publicity artworks and other "text-visual-audio" archives contextualised within a clear historical framework, which defines T.R.I.S.' pedagogic approach to learning. The Exhibition will be of particular interest to students and scholars of India & Cultural Studies, and India's political and modern histories as well as those interested in the passage of events and ideas from the mid-1850s leading up to the turn of the 21st century. Unique to the Tuli Research Centre for India Studies is the richness of visual material that not only exhorts a deeper understanding of the art and archival materials on display but also brings alive the multi-layered narratives of the exhibition and naturally India's journey in being ad searching for herself.
    Read More →
    +16 more