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Home/Andrei Tarkovsky

Andrei Tarkovsky

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Andrei Tarkovsky (Director), Andrei Rublev, 1966, Photographic Still
Tarkovsky, Andrei (Director), Andrei Rublev, 1966. The Bellcaster (Kolya Burlyaev) in Andrei Rublev | Photographic Still
Andrei Tarkovsky (Director), Andrei Rublev, 1966, Photographic Still
Tarkovsky, Andrei (Director), Andrei Rublev, 1966. Andrei Rublev (Anatoli Solonitsyn) | Photographic Still
Andrei Tarkovsky (Director), Solaris, 1972, Photographic Still
Tarkovsky, Andrei (Director), Solaris, 1972. Harey (Natalya Bondarchuk) and Kelvin (Donatas Banionis) in Solaris | Photographic Still
Andrei Tarkovsky (Director), Solaris, 1972, Working Still
Tarkovsky, Andrei (Director), Solaris, 1972. Andrei Tarkovsky | Working Still
G.P. Deshpande (Editor), Journal of Arts & Ideas, 1983, Journal
Deshpande, G.P. (Editor) and Romi Khosla (Managing Editor & Treasurer). Journal of Arts & Ideas, October-December 1983 | Journal | 00842139
Madan Gopal Singh (Essayist), On Solaris and Tarkovsky, 1983, Essay
Singh, Madan Gopal (Essayist). On Solaris and Tarkovsky. In Journal of Arts & Ideas. 5. October-December 1983 | Essay | 00676293
G.P. Deshpande (Editor), Journal of Arts & Ideas, 1987, Journal
Deshpande, G.P. (Editor) and Romi Khosla (Managing Editor & Treasurer). Journal of Arts & Ideas, January-June 1987 | Journal | 00842143
Andrei Tarkovsky (Essayist), The Sacrifice, 1987, Essay
Tarkovsky, Andrei (Essayist). The Sacrifice. In Journal of Arts & Ideas. 12-13. January-June 1987 | Essay | 00676326
Kalpana Sahni (Translator), Contemporary Arts is Devoid of a Spiritual Basis', 1987, Interview
Sahni, Kalpana (Translator). Contemporary Arts is Devoid of a Spiritual Basis'. In Journal of Arts & Ideas. 12-13. January-June 1987 | Interview | 00676325
Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), Untitled | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), Untitled | Photographic Still
Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), The Final scene in The Sacrifice | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), The Final scene in The Sacrifice | Photographic Still
Aleksandra Demidova (Producer), Demidova, Aleksandra (Producer), Scene from Stalker | Photographic Still, Photographic Still
Demidova, Aleksandra (Producer), Scene from Stalker | Photographic Still
Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), Untitled | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), Untitled | Photographic Still
Aleksandra Demidova (Producer), Demidova, Aleksandra (Producer), Scene from Stalker | Photographic Still, Photographic Still
Demidova, Aleksandra (Producer), Scene from Stalker | Photographic Still
Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), Otto. The postman (Allan Edwal), Alexander's daughter. Marta (Filippa Frazen) and wife, Adelaide (Susan Fleetwood) | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), Otto. The postman (Allan Edwal), Alexander's daughter. Marta (Filippa Frazen) and wife, Adelaide (Susan Fleetwood) | Photographic Still
Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), Alexander's son (Tommy Kjellqvist) in his room. The Sacrifice | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), Alexander's son (Tommy Kjellqvist) in his room. The Sacrifice | Photographic Still
Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), Alexander (Erland Josephson) (left) and his doctor friend, Victor (Sven Wollter) | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), Alexander (Erland Josephson) (left) and his doctor friend, Victor (Sven Wollter) | Photographic Still
Aleksandra Demidova (Producer), Demidova, Aleksandra (Producer), Scene from Stalker | Photographic Still, Photographic Still
Demidova, Aleksandra (Producer), Scene from Stalker | Photographic Still
Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), The Sacrifice: The central sequence frame by frame | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), The Sacrifice: The central sequence frame by frame | Photographic Still
Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), The Model and the house in The Sacrifice | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), The Model and the house in The Sacrifice | Photographic Still
20 of 27
G.P. Deshpande (Editor), Journal of Arts & Ideas, 1983, Journal
Deshpande, G.P. (Editor) and Romi Khosla (Managing Editor & Treasurer). Journal of Arts & Ideas, October-December 1983 | Journal | 00842139
Madan Gopal Singh (Essayist), On Solaris and Tarkovsky, 1983, Essay
Singh, Madan Gopal (Essayist). On Solaris and Tarkovsky. In Journal of Arts & Ideas. 5. October-December 1983 | Essay | 00676293
G.P. Deshpande (Editor), Journal of Arts & Ideas, 1987, Journal
Deshpande, G.P. (Editor) and Romi Khosla (Managing Editor & Treasurer). Journal of Arts & Ideas, January-June 1987 | Journal | 00842143
Andrei Tarkovsky (Essayist), The Sacrifice, 1987, Essay
Tarkovsky, Andrei (Essayist). The Sacrifice. In Journal of Arts & Ideas. 12-13. January-June 1987 | Essay | 00676326
Kalpana Sahni (Translator), Contemporary Arts is Devoid of a Spiritual Basis', 1987, Interview
Sahni, Kalpana (Translator). Contemporary Arts is Devoid of a Spiritual Basis'. In Journal of Arts & Ideas. 12-13. January-June 1987 | Interview | 00676325
Andrei Tarkovsky (Director), Andrei Rublev, 1966, Photographic Still
Tarkovsky, Andrei (Director), Andrei Rublev, 1966. The Bellcaster (Kolya Burlyaev) in Andrei Rublev | Photographic Still
Andrei Tarkovsky (Director), Andrei Rublev, 1966, Photographic Still
Tarkovsky, Andrei (Director), Andrei Rublev, 1966. Andrei Rublev (Anatoli Solonitsyn) | Photographic Still
Andrei Tarkovsky (Director), Solaris, 1972, Photographic Still
Tarkovsky, Andrei (Director), Solaris, 1972. Harey (Natalya Bondarchuk) and Kelvin (Donatas Banionis) in Solaris | Photographic Still
Andrei Tarkovsky (Director), Solaris, 1972, Working Still
Tarkovsky, Andrei (Director), Solaris, 1972. Andrei Tarkovsky | Working Still
Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), Untitled | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), Untitled | Photographic Still
Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), The Final scene in The Sacrifice | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), The Final scene in The Sacrifice | Photographic Still
Aleksandra Demidova (Producer), Demidova, Aleksandra (Producer), Scene from Stalker | Photographic Still, Photographic Still
Demidova, Aleksandra (Producer), Scene from Stalker | Photographic Still
Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), Untitled | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), Untitled | Photographic Still
Aleksandra Demidova (Producer), Demidova, Aleksandra (Producer), Scene from Stalker | Photographic Still, Photographic Still
Demidova, Aleksandra (Producer), Scene from Stalker | Photographic Still
Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), Otto. The postman (Allan Edwal), Alexander's daughter. Marta (Filippa Frazen) and wife, Adelaide (Susan Fleetwood) | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), Otto. The postman (Allan Edwal), Alexander's daughter. Marta (Filippa Frazen) and wife, Adelaide (Susan Fleetwood) | Photographic Still
Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), Alexander's son (Tommy Kjellqvist) in his room. The Sacrifice | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), Alexander's son (Tommy Kjellqvist) in his room. The Sacrifice | Photographic Still
Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), Alexander (Erland Josephson) (left) and his doctor friend, Victor (Sven Wollter) | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), Alexander (Erland Josephson) (left) and his doctor friend, Victor (Sven Wollter) | Photographic Still
Aleksandra Demidova (Producer), Demidova, Aleksandra (Producer), Scene from Stalker | Photographic Still, Photographic Still
Demidova, Aleksandra (Producer), Scene from Stalker | Photographic Still
Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), The Sacrifice: The central sequence frame by frame | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), The Sacrifice: The central sequence frame by frame | Photographic Still
Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), The Model and the house in The Sacrifice | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), The Model and the house in The Sacrifice | Photographic Still
Vadim Yusov (Cinematographer), Yusov, Vadim (Cinematographer), Dream sequence in Ivan's Childhood | Photographic Still, Photographic Still
Yusov, Vadim (Cinematographer), Dream sequence in Ivan's Childhood | Photographic Still
Georgi Rerberg (Cinematographer), Rerberg, Georgi (Cinematographer), Father comes home on leave. Mirror | Photographic Still, Photographic Still
Rerberg, Georgi (Cinematographer), Father comes home on leave. Mirror | Photographic Still
Giuseppe Lanci (Cinematographer), Lanci, Giuseppe (Cinematographer), Scene from Nostalgia | Photographic Still, Photographic Still
Lanci, Giuseppe (Cinematographer), Scene from Nostalgia | Photographic Still
Georgi Rerberg (Cinematographer), Rerberg, Georgi (Cinematographer), The Mother (Margarita Terekhova) in Mirror | Photographic Still, Photographic Still
Rerberg, Georgi (Cinematographer), The Mother (Margarita Terekhova) in Mirror | Photographic Still
Unknown (Photographer), Andrei Tarkovsky on his death bed, Contemporary Photograph
Unknown (Photographer). Andrei Tarkovsky on his death bed, n.d. | Contemporary Photograph
20 of 22
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© Tuli Research Centre for India Studies 2026

Tuli Research Centre for India Studies

Tuli Research Centre

for India Studies

A free and open knowledge base for the modern and contemporary Indian arts, cinema, photography and cultural heritage.

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© Tuli Research Centre for India Studies 2026

                          Deshpande, G.P. (Editor) and Romi Khosla (Managing Editor & Treasurer). Journal of Arts & Ideas. 5. Noida: G.P. Deshpande, October-December 1983 | Journal | CinemaEducation | 00842139
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                          2
                          G.P. Deshpande (Editor) and Romi Khosla (Managing Editor & Treasurer)
                          TitleJournal of Arts & Ideas
                          Contributor(s)Vivan Sundaram, Indira Chandrashekhar, Chanchal Chauhan (Associate Editor), Prasanna (Theatre), Geeta Kapur (Visual Arts), Kumar Shahani (Film), Malini Bhattacharya (Literature), Neela Khopkar (Music), Anil Bhatti (Book Reviews) (Contributing Editor), Saeed Akhtar Mirza, Mihir Bhattacharya, M.S. Sathyu, Sudhir Patwardhan, Kalpana Sahni, Mani Kaul, P. Govinda Pillai, Prabhakar (Advisory Editor), G.M. Sheikh, Ashish Rajadhyaksha, J.P.S. Oberoi, Arun Khopkar, Kumar Shahani, Ketan Mehta, Madan Gopal Singh (Essayist)
                          Document TypeJournal
                          PublisherG.P. Deshpande, Noida
                          Date of PublicationOctober-December 1983
                          Volume5,Pages77
                          BindingPB
                          LanguageEnglish
                          Keywordsketan-mehta | sergei-m-eisenstein | andher-nagri-1980 | periodicals-journals | book-jou | library

                          Research Categories

                          1_CinemaEducation
                          12_Scholarship
                          9_SocialDuty
                          2_FineArts

                          View More in this Publication

                          Essays (9)
                          Illustrated References (22)
                          Journal Of Arts And Ideas

                          Related Links10

                          Masterlist6
                          Periodicals JournalsVivan SundaramGeeta KapurSaeed Akhtar MirzaSudhir PatwardhanJournal of Arts and Ideas
                          Research Categories4
                          01Cinema as a Critical Educational Resource12The History & Historiography of Scholarship in the Arts, Humanities, and Social Sciences09Social Responsibility of the Creative Mind02Modern and Contemporary Indian Fine Arts