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Home/Andrei Tarkovsky

Andrei Tarkovsky

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Andrei Tarkovsky (Director), Andrei Rublev, 1966, Photographic Still
Tarkovsky, Andrei (Director), Andrei Rublev, 1966. The Bellcaster (Kolya Burlyaev) in Andrei Rublev | Photographic Still
Andrei Tarkovsky (Director), Andrei Rublev, 1966, Photographic Still
Tarkovsky, Andrei (Director), Andrei Rublev, 1966. Andrei Rublev (Anatoli Solonitsyn) | Photographic Still
Andrei Tarkovsky (Director), Solaris, 1972, Photographic Still
Tarkovsky, Andrei (Director), Solaris, 1972. Harey (Natalya Bondarchuk) and Kelvin (Donatas Banionis) in Solaris | Photographic Still
Andrei Tarkovsky (Director), Solaris, 1972, Working Still
Tarkovsky, Andrei (Director), Solaris, 1972. Andrei Tarkovsky | Working Still
G.P. Deshpande (Editor), Journal of Arts & Ideas, 1983, Journal
Deshpande, G.P. (Editor) and Romi Khosla (Managing Editor & Treasurer). Journal of Arts & Ideas, October-December 1983 | Journal | 00842139
Madan Gopal Singh (Essayist), On Solaris and Tarkovsky, 1983, Essay
Singh, Madan Gopal (Essayist). On Solaris and Tarkovsky. In Journal of Arts & Ideas. 5. October-December 1983 | Essay | 00676293
G.P. Deshpande (Editor), Journal of Arts & Ideas, 1987, Journal
Deshpande, G.P. (Editor) and Romi Khosla (Managing Editor & Treasurer). Journal of Arts & Ideas, January-June 1987 | Journal | 00842143
Andrei Tarkovsky (Essayist), The Sacrifice, 1987, Essay
Tarkovsky, Andrei (Essayist). The Sacrifice. In Journal of Arts & Ideas. 12-13. January-June 1987 | Essay | 00676326
Kalpana Sahni (Translator), Contemporary Arts is Devoid of a Spiritual Basis', 1987, Interview
Sahni, Kalpana (Translator). Contemporary Arts is Devoid of a Spiritual Basis'. In Journal of Arts & Ideas. 12-13. January-June 1987 | Interview | 00676325
Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), Untitled | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), Untitled | Photographic Still
Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), The Final scene in The Sacrifice | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), The Final scene in The Sacrifice | Photographic Still
Aleksandra Demidova (Producer), Demidova, Aleksandra (Producer), Scene from Stalker | Photographic Still, Photographic Still
Demidova, Aleksandra (Producer), Scene from Stalker | Photographic Still
Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), Untitled | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), Untitled | Photographic Still
Aleksandra Demidova (Producer), Demidova, Aleksandra (Producer), Scene from Stalker | Photographic Still, Photographic Still
Demidova, Aleksandra (Producer), Scene from Stalker | Photographic Still
Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), Otto. The postman (Allan Edwal), Alexander's daughter. Marta (Filippa Frazen) and wife, Adelaide (Susan Fleetwood) | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), Otto. The postman (Allan Edwal), Alexander's daughter. Marta (Filippa Frazen) and wife, Adelaide (Susan Fleetwood) | Photographic Still
Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), Alexander's son (Tommy Kjellqvist) in his room. The Sacrifice | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), Alexander's son (Tommy Kjellqvist) in his room. The Sacrifice | Photographic Still
Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), Alexander (Erland Josephson) (left) and his doctor friend, Victor (Sven Wollter) | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), Alexander (Erland Josephson) (left) and his doctor friend, Victor (Sven Wollter) | Photographic Still
Aleksandra Demidova (Producer), Demidova, Aleksandra (Producer), Scene from Stalker | Photographic Still, Photographic Still
Demidova, Aleksandra (Producer), Scene from Stalker | Photographic Still
Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), The Sacrifice: The central sequence frame by frame | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), The Sacrifice: The central sequence frame by frame | Photographic Still
Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), The Model and the house in The Sacrifice | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), The Model and the house in The Sacrifice | Photographic Still
20 of 27
G.P. Deshpande (Editor), Journal of Arts & Ideas, 1983, Journal
Deshpande, G.P. (Editor) and Romi Khosla (Managing Editor & Treasurer). Journal of Arts & Ideas, October-December 1983 | Journal | 00842139
Madan Gopal Singh (Essayist), On Solaris and Tarkovsky, 1983, Essay
Singh, Madan Gopal (Essayist). On Solaris and Tarkovsky. In Journal of Arts & Ideas. 5. October-December 1983 | Essay | 00676293
G.P. Deshpande (Editor), Journal of Arts & Ideas, 1987, Journal
Deshpande, G.P. (Editor) and Romi Khosla (Managing Editor & Treasurer). Journal of Arts & Ideas, January-June 1987 | Journal | 00842143
Andrei Tarkovsky (Essayist), The Sacrifice, 1987, Essay
Tarkovsky, Andrei (Essayist). The Sacrifice. In Journal of Arts & Ideas. 12-13. January-June 1987 | Essay | 00676326
Kalpana Sahni (Translator), Contemporary Arts is Devoid of a Spiritual Basis', 1987, Interview
Sahni, Kalpana (Translator). Contemporary Arts is Devoid of a Spiritual Basis'. In Journal of Arts & Ideas. 12-13. January-June 1987 | Interview | 00676325
Andrei Tarkovsky (Director), Andrei Rublev, 1966, Photographic Still
Tarkovsky, Andrei (Director), Andrei Rublev, 1966. The Bellcaster (Kolya Burlyaev) in Andrei Rublev | Photographic Still
Andrei Tarkovsky (Director), Andrei Rublev, 1966, Photographic Still
Tarkovsky, Andrei (Director), Andrei Rublev, 1966. Andrei Rublev (Anatoli Solonitsyn) | Photographic Still
Andrei Tarkovsky (Director), Solaris, 1972, Photographic Still
Tarkovsky, Andrei (Director), Solaris, 1972. Harey (Natalya Bondarchuk) and Kelvin (Donatas Banionis) in Solaris | Photographic Still
Andrei Tarkovsky (Director), Solaris, 1972, Working Still
Tarkovsky, Andrei (Director), Solaris, 1972. Andrei Tarkovsky | Working Still
Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), Untitled | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), Untitled | Photographic Still
Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), The Final scene in The Sacrifice | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), The Final scene in The Sacrifice | Photographic Still
Aleksandra Demidova (Producer), Demidova, Aleksandra (Producer), Scene from Stalker | Photographic Still, Photographic Still
Demidova, Aleksandra (Producer), Scene from Stalker | Photographic Still
Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), Untitled | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), Untitled | Photographic Still
Aleksandra Demidova (Producer), Demidova, Aleksandra (Producer), Scene from Stalker | Photographic Still, Photographic Still
Demidova, Aleksandra (Producer), Scene from Stalker | Photographic Still
Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), Otto. The postman (Allan Edwal), Alexander's daughter. Marta (Filippa Frazen) and wife, Adelaide (Susan Fleetwood) | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), Otto. The postman (Allan Edwal), Alexander's daughter. Marta (Filippa Frazen) and wife, Adelaide (Susan Fleetwood) | Photographic Still
Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), Alexander's son (Tommy Kjellqvist) in his room. The Sacrifice | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), Alexander's son (Tommy Kjellqvist) in his room. The Sacrifice | Photographic Still
Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), Alexander (Erland Josephson) (left) and his doctor friend, Victor (Sven Wollter) | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), Alexander (Erland Josephson) (left) and his doctor friend, Victor (Sven Wollter) | Photographic Still
Aleksandra Demidova (Producer), Demidova, Aleksandra (Producer), Scene from Stalker | Photographic Still, Photographic Still
Demidova, Aleksandra (Producer), Scene from Stalker | Photographic Still
Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), The Sacrifice: The central sequence frame by frame | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), The Sacrifice: The central sequence frame by frame | Photographic Still
Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), The Model and the house in The Sacrifice | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), The Model and the house in The Sacrifice | Photographic Still
Vadim Yusov (Cinematographer), Yusov, Vadim (Cinematographer), Dream sequence in Ivan's Childhood | Photographic Still, Photographic Still
Yusov, Vadim (Cinematographer), Dream sequence in Ivan's Childhood | Photographic Still
Georgi Rerberg (Cinematographer), Rerberg, Georgi (Cinematographer), Father comes home on leave. Mirror | Photographic Still, Photographic Still
Rerberg, Georgi (Cinematographer), Father comes home on leave. Mirror | Photographic Still
Giuseppe Lanci (Cinematographer), Lanci, Giuseppe (Cinematographer), Scene from Nostalgia | Photographic Still, Photographic Still
Lanci, Giuseppe (Cinematographer), Scene from Nostalgia | Photographic Still
Georgi Rerberg (Cinematographer), Rerberg, Georgi (Cinematographer), The Mother (Margarita Terekhova) in Mirror | Photographic Still, Photographic Still
Rerberg, Georgi (Cinematographer), The Mother (Margarita Terekhova) in Mirror | Photographic Still
Unknown (Photographer), Andrei Tarkovsky on his death bed, Contemporary Photograph
Unknown (Photographer). Andrei Tarkovsky on his death bed, n.d. | Contemporary Photograph
20 of 22
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Tuli Research Centre

for India Studies

A free and open knowledge base for the modern and contemporary Indian arts, cinema, photography and cultural heritage.

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© Tuli Research Centre for India Studies 2026

                          Rerberg, Georgi (Cinematographer), The Mother (Margarita Terekhova) in Mirror | Photographic Still, Journal of Arts & Ideas, January-June 1987 | CinemaEducation | 00710294

                          Rerberg, Georgi (Cinematographer), The Mother (Margarita Terekhova) in Mirror | Photographic Still

                          CinematographerGeorgi Rerberg
                          Document TypePhotographic Still
                          The Mother (Margarita Terekhova) in Mirror
                          Film TitleMirror (Zerkalo), 1975, USSR, Russian
                          ProducerErik WaisbergDirectorAndrei Tarkovsky
                          CastMargarita Terekhova, Ignat Daniltsev, Larisa Tarkovskaya
                          Copyright of ImageWith Publisher | Archive Object
                          Published In
                          Journal of Arts & Ideas

                          English, 12-13, January-June 1987, p. 55

                          Source
                          journal-deshpande-journal-of-arts-and-ideas-january-june-1987-8
                          interview-sahni-contemporary-arts-is-devoid-of-a-spiritual-basis-january-june-1987-71

                          Research Categories

                          1_CinemaEducation12_Scholarship

                          Related Links6

                          Masterlist2
                          Cinema Photographic StillsJournal of Arts and Ideas
                          Research Categories2
                          01Cinema as a Critical Educational Resource12The History & Historiography of Scholarship in the Arts, Humanities, and Social Sciences
                          Object2
                          Journal Deshpande Journal of Arts and Ideas January June 1987 8Interview Sahni Contemporary Arts Is Devoid of a Spiritual Basis January June 1987 71