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The Hindi Film Song Synopsis Booklet — featured artwork

Introduction

The song synopsis booklet is an early to mid-twentieth-century paratextual film ephemera from the Indian sub-continent. It is a cheaply produced multisensorial object that surpassed the existence of extremely flammable nitrate film reels, bringing together printed text, illustration, photography, and song lyrics to evoke the visual, haptic, and aural promises and pleasures of the new mass medium of cinema. The immediate antecedents to the song booklet are theatre chapbooks, religious hymn booklets, astrological almanacs, and joke books. With the flourishing of film production in the subcontinent, song booklets from the 1920s onward feature spectacular combinations of text, drawings, full colour photo illustrations, typographical flourishes, ornamental decoration, and film stills. These booklets include plot synopses, cast and crew credits, song lyrics, production stills, and advertisements for upcoming films, many of which were never made, so that the only traces that remain are these promotional images. What makes Indian film song booklets different from film paraphernalia and playbills elsewhere in the world is their inclusion of the lyrics for songs, which are a key element of popular Indian cinema, an aspect most remembered and memorialized by audiences, thus creating a different register for materiality and circulation histories. The booklets feature advertisements for film equipment, studios, and lists of former or upcoming productions. Through a side-by-side display of narrative and industrial attractions, these cheaply produced ephemera are located, like the films they promote, at the intersections of the fields of visuality and aurality of the narrative spectacle, art and commerce.
Gathering influences from different kinds of cinema booklets and other promotional objects from across the world, the song synopsis booklet came on its own, earning the status of a rare collectible over the course of time. Traversing the history of over eight decades, the booklet has evolved from theatre advertisements to Hollywood cinema handbills and synopsis booklets of the silent era to the song synopsis booklet, an object intrinsically unique to the Indian sensibilities.

Body of Work

Research Centre

Calendar 4

  1. The Heart of Cinema as a Critical Educational Resource
    ArchivedExhibitionProject 68
    The Heart of Cinema as a Critical Educational Resource
    The Song- Synopsis Booklet | 1920-2020
    25th - 31st March 2026
    11:00am - 7:00pm
    Bharat Mandapam, Hall-14, Ground Floor, Pragati Maidan, New Delhi - 110003
    The incorporation of song and music as integral narrative elements sets Indian cinema apart from many other global cinematic traditions. The heart of Cinema as a Critical Educational Resource, The Song-Synopsis Booklet, showcases a unique film object that was part publicity material, part souvenir, and part practical guide for audiences. Today it is a critical educational object if cinema is to play a deeper role in studying all other subjects.
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  2. The Greatest Extravaganza of Cinema's Art
    ArchivedExhibitionProject 65
    The Greatest Extravaganza of Cinema's Art
    25th - 31st March 2026
    11:00am - 7:00pm
    Bharat Mandapam, Hall-14, Ground Floor, Pragati Maidan, New Delhi - 110001
    As we near sharing the vast online India Studies knowledge base on tuliresearchcentre.org with the world, we end with our last grand archival Exhibition on the rare and vintage cinematic arts. The Expo covers over 110 years of cinematic art, created by some of the finest film directors, cinematographers, art directors, technicians and designers working in cinema from India, Hollywood, Japan, Germany, France, and Poland. It is also a key principle at the Tuli Research Centre for India Studies (TRIS) to support new and nascent International Film Festivals in whatever capacity possible. Hence it is our privilege to help the International Film Festival of Delhi (IFFD) successfully launch its first edition on 25th March 2026. In the pioneering tradition of IFFI, and as Head of the erstwhile and much respected Osian's-Cinefan Festival for Asian and Arab Cinema with my dearly departed friend and Founder of Cinefan - Aruna Vasudev - we know what energy, expertise and commitment is required to galvanise and inspire the cinematic fraternities of Delhi, India and the rest of the world. It is a very serious and difficult task. Our audiences are demanding and to attract the young and non-cinephile is also no easy task. I hope these exhibitions will help the public grasp how deeply history is living in the contemporary. That contemporary life or creativity cannot achieve its best version without knowing and respecting the work of the best who came before us, nurturing and guiding our path with their service and vision. We look forward to welcoming you to Bharat Mandapam Hall 14 in the days to come. Please register at https://www.iffdelhi.com for the films and other events, it is free to all.
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  3. Masterclass with Neville Tuli | Cinema as a Critical Educational Resource PART 2
    ArchivedMasterclassProject 17
    Masterclass with Neville Tuli | Cinema as a Critical Educational Resource PART 2
    23rd May 2025
    T.R.I.S. in Collaboration with the 17th Habitat Film Festival Cinema as a Critical Educational Resource is the 1st Research Category of Sixteen for T.R.I.S.'s India Studies framework. Its significance is amply visible in its online knowledge base tuliresearchcentre.org The Masterclass will include a walk-through of the archival exhibition on The Cinema of Shyam Benegal & Raj Kapoor with Mr Tuli. The Masterclass will not only highlight the history of Indian cinema but will also demonstrate how the T.R.I.S. online knowledge-base invites a deeper study of visual materials, embracing, equally, an enquiry into art arising from the genre of cinema – posters, song synopsis booklets, lobby cards, film and working stills, trophies etc from across the world, and their relationship to the fine and popular arts and photography.
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  4. Masterclass with Neville Tuli | Cinema as a Critical Educational Resource PART 1
    ArchivedMasterclassProject 16
    Masterclass with Neville Tuli | Cinema as a Critical Educational Resource PART 1
    23rd May 2025
    T.R.I.S. in Collaboration with the 17th Habitat Film Festival Cinema as a Critical Educational Resource is the 1st Research Category of Sixteen for T.R.I.S.'s India Studies framework. Its significance is amply visible in its online knowledge base tuliresearchcentre.org To ensure that the Habitat Film Festival is not merely a viewing opportunity, but a learning experience that widens the knowledge-base of every cinephile, this year's HFF will also feature an extended masterclass by Neville Tuli, Founder and President, Tuli Research Centre for India Studies, on Cinema as a Critical Educational Resource. This will be especially interesting for students, academics, faculty members and the film fraternity who are primarily interested in using the world of cinema to integrate across other subjects with an in-depth and unique transdisciplinary pedagogic approach to learning and education.
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    +22 more