Satish Gujral — Jhelum, Punjab, Undivided India | Present-day Pakistan.

In 2002, the artist achieved a new high in the auction market with the sale of Condemned (1957), offered in the Masterpieces & Museum Quality Indian Modern & Contemporary Paintings by Osian's, which concluded on 05 December 2002 at Mumbai, achieving a sale price of ₹12,10,000 ($25,083). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.

In 2007, the artist achieved a new high in the auction market with the sale of Portrait Of Jawaharlal Nehru (1957), offered in the Masterpieces and Museum Quality Series VIII by Osian's, which concluded on 31 January 2007 at Mumbai, achieving a sale price of ₹1,02,00,000 ($230,926). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.

In 2005, the artist achieved a new high in the auction market with the sale of Untitled (1959), offered in the Indian and Southeast Asian Art: Including Modern Indian Paintings by Sotheby's, which concluded on 01 April 2005 at New York, achieving a sale price of ₹21,00,480 ($48,000). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.

In 2006, the artist achieved a new high in the auction market with the sale of Gladiator (1964), offered in the Indian and Southeast Asian Art: Including Modern Indian Paintings by Sotheby's, which concluded on 29 March 2006 at New York, achieving a sale price of ₹22,79,190 ($51,000). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.

In 1992, the artist achieved a new high in the auction market with the sale of Abstract (1971), offered in the Indian European and Oriental Paintings and Works of Art by Sotheby's, which concluded on 09 October 1992 at New Delhi, achieving a sale price of ₹1,32,000 ($4,393). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.

In 2025, the artist achieved a new high in the auction market with the sale of Untitled (1971), offered in the Iconic Masters by Asta Guru, which concluded on 24 November 2025 at Mumbai, achieving a sale price of ₹2,08,86,243 ($234,171.97). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.

Gujral is now using this kind of construction and assemblage on a large scale and in it combines techniques characteristic of building, agglomeration and fitting with the appearance of machines. The relief objects of his design have a quiet craftsmanship combined with the permanence and monumentality of sculpture

Painting, sculpture and architecture are manifestations of a single aesthetic. They are products of a total environment—a social and cultural system with parallels in literature, music and other arts.

In 2006, the artist achieved a new high in the auction market with the sale of Couple I (1987), offered in the The ABC Series: Art, Book & Cinema by Osian's, which concluded on 20 July 2006 at New Delhi, achieving a sale price of ₹29,90,000 ($63,834). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.

In 2004, the artist achieved a new high in the auction market with the sale of The Deity (1990), offered in the The Masterpieces & Museum Quality Series: Indian Contemporary Art – Books, Paintings & Sculpture by Osian's, which concluded on 15 October 2004 at New Delhi, achieving a sale price of ₹12,65,534 ($27,596). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.

While responding to his inner being and the world around, Satish Gujral created new imagery, pictorial and sculptural, shifting from one material to another, unconventional or traditional, and that in rhythm with changing techniques in handling them. It is difficult to pinpoint which inspired what- the image ushered in the material, or vice versa. the affinity is amazing. The forms he created in three-dimensional and on flat surface are often deeply rooted in indigenous plastic traditions. Sometimes they are also strongly redolent of the memories and deeply felt perceptions of the artsand cultures of far countries. Deep waters from faraway lands and times meet in his work...In the relief sculptures (Burnt Wood), roughly between the late seventies and 1990’s, the dark memories of the past are transformed into ponderous presence of vengeful tribal deities. The blind Unreason that he encountered in the daily business of living was concretised in his sculptures.

In 1995, the artist achieved a new high in the auction market with the sale of Playmates (1995), offered in the Indian Contemporary Paintings: Islamic Works of Art and Indian, Himalaya and South-East Asian Art by Christie's, which concluded on 16 October 1995 at London, achieving a sale price of ₹1,75,168 ($5,108). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.

In 1995, the artist achieved a new high in the auction market with the sale of Lady with Bird (1995), offered in the Indian Contemporary Paintings: Islamic Works of Art and Indian, Himalaya and South-East Asian Art by Christie's, which concluded on 16 October 1995 at London, achieving a sale price of ₹3,44,080 ($10,034). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.

In 2006, Satish Gujral A Retrospective 1948 - 2006 marked a major milestone in the exhibition history of Satish Gujral, offering a retrospective survey of the artist's artistic production

In 2022, an artwork by Satish Gujral was featured on the cover of Saffronart: The Art of India Online Auction (May 2022, Mumbai), marking a documented highlight in the artist's public and auction market visibility.