The bronzes of Meera Mukherjee... are independent formulations of problems which are contemporary, which focus on her interpretations of present life and society. Yet they speak through a language of form and idiom that is traditional through techniques learnt from the bell metal artisan-workers of Bihar and Madhya Pradesh…Her bronzes are concerned with the human figure – focused essentially on the human predicament… They have an inner voice, an almost subtle subconscious appeal, through images and forms that are somehow familiar, and therefore insistent on an immediate response from the viewer…

In the work of Meera Mukherjee, the assimilation of the past is sensed and felt in both technique and sensibility. Her images belong to a genre of expression in the making – literally, as it were, in the crucible. Her research acknowledges her debt to the traditional image-makers, in the technique of bronze-casting learnt from the Gharuas of Bastar. It is an understanding not only of technique but also of inspired form and movement; and more than that, the assertion of a worldview that finds concurrence with the tribals of Madhya Pradesh.

In 2021, the artist achieved a new high in the auction market with the sale of Dancing Baul - 2 (1981), offered in the Modern Indian Art by Asta Guru, which concluded on 09 September 2021 at Online, achieving a sale price of ₹1,34,73,698 ($182,846.19). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.

In 2016, the artist achieved a new high in the auction market with the sale of Untitled (The Storm) (1985), offered in the South Asian Modern and Contemporary Art by Christie's, which concluded on 26 May 2016 at London, achieving a sale price of ₹1,09,33,986 ($162,501). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.

In 2016, the artist achieved a new high in the auction market with the sale of People In A Row (1985), offered in the The India Sale: South Asian Modern and Contemporary Art by Christie's, which concluded on 18 December 2016 at Mumbai, achieving a sale price of ₹1,11,25,000 ($164,264.35). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.

The sculptures of Meera Mukherjee have always been a tremendously moving experience for the viewer. The rare and instinctive quality of romanticism is irrevocably reinforced by technical brilliance and expressive artistry… The ordinary men and women, the toiling masses are now a part of the well recognised Meera Mukherjee signature… Combining popular appeal with real artistic quality and purity of vision she has emerged as India’s Dickens of sculpture. Her art is immediately accessible. Diverting, yet intellectually demanding… The surface for her is never more important than form, the part never more telling than the whole… It is not the manual dexterity involved in the technicalities but the vision which creates the ecstasy of communication. Her sculpture always gives the impression of the whole thing driven as though by a single creative impulse.

On 26 March 1989, Meera Mukherjee made their debut in the Indian public auction market when Jagat was presented as Lot 20 in The Times of India Auction of Timeless Art (Charity Auction) by Sotheby's of London, conducted by Sotheby's in Bombay, India. This auction marked the artist's first recorded appearance in the public auction market, establishing the earliest chapter of their auction history.

In 1999, the artist achieved a new high in the auction market with the sale of The Cart (1989), offered in the Intuitive-Logic - The Next Step: Auctions of Indian Art - Classical, Folk, Tribal, Modern & Contemporary Traditions by HEART, which concluded on 28 November 1999 at New Delhi, achieving a sale price of ₹89,250 ($2,056). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.

In 2010, the artist achieved a new high in the auction market with the sale of Figure (1989), offered in the 101 Rare Artworks from the History of Indian Modern & Contemporary Art by Osian's, which concluded on 23 June 2010 at Mumbai, achieving a sale price of ₹40,80,000 ($88,102). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.

In 2009, an artwork by Meera Mukherjee was featured on the cover of Osians: Indian Modern & Contemporary Art (February 2009, London), marking a documented highlight in the artist's public and auction market visibility.

In 2020, an artwork by Meera Mukherjee was featured on the cover of Asta Guru: Modern Indian Art-No Reserve Auction (June 2020, Mumbai), marking a documented highlight in the artist's public and auction market visibility.