In 2010, the artist achieved a new high in the auction market with the sale of Radha And Lalita (1931), offered in the 101 Rare Artworks from the History of Indian Modern & Contemporary Art by Osian's, which concluded on 23 June 2010 at Mumbai, achieving a sale price of ₹37,20,000 ($80,328). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.

It is not difficult to discern in his compositions the artist’s compositional skill and spontaneous ability to harmonise human figures with trees, creepers, and village houses... His use of luminous colours and their placing, his use of transparent pearl white, like a flood of light, succeed in transforming the subjects of his depictions into a musical enchantment.

The drawing in Kshitindranath’s work is of great importance and virtually establishes the style… lines in his mature period are long and flowing, caressingly enclosing forms. At the same time their terminations and borders make a delicate subsidiary rhythm in freely dancing lines as in scarf ends, floating hair, jewellery and so on. The colour is comparatively soft and harmonious; his range of colours is restrained and serene… Kshitindranath also makes a point of using complementary forms; the hard is contrasted with the soft, the straight with the curvilinear and so on. He avoids excessive detail and decoration and this gives his works an austere dignity and unaffected grace, not to be found in some of the later ornamental painters.

In 2007, the artist achieved a new high in the auction market with the sale of Radha And Lalita (1949), offered in the The Masterpieces & ABC Series: Includes Indian Modern & Contemporary Art Books, Popular Culture & Pakistani Film Posters by Osian's, which concluded on 27 July 2007 at New Delhi, achieving a sale price of ₹21,60,000 ($53,360). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.

The drawing in Kshitindranath’s work is of great importance and virtually establishes the style… lines in his mature period are long and flowing, caressingly enclosing forms. At the same time their terminations and borders make a delicate subsidiary rhythm in freely dancing lines as in scarf ends, floating hair, jewellery and so on. The colour is comparatively soft and harmonious; his range of colours is restrained and serene… Kshitindranath also makes a point of using complementary forms; the hard is contrasted with the soft, the straight with the curvilinear and so on. He avoids excessive detail and decoration and this gives his works an austere dignity and unaffected grace, not to be found in some of the later ornamental painters.

In 2006, the artist achieved a new high in the auction market with the sale of Chaitanya Leaving Home (1961), offered in the The ABC Series: Art, Book & Cinema by Osian's, which concluded on 20 July 2006 at New Delhi, achieving a sale price of ₹11,50,000 ($24,552). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.