In 2007, the artist achieved a new high in the auction market with the sale of Randhashala In Puri Temple (1910), offered in the Masterpieces and Museum Quality Series VIII by Osian's, which concluded on 31 January 2007 at Mumbai, achieving a sale price of ₹15,90,000 ($35,997). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.

In 2006, the artist achieved a new high in the auction market with the sale of Landscape (1911), offered in the The ABC Series: Art, Book & Cinema by Osian's, which concluded on 20 July 2006 at New Delhi, achieving a sale price of ₹12,65,000 ($27,007). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.

Gaganendra was a virtuoso in his many-sidedness. He was also a non-conformist… (he) kept outside the pale of the parochial orthodoxy of Modern Indian Art. He remained a free painter all through, free from fetish of all kinds – oriental or occidental… His artistic motivation was a curious amalgam of deliberate intellection penetrated and surcharged by a romanticism of the wmotional-impulsive type.

In 2010, the artist achieved a new high in the auction market with the sale of The Sleepless City (1915), offered in the Indian and Southeast Asian Art: Including Property from The Francisco Capelo Collection by Sotheby's, which concluded on 24 March 2010 at New York, achieving a sale price of ₹31,25,655 ($68,500). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.

In 2015, the artist achieved a new high in the auction market with the sale of Untitled (1920), offered in the South Asian Modern and Contemporary Art by Christie's, which concluded on 10 June 2015 at London, achieving a sale price of ₹55,39,061.25 ($86,703.76). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.

In 2007, the artist achieved a new high in the auction market with the sale of Untitled (1921), offered in the ABC Series III: Art, Book & Cinema by Osian's, which concluded on 29 March 2007 at New Delhi, achieving a sale price of ₹24,00,000 ($55,210). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.

In 2008, the artist achieved a new high in the auction market with the sale of Untitled (1921), offered in the Indian Modern & Contemporary Art by Osian's, which concluded on 18 March 2008 at New Delhi, achieving a sale price of ₹31,20,000 ($76,809). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.

…he is a legend among the discriminating and, as time passes, his work is coming to be recognized as even more significant than the major works of the school with which he was vaguely associated. For, both in his mature painting, where he sought to absorb Far Eastern and Cubist influences into the service of his own peculiar private vision of forms, and as a commentator on current affairs, through his cartoons he displayed a depth of understanding about the mental and moral crises in which India was involved and as extraordinary technical virtuosity as a craftsman…

In 1998, the artist achieved a new high in the auction market with the sale of The Atrium (1925), offered in the Twentieth Century Indian Art by Christie's, which concluded on 02 June 1998 at London, achieving a sale price of ₹4,87,442 ($11,685). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.

In 2006, the artist achieved a new high in the auction market with the sale of Hindur Dharma Ghorotoro Aghatan (1925), offered in the Modern and Contemporary Indian Paintings by Triveda, which concluded on 25 October 2006 at New Delhi, achieving a sale price of ₹6,90,000 ($15,232). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.

In 2015, the artist achieved a new high in the auction market with the sale of Bed of Arrows (Bhishma) (1925), offered in the Modern and Contemporary South Asian Art by Sotheby's, which concluded on 06 October 2015 at London, achieving a sale price of ₹80,48,137.5 ($123,077.52). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.

In 1922, our artist (G.T.) introduced cubism in India, and at once cubism shows another aspect. It is not the dissolution and fragmentation of the static, but of the dynamic character of objects which break up in cubes…The transformation of cubism asa principle of composition from an interpenetrating order of vertical and horizontal units into an expressive three-dimensional context or emotional pattern is the artist’s contribution to Indian art and to cubism alike... G.N. Tagore remained an isolated phenomenon.