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Adi M. Davierwalla — featured artwork

Introduction

Adi M. Davierwalla was a self-taught sculptor whose practice contributed significantly to the development of post-independence Indian sculpture. Trained as a metallurgist, Davierwalla brought technical knowledge and industrial materiality into his work, frequently using metals, wood, and modern alloys. Emerging in the 1950s and 1960s, his sculptures demonstrate a formal preoccupation with balance, tension, and minimal geometric arrangement. He avoided figurative representation in favor of symbolic abstraction, often drawing from Parsi cosmology, modern physics, and architecture. Rather than monumental public works, Davierwalla’s practice was largely studio-based, producing introspective forms that explored time, transience, and metaphysical structure. Though relatively underrepresented in institutional narratives during his lifetime, his oeuvre offers a critical intersection between science and art, matter and spirit. His contribution highlights a lesser-documented trajectory in Indian modernism of artists engaging material intelligence and abstraction outside dominant academic or nationalist frameworks.

Zodiac sign
Pisces
Age
53
Place of Birth
Bombay, Maharashtra, India
Place of Death
Pune, Maharashtra, India
State Country of Birth
Maharashtra, India
State Country of Death
Maharashtra, India

Exhibitions

  1. 1950

    1. Bombay Art Society, Mumbai, India
  2. 1955

    1. Bombay Art Society, Mumbai, India
  3. 1956

    1. Mumbai, India
  4. 1958

    1. Mumbai, India
  5. 1960

    1. Mumbai, India
  6. 1962

    1. Mumbai, India
  7. 1963

    1. Sao Paulo Biennale, Sao Paulo, Brazil
  8. 1964

    1. Mumbai, India
  9. 1965

    1. Mumbai, India
    2. National Exhibition, Rabindra Bhavan, Lalit Kala Akademi, New Delhi, India
  10. 1966

    1. Venice Biennale, Venice, Italy
  11. 1969

    1. travelling exhibition of International Education, USA; Organized by the Coray Gallery, Zurich, Switzerland
  12. 1971

    1. A. M. Davierwalla, Lalit Kala Akademi, New Delhi, India
  13. 1975

    1. 3rd Triennale India, Lalit Kala Akademi, Rabindra Bhavan, New Delhi, India
  14. 1976

    1. Retrospective
  15. 1979

  16. 1984

    1. National Museum of Denmark, Copenhagen, Denmark
    2. Ethnographic Museum, Stockholm, Sweden
  17. 1985

    1. Art Heritage, New Delhi, India
    2. Cymroza Art Gallery, Mumbai, India
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Alkazi, Ebrahim (Editor). Art Heritage, 1978-1979 | Journal

Alkazi, Ebrahim (Editor). Art Heritage, 1978-1979 | Journal

Chronicled Highlights 7

Adi M. Davierwalla
Born
Adi M. Davierwalla

Adi M. Davierwalla — Bombay, Maharashtra, India.

Davierwalla, A.M. (Artist). Mother And Child. Wood, 1964 | Sculpture | FineArts | 00898027
Davierwalla, A.M. (Artist). Mother And Child. Wood, 1964 | Sculpture | FineArts | 00898027

In 2007, the artist achieved a new high in the auction market with the sale of Mother And Child (1964), offered in the Modern Indian Art: Summer Online Auction by Saffronart, which concluded on 07 June 2007 at Online, achieving a sale price of ₹35,65,000 ($87,743). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.

Davierwalla, A.M. (Artist). Galaxy. Welded steel, brass and glass, 1966 | Sculpture | FineArts | 00595318
Davierwalla, A.M. (Artist). Galaxy. Welded steel, brass and glass, 1966 | Sculpture | FineArts | 00595318

In 2017, the artist achieved a new high in the auction market with the sale of Galaxy (1966), offered in the South Asian Modern and Contemporary Art by Christie's, which concluded on 13 September 2017 at New York, achieving a sale price of ₹1,19,96,587.5 ($187,500). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.

Davierwalla, A.M. (Artist). Untitled. Bronze, 1967 | Sculpture | FineArts | 00362214
Davierwalla, A.M. (Artist). Untitled. Bronze, 1967 | Sculpture | FineArts | 00362214

The figurative pieces already suggest an instinctive understanding of anatomical stylisation – of trying to separate the components of a human figure and then proceeding to emphasise their essential role through exaggeration, distortion and harmonious synchronisation. With experience, spurred on by trial and error, Davierwalla probed deeper along these lines and responded to the secret language of geometry, of gravitational pulls, or the dynamic counterpoint between mass and space.

Davierwalla, A.M. (Artist). Crystal and Gold: A Monument to a Memory. Steel, brass, quartz crystal, 1968 | Sculpture | FineArts | 00352645
Davierwalla, A.M. (Artist). Crystal and Gold: A Monument to a Memory. Steel, brass, quartz crystal, 1968 | Sculpture | FineArts | 00352645

In 2023, the artist achieved a new high in the auction market with the sale of Crystal and Gold: A Monument to a Memory (1968), offered in the The Fine Art Sale by Pundole, which concluded on 23 February 2023 at Mumbai, achieving a sale price of ₹6,50,00,000 ($785,563.04). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.

Davierwalla, A.M. (Artist). Untitled. Stained wood, 1968 | Sculpture | FineArts | 00356909
Davierwalla, A.M. (Artist). Untitled. Stained wood, 1968 | Sculpture | FineArts | 00356909

It is significant that, although completely self-trained, he did not follow the contemporary fashion of sculpting in plaster and preparing a mold for the final bronze product but took to carving directly in wood, stone and marble. This brought him face to face with the essential nature of a sculptor’s work, an exploration of form in solid material informed by an empathy with the character of the latter, an understanding of organic structure and the scope it offered for an interplay of mass (including socalled empty space), volume and line.

Davierwalla, A.M. (Artist). Couple. Bronze, Edition 2/6, 1972 | Sculpture | FineArts | 00333190
Davierwalla, A.M. (Artist). Couple. Bronze, Edition 2/6, 1972 | Sculpture | FineArts | 00333190

In 2015, the artist achieved a new high in the auction market with the sale of Couple (1972), offered in the The Fine Art Sale: Including Works from the Collection of Roshan Sabavala and Emanuel Schlesinger by Pundole, which concluded on 03 November 2015 at Mumbai, achieving a sale price of ₹42,00,000 ($58,251.78). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.

Osians (Auction House) and Neville Tuli (Curator). The Masterpieces & Museum Quality Series - Indian Contemporary Art – Books, Paintings & Sculpture. 15 October 2004, New Delhi | Auction Catalogue | EconomicsArt | 00861912
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Osians (Auction House) and Neville Tuli (Curator). The Masterpieces & Museum Quality Series - Indian Contemporary Art – Books, Paintings & Sculpture. 15 October 2004, New Delhi | Auction Catalogue | EconomicsArt | 00861912

On 15 October 2004, A.M. Davierwalla made their debut in the Indian public auction market when Untitled was presented as Lot 57 in The Masterpieces & Museum Quality Series: Indian Contemporary Art – Books, Paintings & Sculpture, conducted by Osian's in New Delhi, India. This auction marked the artist's first recorded appearance in the public auction market, establishing the earliest chapter of their auction history.

Economics of Art

  1. 1957

    1. First Prize at the Maharashtra State Exhibition
    2. Gold Medal at the All India Sculptor's Show
  2. 1965

    1. Prize for Sculpture at the Lalit Kala Akademi Exhibition
  3. 1968

    1. Rockefeller III Fellowship

Research Centre