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Search275,000+ actors, artists, objects, artworks, films, exhibitions, archives

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Home/Research Centre/Videos

Videos

137

videos

Interviews, documentation and visual material from across the Research Centre, gathered for research and study.

137videos
Tuli Research Centre for India Studies (Editor). Music in the Films of Guru Dutt: Dreams, Desire, and Disillusionment, 31 August 2026 | In-house Video, 2026
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Tuli Research Centre for India Studies (Editor). Music in the Films of Guru Dutt: Dreams, Desire, and Disillusionment, 31 August 2026 | In-house Video
2026
Tuli Research Centre for India Studies (Editor). "Babuji Dheere Chalna" - More Than Just a Club Song, 31 August 2026 | In-house Video, 2026
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Tuli Research Centre for India Studies (Editor). "Babuji Dheere Chalna" - More Than Just a Club Song, 31 August 2026 | In-house Video
2026
Tuli Research Centre for India Studies (Editor). "Din Hai Bahar Ke" - The Coming Together of Folk and Modern Sensibilities, 31 August 2026 | In-house Video, 2026
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Tuli Research Centre for India Studies (Editor). "Din Hai Bahar Ke" - The Coming Together of Folk and Modern Sensibilities, 31 August 2026 | In-house Video
2026
Tuli Research Centre for India Studies (Editor). "Babuji Dheere Chalna" - A Song of Playful Defiance, 31 August 2026 | In-house Video, 2026
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Tuli Research Centre for India Studies (Editor). "Babuji Dheere Chalna" - A Song of Playful Defiance, 31 August 2026 | In-house Video
2026
Tuli Research Centre for India Studies (Editor). "Udein Jab Jab Zulfein Teri" - Romance, Folklore, and the Looming Motor Car, 31 August 2026 | In-house Video, 2026
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Tuli Research Centre for India Studies (Editor). "Udein Jab Jab Zulfein Teri" - Romance, Folklore, and the Looming Motor Car, 31 August 2026 | In-house Video
2026
Tuli Research Centre for India Studies (Editor). "Dil Ke Armaan Aansuon Mein Bah Gaye" - Love, Longing and the Popularity of the Ghazal, 31 August 2026 | In-house Video, 2026
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Tuli Research Centre for India Studies (Editor). "Dil Ke Armaan Aansuon Mein Bah Gaye" - Love, Longing and the Popularity of the Ghazal, 31 August 2026 | In-house Video
2026
Tuli Research Centre for India Studies (Editor). "Dil Ke Armaan Aansuon Mein Bah Gaye"  - Loneliness Depicted through Mise-en-Scène, 31 August 2026 | In-house Video, 2026
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Tuli Research Centre for India Studies (Editor). "Dil Ke Armaan Aansuon Mein Bah Gaye" - Loneliness Depicted through Mise-en-Scène, 31 August 2026 | In-house Video
2026
Tuli Research Centre for India Studies (Editor). Music in the Films of B.R. Chopra and V. Shantaram, 31 August 2026 | In-house Video, 2026
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Tuli Research Centre for India Studies (Editor). Music in the Films of B.R. Chopra and V. Shantaram, 31 August 2026 | In-house Video
2026
Tuli Research Centre for India Studies (Editor). "Ae Maalik Tere Bande Hum"  - A Bhajan from V Shantaram's film about prison reform, 31 August 2026 | In-house Video, 2026
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Tuli Research Centre for India Studies (Editor). "Ae Maalik Tere Bande Hum" - A Bhajan from V Shantaram's film about prison reform, 31 August 2026 | In-house Video
2026
Tuli Research Centre for India Studies (Editor). "Din Hai Bahar Ke" - A Celebration of Youthful Love, 31 August 2026 | In-house Video, 2026
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Tuli Research Centre for India Studies (Editor). "Din Hai Bahar Ke" - A Celebration of Youthful Love, 31 August 2026 | In-house Video
2026
Tuli Research Centre for India Studies (Editor). "Ae Maalik Tere Bande Hum" - A Film Song that became a School Prayer, 31 August 2026 | In-house Video, 2026
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Tuli Research Centre for India Studies (Editor). "Ae Maalik Tere Bande Hum" - A Film Song that became a School Prayer, 31 August 2026 | In-house Video
2026
Tuli Research Centre for India Studies (Editor). "Udein Jab Jab Zulfen Teri" - Romance and Resistance in BR Chopra's Naya Daur (1957), 31 August 2026 | In-house Video, 2026
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Tuli Research Centre for India Studies (Editor). "Udein Jab Jab Zulfen Teri" - Romance and Resistance in BR Chopra's Naya Daur (1957), 31 August 2026 | In-house Video
2026
Tuli Research Centre for India Studies (Editor). Music in the Films of B.R. Chopra and V. Shantaram, 31 August 2026 | In-house Video, 2026
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Tuli Research Centre for India Studies (Editor). Music in the Films of B.R. Chopra and V. Shantaram, 31 August 2026 | In-house Video
2026
Tuli Research Centre for India Studies (Editor). "Waqt Ne Kiya Kya Haseen Sitam" - The Haunting Song of Guru Dutt’s Life, 31 August 2026 | In-house Video, 2026
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Tuli Research Centre for India Studies (Editor). "Waqt Ne Kiya Kya Haseen Sitam" - The Haunting Song of Guru Dutt’s Life, 31 August 2026 | In-house Video
2026
Tuli Research Centre for India Studies (Editor). "Jinhe Naaz Hai Hind Par Woh Kahan Hain" - The Anguish of the Nation, 31 August 2026 | In-house Video, 2026
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Tuli Research Centre for India Studies (Editor). "Jinhe Naaz Hai Hind Par Woh Kahan Hain" - The Anguish of the Nation, 31 August 2026 | In-house Video
2026
Tuli Research Centre for India Studies (Editor). "Waqt Ne Kiya Kya Haseen Sitam"- The Song Lata Mangeshkar Wished She Had Sung, 31 August 2026 | In-house Video, 2026
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Tuli Research Centre for India Studies (Editor). "Waqt Ne Kiya Kya Haseen Sitam"- The Song Lata Mangeshkar Wished She Had Sung, 31 August 2026 | In-house Video
2026
Tuli Research Centre for India Studies (Editor). "Yeh Duniya Agar Mil Bhi Jaye To Kya Hai" - The Poet's Disillusionment on Screen, 31 August 2026 | In-house Video, 2026
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Tuli Research Centre for India Studies (Editor). "Yeh Duniya Agar Mil Bhi Jaye To Kya Hai" - The Poet's Disillusionment on Screen, 31 August 2026 | In-house Video
2026
Tuli Research Centre for India Studies (Editor). Poetry, Music and Melancholy in Guru Dutt’s Film Songs, 31 August 2026 | In-house Video, 2026
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Tuli Research Centre for India Studies (Editor). Poetry, Music and Melancholy in Guru Dutt’s Film Songs, 31 August 2026 | In-house Video
2026
Tuli Research Centre for India Studies (Editor). Sahir' Ludhianvi's Question to the Nation in "Jinhe Naaz Hai Hind Par Woh Kahan Hain", 31 August 2026 | In-house Video, 2026
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Tuli Research Centre for India Studies (Editor). Sahir' Ludhianvi's Question to the Nation in "Jinhe Naaz Hai Hind Par Woh Kahan Hain", 31 August 2026 | In-house Video
2026
Tuli Research Centre for India Studies (Editor). The Idea of Artistic Integrity in Guru Dutt's Magnum Opus, 31 August 2026 | In-house Video, 2026
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Tuli Research Centre for India Studies (Editor). The Idea of Artistic Integrity in Guru Dutt's Magnum Opus, 31 August 2026 | In-house Video
2026
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© Tuli Research Centre for India Studies 2026

Tuli Research Centre for India Studies

Tuli Research Centre

for India Studies

A free and open knowledge base for the modern and contemporary Indian arts, cinema, photography and cultural heritage.

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© Tuli Research Centre for India Studies 2026

                          Tuli Research Centre for India Studies (Editor). From Chetan Anand's pain of suffering in silence emerges his cinematic rhythms, music and songs, 24 July 2026 | In-house Video | CinemaEducation | 00883637
                          59 sec · Vertical Video

                          From Chetan Anand's pain of suffering in silence emerges his cinematic rhythms, music and songs

                          Tuli Research Centre for India Studies (Editor)

                          Document TypeIn-house Video
                          Date24 July 2026
                          Duration59 sec
                          FormatVertical Video
                          Description
                          What does a patriotic song sound like when it refuses to celebrate aggression? "Kar Chale Hum Fida" from Chetan Anand's Haqeeqat (1964) answers that question with a stillness that has stayed with Indian audiences for over six decades. In the discussion, Ravikant, Professor, CSDS (The Centre for the Study of Developing Societies), highlights that although it is a song about war, it subverts expectations by being devoid of the swashbuckling aggression. It speaks not of conquest or victory but of sacrifice and collective responsibility, a burden shared equally by soldiers, women, and the young. Kaifi Azmi's lyrics carry no triumphalism of epic proportions, only a quiet, devastating sense of duty. Haqeeqat appeared at a moment when the idealism of the early independence years was falling apart and the Nehru generation, which had carried the dream of a new India, was passing from the stage. The song carries both of these meanings at once. It mourns the dead, and it speaks directly to the living, asking what they will do with the nation left in their hands. From the session with Ketan Anand, Ravikant, Pavan Jha and Neville Tuli, "A Musical Glue for Nation-Building: Deconstructing the Film Song", presented by the Tuli Research Centre for India Studies (T.R.I.S.) at the 7th Self-Discovery via Rediscovering India Festival.

                          Related Links6

                          Masterlist5
                          Chetan AnandKaifi AzmiDigital in House VideosDeconstructing the Film Song 2026Neville Tuli
                          Research Categories
                          01Cinema as a Critical Educational Resource