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Nandalal Bose

Nandalal Bose

Sagittariusb. 03 Dec 1882, Kharagpur, West Bengal, Indiad. 16 Apr 1966, Santiniketan

Personality.Artist
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Introduction
Exhibitions
Chronicled Highlights
Economics of Art
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Home/2_FineArts/Personality · Artist/Nandalal Bose
Nandalal Bose — featured artwork

Introduction

Date of Birth
03 Dec 1882
Zodiac sign
Sagittarius
Date of Death
16 Apr 1966
Age
83
Place of Birth
Kharagpur, West Bengal, India
Place of Death
Santiniketan
State Country of Birth
West Bengal, India
  1. 1893

    1. Studied at the Middle Vernacular School, Kharagpur, Bihar, India

      1893 – 1897

  2. 1897

    1. Studied at the Khudiram Bose Central Collegiate School, Kolkata, India

      1897 – 1902

  3. 1903

    1. Studied Commerce, Presidency College, Kolkata, India

      1903 – 1905

  4. 1905

    1. Studied under the tutelage of Vice-principal Abanindranath Tagore, Government School of Arts, Kolkata, India

      1905 – 1910

  5. 1916

    1. Learned Japanese Ink Painting techniques from Arai Kempo, a visiting artist at Jorasanko, Kolkata, India
  1. 1909

    1. Illustrated Rabindranath Tagore's book of poems Chayanika
    2. At the insistance of Abanindranath Tagore and Sister Nivedita, joined Asit Kumar Haldar, Samarendranath Gupta, K. Venkatappa and others to copy the Frescoes of the Ajanta Caves, under the patronage of Lady Herringham

      1909 – 1910

  2. 1910

    1. Part-time Art Classes at Vichitra Club. Indian Society of Oriental Art, Kolkata, India

      1910 – 1914

    2. Part-time teacher at Nivedita Girl's School, Jorasanko, Kolkata, India
  3. 1916

    1. Founder-Member with Rabindranath Tagore, Vichitra Sabha, Kolkata, India
    2. Executed Murals at the residence of Sir Jagdish Chandra Bose and Basu Vigyan Mandir, Kolkata, India
  4. 1917

    1. Illustrated Rabindranath Tagore's Book of Songs and Verse 'Gitabitan' (Garden of Songs)
  5. 1918

    1. Taught intermittently at Indian Society of oriental Art, Kolkata and Viswa Bharati, Santiniketan, India
    2. Illustrated Rabindranath Tagore's Nobel Prize winning Book of Verse Gitanjali
  6. 1920

    1. Joined Kala Bhavan, Santiniketan with Asit Haldar & others, copied Frescoes at Bagh Caves
  7. 1921

    1. Decorated the walls of the old library building at Santiniketan, India
  8. 1922

    1. Principal, Kala-Bhavan, Visva Bharati University, Santiniketan, India
  9. 1928

    1. Painted a large mural to commemorate the first Hala Karshna in Italian Fresco technique
  10. 1930

    1. Made efforts to form an Artists' Cooperative
  11. 1931

    1. Illustrated the popular Bengali Textbook Sahaj Path for Children
  12. 1933

    1. Painted the front wall of the ground floor of the old Library Building using Rajasthani Technique at Kala Bhavan, Santiniketan, India
  13. 1936

    1. Delivered a New Education Fellowship Lecture on The Place of Art in Education, organised during the Bengal Education Week in Kolkata, India
  14. 1937

    1. A book containing selected poems by Rabindranath Tagore and Drawings by Nandalal Bose was published
    2. Contributed to decorate Congress Pandal at Faizpur
  15. 1938

    1. Decorated the stalls of the Indian National Congress at Haripura with a set of attractive posters
  16. 1940

    1. Exhanged views with Mahatama Gandhi on the future of Visva Bharati and Kala Bhavan, Santiniketan, India
    2. His article 'Ornamental Art' was published in Visva Bharati Quarterly
    3. Painted a mural, 'Life of Mira Bai' in Kirti Mandir, Vadodara, India
  17. 1942

    1. Painted a mural 'Natir Puja', Cheena Bhavan, Santiniketan, India
  18. 1943

    1. His article `Art as Sashana' based on discussion he had with Pavitrananda Swamiji, Mayawati Advaita Ashram, was published in Prabhuddha Bharat
  19. 1944

    1. Published 'Shilpa Katha' containing his views on art
  20. 1946

    1. Painted a mural Mahabhrata, Kirti Mandir, Vadodara, India
  21. 1948

    1. Delivered a talk on Abanindranath Tagore on his birthday celebration, Santiniketan, India
    2. Published his article 'Shilpa Guru Abanindranath' in Desh
    3. Planned the layout and design of the Ramakrishna Temple at Kamarpukur
    4. Designed emblems for the Government of India's awards, including Bharat Ratna and Padma Shri
  22. 1956

    1. Fellowship, Lalit Kala Akademi, Rabindra Bhavan, New Delhi, India
    2. Published 'Shilpa Chakra' containing his views on art

Exhibitions

  1. 1908

    1. Inaugural Exibition, Indian Society of Oriental Art (ISOA), Kolkata, India
  2. 1909

    1. Indian Society of Oriental Art (ISOA), Shimla, India
  3. 1910

    1. Indian Society of Oriental Art (ISOA), Kolkata, India
  4. 1911

    1. Indian Society of Oriental Art's United Provinces Exhibition, Allahabad, India
    2. Festival of Empire, Organised by Indian Society of Oriental Art for George V's Coronation, Crystal Palace, London, UK
  5. 1912

    1. Indian Society of Oriental Art, Kolkata, India
  6. 1914

    1. 22nd Exhibition of Societe des Peintres Orientalistes Francais, Grand Palais, Paris; travelling to Belgium, Holland & Imperial Institute in London, UK
  7. 1915

    1. Young Men's Indian Association, Chennai, India
    2. Indian Society of Oriental Art (ISOA), Kolkata, India
  8. 1922

    1. 14th Annual Exhibition,The lndian Society of Oriental Art (ISOA), Kolkata, India
  9. 1924

    1. Travelling exhibition to USA, Organised by American Federation of Art and Indian Society of Oriental Art (ISOA), Kolkata, India
  10. 1928

    1. Athenee Gallery, Geneva, Switzerland
    2. Athenee Gallery, Geneva, Switzerland
  11. 1935

    1. Exhibition by students of Kala Bhavan, Santiniketan at the Lucknow Session of the Indian National Congress, Lucknow, India
  12. 1938

    1. Haripura session of Indian National Congress, Surat, India
  13. 1953

    1. Nandalal Bose, Retrospective Exhibition, Mumbai, India
    2. 2nd International Contemporary Art Exhibition, All India Fine Arts and Crafts Society (AIFACS), New Delhi, India
  14. 1954

    1. Nandalal Bose, Retrospective Exhibition, Kolkata, India
  15. 1975

    1. A Handbook of Bengal School, National Gallery of Modern Art, New Delhi, India
  16. 1983

20 of 111
Bose, Nandalal (Artist). Nandalal Bose (1882-1966) Centenary Exhibition, 1983 | Solo Exhibition Catalogue | 00882085

Bose, Nandalal (Artist). Nandalal Bose (1882-1966) Centenary Exhibition, 1983 | Solo Exhibition Catalogue | 00882085

  1. 1915

    1. Young Men's Indian Association, Chennai, India
  2. 1928

    1. Athenee Gallery, Geneva, Switzerland
  3. 1938

    1. Haripura session of Indian National Congress, Surat, India
  4. 1953

    1. Nandalal Bose, Retrospective Exhibition, Mumbai, India
  5. 1954

    1. Nandalal Bose, Retrospective Exhibition, Kolkata, India
  6. 1983

  7. 1988

  8. 1991

    1. 05 Feb 1991 to 15 Feb 1991

  9. 1998

    1. 10 Jul 1998 to 27 Jul 1998

  10. 2008

    1. 23 Feb 2008 to 18 May 2008

  11. 2011

    1. Postcards of Nandalal Bose, Akar Prakar, Kolkata, India
  12. 2022

    1. 100 Years of Somnath Hore, Akar Prakar, Kolkata, India

      26 Aug 2022 to 15 Oct 2022

  13. 2023

    1. Nandalal Bose, Akar Prakar, Kolkata, India

      27 Jan 2023 to 18 Mar 2023

  14. 2024

    1. Mastermoshai Nandalal Bose, Akar Prakar, New Delhi, India

      31 Jan 2024 to 29 Feb 2024

Bose, Nandalal (Artist). Nandalal Bose (1882-1966) Centenary Exhibition, 1983 | Solo Exhibition Catalogue | 00882085
1 / 5

Bose, Nandalal (Artist). Nandalal Bose (1882-1966) Centenary Exhibition, 1983 | Solo Exhibition Catalogue | 00882085

  1. 1908

    1. Inaugural Exibition, Indian Society of Oriental Art (ISOA), Kolkata, India
  2. 1909

    1. Indian Society of Oriental Art (ISOA), Shimla, India
  3. 1910

    1. Indian Society of Oriental Art (ISOA), Kolkata, India
  4. 1911

    1. Indian Society of Oriental Art's United Provinces Exhibition, Allahabad, India
    2. Festival of Empire, Organised by Indian Society of Oriental Art for George V's Coronation, Crystal Palace, London, UK
  5. 1912

    1. Indian Society of Oriental Art, Kolkata, India
  6. 1914

    1. 22nd Exhibition of Societe des Peintres Orientalistes Francais, Grand Palais, Paris; travelling to Belgium, Holland & Imperial Institute in London, UK
  7. 1915

    1. Indian Society of Oriental Art (ISOA), Kolkata, India
  8. 1922

    1. 14th Annual Exhibition,The lndian Society of Oriental Art (ISOA), Kolkata, India
  9. 1924

    1. Travelling exhibition to USA, Organised by American Federation of Art and Indian Society of Oriental Art (ISOA), Kolkata, India
  10. 1928

    1. Athenee Gallery, Geneva, Switzerland
  11. 1935

    1. Exhibition by students of Kala Bhavan, Santiniketan at the Lucknow Session of the Indian National Congress, Lucknow, India
  12. 1953

    1. 2nd International Contemporary Art Exhibition, All India Fine Arts and Crafts Society (AIFACS), New Delhi, India
  13. 1975

    1. A Handbook of Bengal School, National Gallery of Modern Art, New Delhi, India
  14. 1987

    1. Festival of India, USSR & Switzerland
  15. 1988

    1. Takaoka Municipal Museum of Art & Meguro Museum of Art, Tokyo, Japan
    2. Olympiad of Art, Seoul, South Korea
  16. 1990

    1. Kala Yatra, Santiniketan, India
  17. 1991

    1. National Exposition of Contemporary Art, National Gallery of Modern Art (NGMA), New Delhi, India
  18. 1992

    1. Nandan Art Gallery, Kala Bhavan, Santiniketan, India
20 of 97

Chronicled Highlights

Economics of Art

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Public Auction Market (1987–2026) | Select Indicators

  1. Square Inch Rate Trend
Currency

Square Inch Rate Trend

The Square Inch Rate normalizes prices by the size of each artwork, showing the average sale value per square inch over time.
This allows fair comparisons between smaller works and larger canvases.

Analysis reflected in the chart:
The Square Inch Rate shown in the graph combines various medium types such as canvas, paper, board, and others. Historically, works on canvas and board have broadly commanded higher prices compared to works on paper.

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Research Centre

Posts 2

  1. Krishna Reddy's Spider Web and Jellyfish
    Krishna Reddy's Spider Web and Jellyfish
    Krishna Reddy, one of the world's finest printmakers, developed complex viscosity printing techniques to build layered surfaces for his organic artforms, resembling webs or marine organisms which emerge through dense tonal structures. The insect or organism becomes a study of interconnected systems and movement, rooted through a brilliant aesthetic fusing of his individual creative spirit and his unique educational experiences and inspirations at Rabindranath Tagore's Santiniketan with Nandalal Bose, the Slade School of Art with Henry Moore, the Academie Grande Chaumiere with Ossip Zadkine, Atelier 17, Paris with Stanley Hayter and Academia Di Belle Arti Di Brera with Marino Marini during the period 1947-57.
    2_FineArts16_Continuum
    Krishna ReddyRabindranath TagoreNandalal BoseAll Living SoulsGraphic ArtNeville Tuli
    Read Post →
  2. SWARAJ - Revisualising India's Political History
    SWARAJ - Revisualising India's Political History
    "What does 𝗦𝘄𝗮𝗿𝗮𝗷 truly mean? Is freedom achieved at a single historic moment or period, or must self-rule be continually imagined, questioned and renewed? India's journey towards Swaraj was shaped not by one voice or one path, but through reform and resistance, revolution and non-violence, political thought, public protest, art, print, photography, cinema and the collective will of its people. The Tuli Research Centre for India Studies (T.R.I.S.) presents 𝗦𝗪𝗔𝗥𝗔𝗝: 𝗥𝗲𝘃𝗶𝘀𝘂𝗮𝗹𝗶𝘀𝗶𝗻𝗴 𝗜𝗻𝗱𝗶𝗮'𝘀 𝗣𝗼𝗹𝗶𝘁𝗶𝗰𝗮𝗹 𝗛𝗶𝘀𝘁𝗼𝗿𝘆, a pioneering exhibition curated by Neville Tuli. Bringing together rare artworks, prints, photographs, books, film publicity art, political propaganda and visual-textual-audio archives, SWARAJ traces India's complex journey towards political self-rule and self-discovery. From early European coastal encounters, the Bengal Renaissance and the First War of Independence in 1857 to the rise of Bharat Mata, the Tiranga, Gandhiji's inspired satyagraha, civil disobedience and mass mobilisation, the exhibition explores how the idea of India was envisioned, contested and transformed. It journeys through revolutionary movements and non-violence, subaltern uprisings, the Partition, the Constitution, the integration of the Princely States, the Emergency, wars, civic dissent and people's protests. It also foregrounds the vital role of artists, photographers, publishers, newspapers, journals, cartoons and cinema in recording and shaping the nation's political consciousness. SWARAJ invites us to encounter history not as something distant or settled, but as a daily living inheritance that continues to influence who we are and how we understand freedom, identity, and ourselves today. Watch the video for a glimpse into this expansive visual journey, and follow the exhibition as it revisualises India's political history through art, image, text and sound.
    13_SeekJustice
    Gobardhan AshRamkinkar BaijFelice BeatoNandalal BoseHenri Cartier-BressonRamendranath ChakravortyChittaprosadKanu Gandhi+14 more
    Read Post →

Calendar 3

View All →
  1. SWARAJ - Revisualising India's Political History
    ArchivedOpening PreviewProject 82
    SWARAJ - Revisualising India's Political History
    An Exhibition of Modern & Contemporary Fine & Popular Arts, Photography, Film Memorabilia and Visual-Textual-Audio Archive
    12th August 2026
    6:00 PM - 9:00 PM
    Visual Arts Gallery, India Habitat Centre, Lodhi Road, New Delhi,
    The Tuli Research Centre for India Studies (T.R.I.S.) announces its seventh exhibition. “Swaraj – Revisualising India's Political History” -- An exhibition of Modern and Contemporary Fine and Popular Arts, Photography, Film Memorabilia and Visual-Textual-Audio Archives. Swaraj will open at 6 p.m. on Wednesday, 12 August 2026 at the Visual Arts Gallery and will remain open till 7 p.m. Sunday, 16 August 2026. Tuli Research Centre for India Studies (T.R.I.S.) presents SWARAJ | Revisualising India's Political History, a pioneering inter-disciplinary offline-online exhibition conceptualised and curated by Neville Tuli with Team T.R.I.S.. SWARAJ explores India's journey towards political self-rule and self-discovery through a remarkable collection of rare modern and contemporary fine and popular arts, albums, photographs, books, prints, propaganda, cartoons, film publicity artworks and other "text-visual-audio" archives contextualised within a clear historical framework, which defines T.R.I.S.' pedagogic approach to learning. The Exhibition will be of particular interest to students and scholars of India & Cultural Studies, and India's political and modern histories as well as those interested in the passage of events and ideas from the mid-1850s leading up to the turn of the 21st century. Unique to the Tuli Research Centre for India Studies is the richness of visual material that not only exhorts a deeper understanding of the art and archival materials on display but also brings alive the multi-layered narratives of the exhibition and naturally India's journey in being ad searching for herself.
    Read More →
    13_SeekJustice·9_SocialDuty
    +16 more
  2. SWARAJ - Revisualising India's Political History
    ArchivedExhibitionProject 81
    SWARAJ - Revisualising India's Political History
    An Exhibition of Modern & Contemporary Fine & Popular Arts, Photography, Film Memorabilia and Visual-Textual-Audio Archive
    12th - 19th August 2026
    10:00 AM - 7:00 PM
    Visual Arts Gallery, India Habitat Centre, Lodhi Road, New Delhi,
    19
    The Tuli Research Centre for India Studies (T.R.I.S.) announces its seventh exhibition. “Swaraj – Revisualising India's Political History” -- An exhibition of Modern and Contemporary Fine and Popular Arts, Photography, Film Memorabilia and Visual-Textual-Audio Archives. Swaraj will open at 6 p.m. on Wednesday, 12 August 2026 at the Visual Arts Gallery and will remain open till 7 p.m. Sunday, 16 August 2026. Tuli Research Centre for India Studies (T.R.I.S.) presents SWARAJ | Revisualising India's Political History, a pioneering inter-disciplinary offline-online exhibition conceptualised and curated by Neville Tuli with Team T.R.I.S.. SWARAJ explores India's journey towards political self-rule and self-discovery through a remarkable collection of rare modern and contemporary fine and popular arts, albums, photographs, books, prints, propaganda, cartoons, film publicity artworks and other "text-visual-audio" archives contextualised within a clear historical framework, which defines T.R.I.S.' pedagogic approach to learning. The Exhibition will be of particular interest to students and scholars of India & Cultural Studies, and India's political and modern histories as well as those interested in the passage of events and ideas from the mid-1850s leading up to the turn of the 21st century. Unique to the Tuli Research Centre for India Studies is the richness of visual material that not only exhorts a deeper understanding of the art and archival materials on display but also brings alive the multi-layered narratives of the exhibition and naturally India's journey in being ad searching for herself.
    Read More →
    13_SeekJustice·9_SocialDuty
    +16 more
  3. Self Discovery via Rediscovering India Series Part V Mahatma Gandhi
    ArchivedExhibitionProject 8
    Self Discovery via Rediscovering India Series Part V Mahatma Gandhi
    25th April 2025
    as part of the Rediscovering India via Self-Discovery Exhibition Series Part V
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