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Home/Mani Ratnam

Mani Ratnam

Mani Ratnam (born Gopalaratnam Subramaniam on 2 June 1956) He is one of India's most distinguished film directors, producers, and screenwriters. Primarily associated with Tamil cinema, he has also directed acclaimed films in Hindi, Telugu, Malayalam, and Kannada. Widely regarded as one of the most influential filmmakers in Indian cinema, Ratnam is celebrated for combining artistic sophistication with commercial success while redefining contemporary Indian filmmaking.

Born into a Tamil Iyer family in Madurai, Tamil Nadu, Ratnam was raised in Chennai in a family closely connected to the film industry. His father, S. Gopalaratnam, was a film distributor with Venus Pictures, while his uncle, Venus Krishnamurthy, was a noted film producer. Despite this cinematic background, he developed an interest in films only during his school years at Besant Theosophical School, where he became an admirer of actors such as Sivaji Ganesan and Nagesh and was deeply influenced by the works of director K. Balachander. He completed a Bachelor's degree in Commerce from Ramakrishna Mission Vivekananda College, University of Madras, followed by an MBA in Finance from Jamnalal Bajaj Institute of Management Studies, Mumbai. Before entering the film industry, he worked as a management consultant.

Ratnam made his directorial debut with the Kannada film Pallavi Anu Pallavi (1983). Although his initial films achieved limited commercial success, his breakthrough came with Mouna Ragam (1986), which established him as a leading filmmaker in Tamil cinema and earned him his first Filmfare Award for Best Director. He subsequently directed critically acclaimed works such as Nayakan (1987), Anjali (1990), Thalapathi (1991), Roja (1992), Bombay (1995), Dil Se.. (1998), Alaipayuthey (2000), Kannathil Muthamittal (2002), Guru (2007), O Kadhal Kanmani (2015), and the epic historical films Ponniyin Selvan: I (2022) and Ponniyin Selvan: II (2023). His films are distinguished by their visual elegance, emotionally nuanced narratives, innovative cinematography, and memorable musical collaborations with composer A. R. Rahman. Ratnam's cinema frequently explores themes of love, politics, identity, terrorism, family relationships, and social conflict, reflecting both artistic depth and cultural relevance.

Throughout his career, Mani Ratnam has received numerous prestigious honours, including seven National Film Awards, four Filmfare Awards, seven Filmfare Awards South, and several international recognitions. In 2002, he was awarded the Padma Shri by the Government of India for his exceptional contribution to Indian cinema. His films have been screened at major international film festivals and continue to receive critical acclaim for their narrative innovation and cinematic excellence. Married to actress Suhasini since 1988, Ratnam resides in Chennai, where he heads his production company, Madras Talkies, and continues to shape the landscape of Indian cinema through his enduring artistic vision.

मणि रत्नम (जन्म 2 जून 1956 को गोपालरत्नम सुब्रमण्यम के रूप में) भारत के मशहूर फ़िल्म निर्देशकों, निर्माताओं और पटकथा लेखकों में से एक हैं। मुख्य रूप से तमिल सिनेमा से जुड़े होने के बावजूद, उन्होंने हिंदी, तेलुगु, मलयालम और कन्नड़ भाषाओं में भी कई बेहतरीन फ़िल्में बनाई हैं। भारतीय सिनेमा के सबसे प्रभावशाली फ़िल्मकारों में से एक माने जाने वाले रत्नम को कलात्मक बारीकियों और कमर्शियल सफलता के बेहतरीन मेल के साथ-साथ समकालीन भारतीय फ़िल्म निर्माण को नई पहचान देने के लिए जाना जाता है।
तमिलनाडु के मदुरै में एक तमिल अय्यर परिवार में जन्मे रत्नम की परवरिश चेन्नई में एक ऐसे परिवार में हुई जो फ़िल्म इंडस्ट्री से गहराई से जुड़ा था। उनके पिता, एस. गोपालरत्नम, वीनस पिक्चर्स के साथ फ़िल्म डिस्ट्रीब्यूटर थे, जबकि उनके चाचा, वीनस कृष्णमूर्ति, एक जाने-माने फ़िल्म निर्माता थे। फ़िल्मी बैकग्राउंड होने के बावजूद, उन्हें फ़िल्मों में दिलचस्पी बेसेंट थियोसोफ़िकल स्कूल में अपनी स्कूली पढ़ाई के दौरान हुई, जहाँ वे शिवाजी गणेशन और नागेश जैसे अभिनेताओं के प्रशंसक बने और निर्देशक के. बालचंदर के काम से बहुत प्रभावित हुए। उन्होंने मद्रास विश्वविद्यालय के रामकृष्ण मिशन विवेकानंद कॉलेज से कॉमर्स में बैचलर डिग्री पूरी की और उसके बाद मुंबई के जमनालाल बजाज इंस्टीट्यूट ऑफ़ मैनेजमेंट स्टडीज़ से फ़ाइनेंस में एमबीए किया। फ़िल्म इंडस्ट्री में आने से पहले, उन्होंने मैनेजमेंट कंसल्टेंट के तौर पर काम किया।
रत्नम ने कन्नड़ फ़िल्म 'पल्लवी अनु पल्लवी' (1983) से निर्देशन की दुनिया में क़दम रखा। हालाँकि उनकी शुरुआती फ़िल्मों को कमर्शियल तौर पर बहुत ज़्यादा सफलता नहीं मिली, लेकिन 'मौना रागम' (1986) ने उन्हें तमिल सिनेमा के एक बड़े फ़िल्ममेकर के तौर पर स्थापित किया और उन्हें बेस्ट डायरेक्टर का पहला फ़िल्मफ़ेयर अवॉर्ड दिलाया। इसके बाद उन्होंने 'नायगन' (1987), 'अंजलि' (1990), 'थलपति' (1991), 'रोज़ा' (1992), 'बॉम्बे' (1995), 'दिल से..' (1998), 'अलायपयुथे' (2000), 'कन्नाथिल मुथामित्तल' (2002), 'गुरु' (2007), 'ओ काधल कनमनी' (2015) और ऐतिहासिक फ़िल्में 'पोन्नियिन सेलवन: I' (2022) व 'पोन्नियिन सेलवन: II' (2023) जैसी बेहतरीन फ़िल्में बनाईं। उनकी फ़िल्में अपनी शानदार विज़ुअल क्वालिटी, भावनाओं से भरी कहानियों, नए तरह की सिनेमैटोग्राफ़ी और म्यूज़िक कंपोज़र ए. आर. रहमान के साथ यादगार म्यूज़िकल सहयोग के लिए जानी जाती हैं। रत्नम की फ़िल्में अक्सर प्यार, राजनीति, पहचान, आतंकवाद, पारिवारिक रिश्तों और सामाजिक टकराव जैसे विषयों को दिखाती हैं, जिनमें कलात्मक गहराई और सांस्कृतिक महत्व दोनों झलकते हैं।
अपने करियर के दौरान, मणि रत्नम को कई प्रतिष्ठित सम्मान मिले हैं, जिनमें सात नेशनल फ़िल्म अवॉर्ड, चार फ़िल्मफ़ेयर अवॉर्ड, सात फ़िल्मफ़ेयर अवॉर्ड साउथ और कई अंतरराष्ट्रीय सम्मान शामिल हैं। 2002 में, भारतीय सिनेमा में उनके बेहतरीन योगदान के लिए भारत सरकार ने उन्हें पद्म श्री से सम्मानित किया। उनकी फ़िल्में बड़े अंतरराष्ट्रीय फ़िल्म फ़ेस्टिवल में दिखाई गई हैं और कहानी कहने के नए अंदाज़ और बेहतरीन सिनेमाई क्वालिटी के लिए उन्हें लगातार तारीफ़ें मिलती रही हैं। 1988 से एक्ट्रेस सुहासिनी के साथ शादीशुदा जीवन बिता रहे रत्नम चेन्नई में रहते हैं, जहाँ वे अपनी प्रोडक्शन कंपनी 'मद्रास टॉकीज़' चलाते हैं और अपनी कलात्मक सोच के ज़रिए भारतीय सिनेमा को नई दिशा देते रहते हैं।
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Nitin Mahmohan (Producer), Anjali, 1990, Song-Synopsis Booklet
Mahmohan, Nitin (Producer), Anjali, 1990 | Song-Synopsis Booklet
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S. Sriram (Producer), Bombay, 1995, Song-Synopsis Booklet
Sriram, S. (Producer), Bombay, 1995 | Song-Synopsis Booklet
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Khalid Mohamed (Editor), Filmfare, 1995, Magazine
Mohamed, Khalid (Editor). Filmfare, 01 January 1995 | Magazine | 00793990
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Khalid Mohamed (Editor), Filmfare, 1995, Magazine
Mohamed, Khalid (Editor). Filmfare, 01 January 1995 | Magazine | 00793990
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Ravi S. Vasudevan (Essayist), Bombay and Its public, 1996, Essay
Vasudevan, Ravi S. (Essayist). Bombay and Its public. In Journal of Arts & Ideas. 29. January 1996 | Essay | 00676389
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Madhava Prasad (Essayist), Signs of Ideological Re-Form in Two Recent Films, 1996, Essay
Prasad, Madhava (Essayist). Signs of Ideological Re-Form in Two Recent Films. In Journal of Arts & Ideas. 29. January 1996 | Essay | 00676388
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Vivek Dhareshwar (Essayist), Kaadalan and the Politics of Resignification, 1996, Essay
Dhareshwar, Vivek and Tejaswini Niranjana (Essayists). Kaadalan and the Politics of Resignification. In Journal of Arts & Ideas. 29. January 1996 | Essay | 00676387
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Santosh Sivan (Cinematographer), Dil Se, 1998, Lobby Card
Sivan, Santosh (Cinematographer), Dil Se, 1998 | Lobby Card
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Santosh Sivan (Cinematographer), Dil Se, 1998, Lobby Card
Sivan, Santosh (Cinematographer), Dil Se, 1998 | Lobby Card
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Santosh Sivan (Cinematographer), Dil Se, 1998, Lobby Card
Sivan, Santosh (Cinematographer), Dil Se, 1998 | Lobby Card
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Santosh Sivan (Cinematographer), Dil Se, 1998, Lobby Card
Sivan, Santosh (Cinematographer), Dil Se, 1998 | Lobby Card
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Santosh Sivan (Cinematographer), Dil Se, 1998, Lobby Card
Sivan, Santosh (Cinematographer), Dil Se, 1998 | Lobby Card
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Santosh Sivan (Cinematographer), Dil Se, 1998, Lobby Card
Sivan, Santosh (Cinematographer), Dil Se, 1998 | Lobby Card
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Santosh Sivan (Cinematographer), Dil Se, 1998, Lobby Card
Sivan, Santosh (Cinematographer), Dil Se, 1998 | Lobby Card
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Santosh Sivan (Cinematographer), Dil Se, 1998, Lobby Card
Sivan, Santosh (Cinematographer), Dil Se, 1998 | Lobby Card
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Santosh Sivan (Cinematographer), Dil Se, 1998, Lobby Card
Sivan, Santosh (Cinematographer), Dil Se, 1998 | Lobby Card
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Santosh Sivan (Cinematographer), Dil Se, 1998, Lobby Card
Sivan, Santosh (Cinematographer), Dil Se, 1998 | Lobby Card
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Shekhar Kapoor (Producer), Dil Se, 1998, Full Sheet Poster
Kapoor, Shekhar (Producer), Dil Se, 1998 | Full Sheet Poster
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Shekhar Kapoor (Producer), Dil Se, 1998, Full Sheet Poster
Kapoor, Shekhar (Producer), Dil Se, 1998 | Full Sheet Poster
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Shekhar Kapoor (Producer), Dil Se, 1998, Full Sheet Poster
Kapoor, Shekhar (Producer), Dil Se, 1998 | Full Sheet Poster
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Shekhar Kapoor (Producer), Dil Se, 1998, Full Sheet Poster
Kapoor, Shekhar (Producer), Dil Se, 1998 | Full Sheet Poster
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Shekhar Kapoor (Producer), Dil Se, 1998, Full Sheet Poster
Kapoor, Shekhar (Producer), Dil Se, 1998 | Full Sheet Poster
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Ravi K Chandran (Cinematographer), A Peck on the Cheek, 2002, Photographic Still
Chandran, Ravi K (Cinematographer), A Peck on the Cheek, 2002 | Photographic Still
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Mani Ratnam (Producer), Yuva, 2004, Full Sheet Poster
Ratnam, Mani (Producer), Yuva, 2004 | Full Sheet Poster
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Khalid Mohamed (Editor), Filmfare, 1995, Magazine
Mohamed, Khalid (Editor). Filmfare, 01 January 1995 | Magazine | 00793990
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Khalid Mohamed (Editor), Filmfare, 1995, Magazine
Mohamed, Khalid (Editor). Filmfare, 01 January 1995 | Magazine | 00793990
View full record
Ravi S. Vasudevan (Essayist), Bombay and Its public, 1996, Essay
Vasudevan, Ravi S. (Essayist). Bombay and Its public. In Journal of Arts & Ideas. 29. January 1996 | Essay | 00676389
View full record
Madhava Prasad (Essayist), Signs of Ideological Re-Form in Two Recent Films, 1996, Essay
Prasad, Madhava (Essayist). Signs of Ideological Re-Form in Two Recent Films. In Journal of Arts & Ideas. 29. January 1996 | Essay | 00676388
View full record
Vivek Dhareshwar (Essayist), Kaadalan and the Politics of Resignification, 1996, Essay
Dhareshwar, Vivek and Tejaswini Niranjana (Essayists). Kaadalan and the Politics of Resignification. In Journal of Arts & Ideas. 29. January 1996 | Essay | 00676387
View full record
Nitin Mahmohan (Producer), Anjali, 1990, Song-Synopsis Booklet
Mahmohan, Nitin (Producer), Anjali, 1990 | Song-Synopsis Booklet
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S. Sriram (Producer), Bombay, 1995, Song-Synopsis Booklet
Sriram, S. (Producer), Bombay, 1995 | Song-Synopsis Booklet
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Santosh Sivan (Cinematographer), Dil Se, 1998, Lobby Card
Sivan, Santosh (Cinematographer), Dil Se, 1998 | Lobby Card
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Santosh Sivan (Cinematographer), Dil Se, 1998, Lobby Card
Sivan, Santosh (Cinematographer), Dil Se, 1998 | Lobby Card
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Santosh Sivan (Cinematographer), Dil Se, 1998, Lobby Card
Sivan, Santosh (Cinematographer), Dil Se, 1998 | Lobby Card
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Santosh Sivan (Cinematographer), Dil Se, 1998, Lobby Card
Sivan, Santosh (Cinematographer), Dil Se, 1998 | Lobby Card
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Santosh Sivan (Cinematographer), Dil Se, 1998, Lobby Card
Sivan, Santosh (Cinematographer), Dil Se, 1998 | Lobby Card
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Santosh Sivan (Cinematographer), Dil Se, 1998, Lobby Card
Sivan, Santosh (Cinematographer), Dil Se, 1998 | Lobby Card
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Santosh Sivan (Cinematographer), Dil Se, 1998, Lobby Card
Sivan, Santosh (Cinematographer), Dil Se, 1998 | Lobby Card
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Santosh Sivan (Cinematographer), Dil Se, 1998, Lobby Card
Sivan, Santosh (Cinematographer), Dil Se, 1998 | Lobby Card
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Santosh Sivan (Cinematographer), Dil Se, 1998, Lobby Card
Sivan, Santosh (Cinematographer), Dil Se, 1998 | Lobby Card
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Santosh Sivan (Cinematographer), Dil Se, 1998, Lobby Card
Sivan, Santosh (Cinematographer), Dil Se, 1998 | Lobby Card
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Shekhar Kapoor (Producer), Dil Se, 1998, Full Sheet Poster
Kapoor, Shekhar (Producer), Dil Se, 1998 | Full Sheet Poster
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Shekhar Kapoor (Producer), Dil Se, 1998, Full Sheet Poster
Kapoor, Shekhar (Producer), Dil Se, 1998 | Full Sheet Poster
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Shekhar Kapoor (Producer), Dil Se, 1998, Full Sheet Poster
Kapoor, Shekhar (Producer), Dil Se, 1998 | Full Sheet Poster
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Shekhar Kapoor (Producer), Dil Se, 1998, Full Sheet Poster
Kapoor, Shekhar (Producer), Dil Se, 1998 | Full Sheet Poster
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Shekhar Kapoor (Producer), Dil Se, 1998, Full Sheet Poster
Kapoor, Shekhar (Producer), Dil Se, 1998 | Full Sheet Poster
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Ravi K Chandran (Cinematographer), A Peck on the Cheek, 2002, Photographic Still
Chandran, Ravi K (Cinematographer), A Peck on the Cheek, 2002 | Photographic Still
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Mani Ratnam (Producer), Yuva, 2004, Full Sheet Poster
Ratnam, Mani (Producer), Yuva, 2004 | Full Sheet Poster
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              Kapoor, Shekhar (Producer), Dil Se, 1998 | Full Sheet Poster | CinemaEducation | 00768436

              Kapoor, Shekhar (Producer), Dil Se, 1998 | Full Sheet Poster

              ProducerShekhar Kapoor
              Document TypeFull Sheet Poster
              Film TitleDil Se, 1998, India, Hindi
              DirectorMani RatnamBannerIndia Talkies
              Art DirectorSamir ChandaCinematographerSantosh Sivan
              CastManisha Koirala, Shahrukh Khan, Raghubir Yadav, Preity Zinta, Krishna Kant, Piyush Mishra, Sanjay Mishra, Arundhati Rao, Zohra Segal, Mita Vashishth, Malaika Arora Khan
              EditingSuresh URS
              LyricistGulzar
              Music DirectorA.R. Rahman
              Copyright of ImageWith Producer | Archive Object

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