All Living Souls

All Living Souls
All Living Souls: Expressed in the Modern and Contemporary Fine & Popular Indian Arts, organised by TRIS is an exhibition grounded in a decade of lived engagement, research, and artistic inquiry; drawing from Neville Tuli's sustained work at Vanraja, a sanctuary developed through long-term care for animals. The exhibition introduces the 16th Research Category for India Studies, Animal–Human–Nature Continuum, focusing on the animals as an integral presence within a shared ecological and cultural context. The exhibition also coincides with the public opening of the Vanraja Sanctuary & Hospice as it completes its ten years. Across the history of the Indian subcontinent, animals hold a central place in both visual and philosophical traditions. Their presence appears in systems of belief such as the vahana, where animals accompany deities, and in courtly, vernacular, and popular imagery. The exhibition brings together works by modern and contemporary Indian artists alongside material from 19th-century print traditions. This range places individual artistic practices in dialogue with widely circulated visual forms. Organised through a wide spectrum of animal forms, it traces representations that move from mythological embodiments to observational and everyday encounters shaped by land, ritual, and urban life. Across sculpture, painting, print, and other media, All Living Souls examines how animals function as companions, witnesses, and forces within the evolving language of modern and contemporary Indian art practices.
All Living Souls: Expressed in the Modern and Contemporary Fine & Popular Indian Arts, organised by TRIS is an exhibition grounded in a decade of lived engagement, research, and artistic inquiry; drawing from Neville Tuli's sustained work at Vanraja, a sanctuary developed through long-term care for animals. The exhibition introduces the 16th Research Category for India Studies, Animal–Human–Nature Continuum, focusing on the animals as an integral presence within a shared ecological and cultural context. The exhibition also coincides with the public opening of the Vanraja Sanctuary & Hospice as it completes its ten years. Across the history of the Indian subcontinent, animals hold a central place in both visual and philosophical traditions. Their presence appears in systems of belief such as the vahana, where animals accompany deities, and in courtly, vernacular, and popular imagery. The exhibition brings together works by modern and contemporary Indian artists alongside material from 19th-century print traditions. This range places individual artistic practices in dialogue with widely circulated visual forms. Organised through a wide spectrum of animal forms, it traces representations that move from mythological embodiments to observational and everyday encounters shaped by land, ritual, and urban life. Across sculpture, painting, print, and other media, All Living Souls examines how animals function as companions, witnesses, and forces within the evolving language of modern and contemporary Indian art practices.
Introduction
All Living Souls: Expressed in the Modern and Contemporary Fine & Popular Indian Arts, organised by TRIS is an exhibition grounded in a decade of lived engagement, research, and artistic inquiry; drawing from Neville Tuli's sustained work at Vanraja, a sanctuary developed through long-term care for animals. The exhibition introduces the 16th Research Category for India Studies, Animal–Human–Nature Continuum, focusing on the animals as an integral presence within a shared ecological and cultural context. The exhibition also coincides with the public opening of the Vanraja Sanctuary & Hospice as it completes its ten years. Across the history of the Indian subcontinent, animals hold a central place in both visual and philosophical traditions. Their presence appears in systems of belief such as the vahana, where animals accompany deities, and in courtly, vernacular, and popular imagery. The exhibition brings together works by modern and contemporary Indian artists alongside material from 19th-century print traditions. This range places individual artistic practices in dialogue with widely circulated visual forms. Organised through a wide spectrum of animal forms, it traces representations that move from mythological embodiments to observational and everyday encounters shaped by land, ritual, and urban life. Across sculpture, painting, print, and other media, All Living Souls examines how animals function as companions, witnesses, and forces within the evolving language of modern and contemporary Indian art practices.

Research Centre

Roy Chowdhury, D.P. (Artist). Animal, mid 1940s | Sculpture

Roy Chowdhury, D.P. (Artist). Animal, mid 1940s | Sculpture

Roy Chowdhury, D.P. (Artist). The Crane, early 1950s | Painting

Roy Chowdhury, D.P. (Artist). The Crane, early 1950s | Painting

Bhagat, Dhanraj (Artist). Horses Series, 1953 | Painting

Bhagat, Dhanraj (Artist). Horses Series, 1953 | Painting

Bhagat, Dhanraj (Artist). Horses Series, 1953-54 | Sculpture

Bhagat, Dhanraj (Artist). Horses Series, 1953-54 | Sculpture

Reddy, Krishna (Artist). Jelly Fish, 1955 | Graphics Art

Reddy, Krishna (Artist). Jelly Fish, 1955 | Graphics Art

Sen, Sunil Madhav (Artist). Cats, mid 1950s | Painting

Sen, Sunil Madhav (Artist). Cats, mid 1950s | Painting

Das, Sunil (Artist). Horse & Jockey, 1959 | Drawing

Das, Sunil (Artist). Horse & Jockey, 1959 | Drawing

Subramanyan, K.G. (Artist). Penguin, c.1960 | Sculpture

Subramanyan, K.G. (Artist). Penguin, c.1960 | Sculpture

Bhagat, Dhanraj (Artist). Study for Gossip, 1960 | Sculpture

Bhagat, Dhanraj (Artist). Study for Gossip, 1960 | Sculpture

Husain, M.F. (Artist). Untitled, 1960 | Painting

Husain, M.F. (Artist). Untitled, 1960 | Painting

Munuswamy, L. (Artist). Animal Series, 1962 | Painting

Munuswamy, L. (Artist). Animal Series, 1962 | Painting

Reddy, Krishna (Artist). Spider's Web, 1964 | Graphics Art

Reddy, Krishna (Artist). Spider's Web, 1964 | Graphics Art

Bhatt, Jyoti (Artist). The Last Pandit, 1966 | Graphics Art

Bhatt, Jyoti (Artist). The Last Pandit, 1966 | Graphics Art

Goud, K. Laxma (Artist). Forest Series, 1976 | Graphics Art

Goud, K. Laxma (Artist). Forest Series, 1976 | Graphics Art

Swaminathan, J. (Artist). Mountain, Tree & Bird Series, 1976 | Painting

Swaminathan, J. (Artist). Mountain, Tree & Bird Series, 1976 | Painting

Goud, K. Laxma (Artist). Forest Series, 1976 | Graphics Art

Goud, K. Laxma (Artist). Forest Series, 1976 | Graphics Art

Bhaskaran, R.B. (Artist). Cat Series, 1979 | Painting

Bhaskaran, R.B. (Artist). Cat Series, 1979 | Painting

Pyne, Ganesh (Artist). Untitled (Kali), 1981 | Painting

Pyne, Ganesh (Artist). Untitled (Kali), 1981 | Painting

Ali, J. Sultan (Artist). Pramannu Darshan Series | Sanpada, No-Krodh, 1982 | Painting

Ali, J. Sultan (Artist). Pramannu Darshan Series | Sanpada, No-Krodh, 1982 | Painting

Ali, J. Sultan (Artist). Pramannu Darshan Series | Niryata II, 1984 | Painting

Ali, J. Sultan (Artist). Pramannu Darshan Series | Niryata II, 1984 | Painting

Loading...
TRIS logo image