Director
Satyajit RayFilm Title
Sadgati (Salvation, Deliverance), 1981, India, Hindi
Scene Description The first we see of Ghasiram is of a man sitting before a mirror, absorbed in the business of decorating his forehead in preparation for the performance of his morning rituals. Unlike Dukhi he is a man of ample build and whiter skin, living in a fine house. We see Dukhi become the obsequious petitioner who, because of fthe act of birth, must prostrate himself before another man. Ghasiram on this hot day, is somewhat disinclined to visit the nearby hovel of a chamar in order to consult his almanac to find an auspicious day for the betrothal of the untouchable's daughter. Of course, he cannot refuse to go—that would be a breach of his own duty—and so he prevaricates, keeping Dukhi busy in the meantime with menial tasks to which one such as Ghasiram may never stoop. (6/24)
Producer
Bolai Addy,
Trailokya Das,
Tej Bahadur
Banner
Doordarshan
Art Director
Ashoke Bose
Cinematographer
Soumendu Roy
Cast
Mohan Agashe,
Smita Patil,
Om Puri,
Geeta Siddarth
Copyright of ImageWith Producer | Archive Object
© Tuli Research Centre for India Studies 2026
© Tuli Research Centre for India Studies 2026