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Tuli Research Centre for India Studies
Tuli Research Centre for India Studies
Research Centre137
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Research Centre

Tuli Research Centre for India Studies (Editor), The Khan of Mughal-e-Azam: Naushad on Bade Ghulam Ali, 1986, In-house Video
Tuli Research Centre for India Studies (Editor). The Khan of Mughal-e-Azam: Naushad on Bade Ghulam Ali, 1986 | In-house Video
Tuli Research Centre for India Studies (Editor), Suraj Ka Satvan Ghoda, 1992, In-house Video
Tuli Research Centre for India Studies (Editor). Suraj Ka Satvan Ghoda, 01 October 1992 | In-house Video
Tuli Research Centre for India Studies (Editor), The Making of the Mahatma, 1996, In-house Video
Tuli Research Centre for India Studies (Editor). The Making of the Mahatma, 04 October 1996 | In-house Video
Tuli Research Centre for India Studies (Editor), Anurag Kashyap on Character Research and Casting (Part 1), 2007, In-house Video
Tuli Research Centre for India Studies (Editor). Anurag Kashyap on Character Research and Casting (Part 1), 24 July 2007 | In-house Video
Tuli Research Centre for India Studies (Editor), Konkona Sen Sharma on her First Film, 2007, In-house Video
Tuli Research Centre for India Studies (Editor). Konkona Sen Sharma on her First Film, 27 July 2007 | In-house Video
Tuli Research Centre for India Studies (Editor), Writing a Screenplay - Anurag Kashyap, 2007, In-house Video
Tuli Research Centre for India Studies (Editor). Writing a Screenplay - Anurag Kashyap, 24 July 2007 | In-house Video
Tuli Research Centre for India Studies (Editor), Research & Black Friday - Anurag Kashyap, 2007, In-house Video
Tuli Research Centre for India Studies (Editor). Research & Black Friday - Anurag Kashyap, 24 July 2007 | In-house Video
Tuli Research Centre for India Studies (Editor), The Art of Script & Dialogue Writing: Anurag Kashyap, 2007, In-house Video
Tuli Research Centre for India Studies (Editor). The Art of Script & Dialogue Writing: Anurag Kashyap, 24 July 2007 | In-house Video
Tuli Research Centre for India Studies (Editor), India's Cinematic Vision: Sudhir Mishra, 2007, In-house Video
Tuli Research Centre for India Studies (Editor). India's Cinematic Vision: Sudhir Mishra, 27 July 2007 | In-house Video
Tuli Research Centre for India Studies (Editor), "Indian Cinema & the Nation in 1955", 2007, In-house Video
Tuli Research Centre for India Studies (Editor). "Indian Cinema & the Nation in 1955", 27 July 2007 | In-house Video
Tuli Research Centre for India Studies (Editor), "Our Visual imagination is under assault…" Ashok Vajpayi at the The Osianama, 2007, In-house Video
Tuli Research Centre for India Studies (Editor). "Our Visual imagination is under assault…" Ashok Vajpayi at the The Osianama, 27 July 2007 | In-house Video
Tuli Research Centre for India Studies (Editor), Anurag Kashyap on Character Research and Casting (Part 2), 2007, In-house Video
Tuli Research Centre for India Studies (Editor). Anurag Kashyap on Character Research and Casting (Part 2), 24 July 2007 | In-house Video
Tuli Research Centre for India Studies (Editor), The Films of 1955: Mani Kaul, 2007, In-house Video
Tuli Research Centre for India Studies (Editor). The Films of 1955: Mani Kaul, 27 July 2007 | In-house Video
Tuli Research Centre for India Studies (Editor), Romi Khosla on CreativeTalent (Part 2), 2007, In-house Video
Tuli Research Centre for India Studies (Editor). Romi Khosla on CreativeTalent (Part 2), 28 July 2007 | In-house Video
Tuli Research Centre for India Studies (Editor), Konkona Sen Sharma on Filmmakers & Screenwriters, 2007, In-house Video
Tuli Research Centre for India Studies (Editor). Konkona Sen Sharma on Filmmakers & Screenwriters, 27 July 2007 | In-house Video
Tuli Research Centre for India Studies (Editor), Saeed Mirza: A glimpse into his Teaching Journey, 2007, In-house Video
Tuli Research Centre for India Studies (Editor). Saeed Mirza: A glimpse into his Teaching Journey, 23 July 2007 | In-house Video
Tuli Research Centre for India Studies (Editor), Romi Khosla on CreativeTalent (Part 1), 2007, In-house Video
Tuli Research Centre for India Studies (Editor). Romi Khosla on CreativeTalent (Part 1), 28 July 2007 | In-house Video
Tuli Research Centre for India Studies (Editor), 
Culture and the Vietnam War: Saeed Mirza, 2007, In-house Video
Tuli Research Centre for India Studies (Editor). Culture and the Vietnam War: Saeed Mirza, 23 July 2007 | In-house Video
Tuli Research Centre for India Studies (Editor), Towards Building Cultural Centres: Romi, 2007, In-house Video
Tuli Research Centre for India Studies (Editor). Towards Building Cultural Centres: Romi, 28 July 2007 | In-house Video
Tuli Research Centre for India Studies (Editor), Towards Building Cultural Centres, 2007, In-house Video
Tuli Research Centre for India Studies (Editor). Towards Building Cultural Centres, 28 July 2007 | In-house Video
20 of 137
Tuli Research Centre for India Studies (Editor). Music in the Films of Guru Dutt: Dreams, Desire, and Disillusionment, 31 August 2026 | In-house Video, 2026 · 1 Hour 15 min · Long-form Video
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Tuli Research Centre for India Studies (Editor). Music in the Films of Guru Dutt: Dreams, Desire, and Disillusionment, 31 August 2026 | In-house Video
2026 · 1 Hour 15 min · Long-form Video
Tuli Research Centre for India Studies (Editor). "Babuji Dheere Chalna" - More Than Just a Club Song, 31 August 2026 | In-house Video, 2026 · 14 min 52 sec · Long-form Video
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Tuli Research Centre for India Studies (Editor). "Babuji Dheere Chalna" - More Than Just a Club Song, 31 August 2026 | In-house Video
2026 · 14 min 52 sec · Long-form Video
Tuli Research Centre for India Studies (Editor). "Din Hai Bahar Ke" - The Coming Together of Folk and Modern Sensibilities, 31 August 2026 | In-house Video, 2026 · 1 min 01 sec · Vertical Video
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Tuli Research Centre for India Studies (Editor). "Din Hai Bahar Ke" - The Coming Together of Folk and Modern Sensibilities, 31 August 2026 | In-house Video
2026 · 1 min 01 sec · Vertical Video
Tuli Research Centre for India Studies (Editor). "Babuji Dheere Chalna" - A Song of Playful Defiance, 31 August 2026 | In-house Video, 2026 · 1 min 02 sec · Vertical Video
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Tuli Research Centre for India Studies (Editor). "Babuji Dheere Chalna" - A Song of Playful Defiance, 31 August 2026 | In-house Video
2026 · 1 min 02 sec · Vertical Video
Tuli Research Centre for India Studies (Editor). "Udein Jab Jab Zulfein Teri" - Romance, Folklore, and the Looming Motor Car, 31 August 2026 | In-house Video, 2026 · 1 min 26 sec · Vertical Video
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Tuli Research Centre for India Studies (Editor). "Udein Jab Jab Zulfein Teri" - Romance, Folklore, and the Looming Motor Car, 31 August 2026 | In-house Video
2026 · 1 min 26 sec · Vertical Video
Tuli Research Centre for India Studies (Editor). "Dil Ke Armaan Aansuon Mein Bah Gaye" - Love, Longing and the Popularity of the Ghazal, 31 August 2026 | In-house Video, 2026 · 23 min 46 sec · Long-form Video
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Tuli Research Centre for India Studies (Editor). "Dil Ke Armaan Aansuon Mein Bah Gaye" - Love, Longing and the Popularity of the Ghazal, 31 August 2026 | In-house Video
2026 · 23 min 46 sec · Long-form Video
Tuli Research Centre for India Studies (Editor). "Dil Ke Armaan Aansuon Mein Bah Gaye"  - Loneliness Depicted through Mise-en-Scène, 31 August 2026 | In-house Video, 2026 · 1 in 08 sec · Vertical Video
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Tuli Research Centre for India Studies (Editor). "Dil Ke Armaan Aansuon Mein Bah Gaye" - Loneliness Depicted through Mise-en-Scène, 31 August 2026 | In-house Video
2026 · 1 in 08 sec · Vertical Video
Tuli Research Centre for India Studies (Editor). Music in the Films of B.R. Chopra and V. Shantaram, 31 August 2026 | In-house Video, 2026 · 43 sec · Vertical Video
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Tuli Research Centre for India Studies (Editor). Music in the Films of B.R. Chopra and V. Shantaram, 31 August 2026 | In-house Video
2026 · 43 sec · Vertical Video
Tuli Research Centre for India Studies (Editor). "Ae Maalik Tere Bande Hum"  - A Bhajan from V Shantaram's film about prison reform, 31 August 2026 | In-house Video, 2026 · 1 min 06 sec · Vertical Video
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Tuli Research Centre for India Studies (Editor). "Ae Maalik Tere Bande Hum" - A Bhajan from V Shantaram's film about prison reform, 31 August 2026 | In-house Video
2026 · 1 min 06 sec · Vertical Video
Tuli Research Centre for India Studies (Editor). "Din Hai Bahar Ke" - A Celebration of Youthful Love, 31 August 2026 | In-house Video, 2026 · 14 min 27 sec · Long-form Video
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Tuli Research Centre for India Studies (Editor). "Din Hai Bahar Ke" - A Celebration of Youthful Love, 31 August 2026 | In-house Video
2026 · 14 min 27 sec · Long-form Video
Tuli Research Centre for India Studies (Editor). "Ae Maalik Tere Bande Hum" - A Film Song that became a School Prayer, 31 August 2026 | In-house Video, 2026 · 1 hour 11 min · Long-form Video
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Tuli Research Centre for India Studies (Editor). "Ae Maalik Tere Bande Hum" - A Film Song that became a School Prayer, 31 August 2026 | In-house Video
2026 · 1 hour 11 min · Long-form Video
Tuli Research Centre for India Studies (Editor). "Udein Jab Jab Zulfen Teri" - Romance and Resistance in BR Chopra's Naya Daur (1957), 31 August 2026 | In-house Video, 2026 · 16 min 27 sec · Long-form Video
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Tuli Research Centre for India Studies (Editor). "Udein Jab Jab Zulfen Teri" - Romance and Resistance in BR Chopra's Naya Daur (1957), 31 August 2026 | In-house Video
2026 · 16 min 27 sec · Long-form Video
Tuli Research Centre for India Studies (Editor). Music in the Films of B.R. Chopra and V. Shantaram, 31 August 2026 | In-house Video, 2026 · 1 hour 11 min · Long-form Video
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Tuli Research Centre for India Studies (Editor). Music in the Films of B.R. Chopra and V. Shantaram, 31 August 2026 | In-house Video
2026 · 1 hour 11 min · Long-form Video
Tuli Research Centre for India Studies (Editor). "Waqt Ne Kiya Kya Haseen Sitam" - The Haunting Song of Guru Dutt’s Life, 31 August 2026 | In-house Video, 2026 · 55 sec · Vertical Video
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Tuli Research Centre for India Studies (Editor). "Waqt Ne Kiya Kya Haseen Sitam" - The Haunting Song of Guru Dutt’s Life, 31 August 2026 | In-house Video
2026 · 55 sec · Vertical Video
Tuli Research Centre for India Studies (Editor). "Jinhe Naaz Hai Hind Par Woh Kahan Hain" - The Anguish of the Nation, 31 August 2026 | In-house Video, 2026 · 1 min 27 sec · Vertical Video
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Tuli Research Centre for India Studies (Editor). "Jinhe Naaz Hai Hind Par Woh Kahan Hain" - The Anguish of the Nation, 31 August 2026 | In-house Video
2026 · 1 min 27 sec · Vertical Video
Tuli Research Centre for India Studies (Editor). "Waqt Ne Kiya Kya Haseen Sitam"- The Song Lata Mangeshkar Wished She Had Sung, 31 August 2026 | In-house Video, 2026 · 22 min 32 sec · Long-form Video
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Tuli Research Centre for India Studies (Editor). "Waqt Ne Kiya Kya Haseen Sitam"- The Song Lata Mangeshkar Wished She Had Sung, 31 August 2026 | In-house Video
2026 · 22 min 32 sec · Long-form Video
Tuli Research Centre for India Studies (Editor). "Yeh Duniya Agar Mil Bhi Jaye To Kya Hai" - The Poet's Disillusionment on Screen, 31 August 2026 | In-house Video, 2026 · 18 min 11 sec · Long-form Video
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Tuli Research Centre for India Studies (Editor). "Yeh Duniya Agar Mil Bhi Jaye To Kya Hai" - The Poet's Disillusionment on Screen, 31 August 2026 | In-house Video
2026 · 18 min 11 sec · Long-form Video
Tuli Research Centre for India Studies (Editor). Poetry, Music and Melancholy in Guru Dutt’s Film Songs, 31 August 2026 | In-house Video, 2026 · 1 min 07 sec · Vertical Video
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Tuli Research Centre for India Studies (Editor). Poetry, Music and Melancholy in Guru Dutt’s Film Songs, 31 August 2026 | In-house Video
2026 · 1 min 07 sec · Vertical Video
Tuli Research Centre for India Studies (Editor). Sahir' Ludhianvi's Question to the Nation in "Jinhe Naaz Hai Hind Par Woh Kahan Hain", 31 August 2026 | In-house Video, 2026 · 18 min 11 sec · Long-form Video
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Tuli Research Centre for India Studies (Editor). Sahir' Ludhianvi's Question to the Nation in "Jinhe Naaz Hai Hind Par Woh Kahan Hain", 31 August 2026 | In-house Video
2026 · 18 min 11 sec · Long-form Video
Tuli Research Centre for India Studies (Editor). The Idea of Artistic Integrity in Guru Dutt's Magnum Opus, 31 August 2026 | In-house Video, 2026 · 1 min 02 sec · Vertical Video
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Tuli Research Centre for India Studies (Editor). The Idea of Artistic Integrity in Guru Dutt's Magnum Opus, 31 August 2026 | In-house Video
2026 · 1 min 02 sec · Vertical Video
20 of 137

Calendar 1

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  1. A Musical Glue for Nation-Building
    ArchivedOffline-Online EventProject 80
    A Musical Glue for Nation-Building
    Deconstructing the Film Song
    23rd July - 22nd August 2026
    Ketan Anand | Ravikant | Pavan Jha | Madan Gopal Singh | Amit Khanna | Juhi Saklani | Antara Mondal | Shikha Jhingan | Neville Tuli
    A key section of the India Studies framework at The Tuli Research Centre for India Studies (T.R.I.S.) is “Deconstructing the Film Song”. It began with a series of four workshops during our Self-Discovery via Rediscovering India Festival Series that brought together leading scholars & academics, film practitioners & students, along with fans of the Hindi film song. The objective of these workshops was to deconstruct iconic Hindi film songs to examine their formation across music, lyrics, playback, choreography, directorial visualisation, as they fuse into sites where aesthetics, ideology, and performance intersect, so as to help clarify the nature of India and her relationship to the film song. The Hindi Film Song functions as a narrative device, conveying myriad textures of emotion through melody, voice and poetry. As cultural texts that encode memory, desire, and ideology, songs are integral to the circulation and resonance of films in the public realm. Over time they have become autonomous bundles of creative energy - the glue that binds us over time, articulating and perhaps even defining the idea of Indianness. These first Workshops were an attempt to understand the nature and power of this glue, while contemplating the ways to situate it within TRIS' academic framework for Contemporary India Studies.
    Read More →
    1_CinemaEducation·12_Scholarship
    +34 more
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© Tuli Research Centre for India Studies 2026

Tuli Research Centre for India Studies

Tuli Research Centre

for India Studies

A free and open knowledge base for the modern and contemporary Indian arts, cinema, photography and cultural heritage.

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© Tuli Research Centre for India Studies 2026

                          Tuli Research Centre for India Studies (Editor). Raj Kapoor's Film Songs: The Soul and Social Vision That Changed Indian Cinema, 04 August 2026 | In-house Video | CinemaEducation | 00883647
                          1 hr 33 min · Long-form Video

                          Raj Kapoor's Film Songs: The Soul and Social Vision That Changed Indian Cinema

                          Tuli Research Centre for India Studies (Editor)

                          Document TypeIn-house Video
                          Date04 August 2026
                          Duration1 hr 33 min
                          FormatLong-form Video
                          Description
                          Raj Kapoor's tramp, the wide-eyed wanderer in oversized clothes and a battered hat, was one of Hindi cinema's most deliberate creative constructions. Borrowed in spirit from Charlie Chaplin but rooted firmly in the anxieties of post-independence India, the figure carried the dreams and displacements of a nation still finding its footing. "Awara Hoon" from Awara (1951) became the song that gave that figure its voice, and its reach was extraordinary. In this clip, the panel discusses how the film introduced Raj Kapoor to audiences across the erstwhile Soviet Union, China and beyond. Composer-Writer Madan Gopal Singh points to "Ramaiya Vastavaiya" from Shree 420 (1955) as a moment of genuine creative risk, where Lata Mangeshkar's voice moves the song from a collective street chorus into something laden with intimate individuality. The panel also deconstructs two more songs from Raj Kapoor's career: "Pyar Hua Ikrar Hua" from Shree 420 (1955) and "Jeena Yahan Marna Yahan" from Mera Naam Joker (1970), examining what makes them endure across generations. 00:00 Introduction – Deconstructing the Hindi Film Song 00:44 Building an Academic Framework for Film Songs 02:41 Song 1: "Awaara Hoon" (Awaara) 06:08 Why "Awaara Hoon" Became a Global Phenomenon 06:58 Raj Kapoor, Charlie Chaplin & the Birth of the Tramp Persona 08:36 The Creative Team Behind Raj Kapoor's Musical Legacy 09:14 Collaboration as the Secret to Great Film Songs 12:38 Teaching "Awaara Hoon" to a New Generation 13:04 Nationhood, Shailendra & Post-Independence India 17:37 The Music of "Awaara Hoon" – Simplicity, Melody & Social Change 20:14 Cinema, Neorealism & the Uncertain India of the 1950s 24:14 Why the Song Resonated Across Russia, China & the World 26:02 Song 2: "Ramaiya Vastavaiya" (Shree 420) 31:54 Love, Idealism & Raj Kapoor's Romantic Cinema 33:05 Community, Home & the Moral Imagination of Shree 420 35:22 How "Ramaiya Vastavaiya" Was Created 37:12 Shailendra's Lyrics, Innocence & Social Conscience 41:20 Folk Music, Community & Musical Structure 43:20 Raj Kapoor's Creative Process & Literary Influences 48:27 Song 3: "Pyar Hua Ikrar Hua" (Shree 420) 53:11 The Triumph of Love Over Logic 54:18 Music, Nationhood & Newly Independent India 56:13 Love as a Binding Force in Indian Cinema 01:00:15 Classical vs Folk Musical Resolution 01:01:24 Film Lyrics, Rebellion & Social Assertion 01:03:46 Nargis, Desire & the Female Gaze 01:06:17 Why Manna Dey Sang This Iconic Song 01:07:58 Radhu Karmakar's Cinematography & the Magic of Rain 01:08:47 Audience Discussion 01:09:22 Song 4: "Jeena Yahan Marna Yahan" (Mera Naam Joker) 01:14:10 Revisiting Mera Naam Joker 01:15:11 Literature, Philosophy & the Ecology of Cinema 01:17:46 Why the Film Failed Initially but Endured 01:21:05 Raj Kapoor, Shailendra & the Making of the Song 01:27:03 Personal Reflections: Death, India & Cinema 01:30:10 Looking Ahead to Guru Dutt

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                          Masterlist25
                          Raj KapoorShailendraDigital in House VideosMukeshManna DeyLata MangeshkarMohammad RafiKhwaja Ahmad AbbasAmit KhannaNeville TuliDeconstructing the Film Song 2026Manoj KumarRajendra KumarDharmendraAchala SachdevRadhu KarmakarHasrat JaipuriAsha BhosleNitin MukeshNadiraNargisPrithviraj KapoorLeela ChitnisLeela MishraShamshad Begum
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