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Home/Sven Nykvist

Sven Nykvist

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Conrad Rooks (Director), Siddhartha, 1972, Photographic Still
Rooks, Conrad (Director), Siddhartha, 1972 | Photographic Still
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Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), Untitled | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), Untitled | Photographic Still
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Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), The Final scene in The Sacrifice | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), The Final scene in The Sacrifice | Photographic Still
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Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), Untitled | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), Untitled | Photographic Still
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Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), Otto. The postman (Allan Edwal), Alexander's daughter. Marta (Filippa Frazen) and wife, Adelaide (Susan Fleetwood) | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), Otto. The postman (Allan Edwal), Alexander's daughter. Marta (Filippa Frazen) and wife, Adelaide (Susan Fleetwood) | Photographic Still
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Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), Alexander's son (Tommy Kjellqvist) in his room. The Sacrifice | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), Alexander's son (Tommy Kjellqvist) in his room. The Sacrifice | Photographic Still
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Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), Alexander (Erland Josephson) (left) and his doctor friend, Victor (Sven Wollter) | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), Alexander (Erland Josephson) (left) and his doctor friend, Victor (Sven Wollter) | Photographic Still
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Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), The Sacrifice: The central sequence frame by frame | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), The Sacrifice: The central sequence frame by frame | Photographic Still
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Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), The Model and the house in The Sacrifice | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), The Model and the house in The Sacrifice | Photographic Still
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Conrad Rooks (Director), Siddhartha, 1972, Photographic Still
Rooks, Conrad (Director), Siddhartha, 1972 | Photographic Still
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Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), Untitled | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), Untitled | Photographic Still
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Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), The Final scene in The Sacrifice | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), The Final scene in The Sacrifice | Photographic Still
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Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), Untitled | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), Untitled | Photographic Still
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Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), Otto. The postman (Allan Edwal), Alexander's daughter. Marta (Filippa Frazen) and wife, Adelaide (Susan Fleetwood) | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), Otto. The postman (Allan Edwal), Alexander's daughter. Marta (Filippa Frazen) and wife, Adelaide (Susan Fleetwood) | Photographic Still
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Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), Alexander's son (Tommy Kjellqvist) in his room. The Sacrifice | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), Alexander's son (Tommy Kjellqvist) in his room. The Sacrifice | Photographic Still
View full record
Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), Alexander (Erland Josephson) (left) and his doctor friend, Victor (Sven Wollter) | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), Alexander (Erland Josephson) (left) and his doctor friend, Victor (Sven Wollter) | Photographic Still
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Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), The Sacrifice: The central sequence frame by frame | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), The Sacrifice: The central sequence frame by frame | Photographic Still
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Sven Nykvist (Cinematographer), Nykvist, Sven (Cinematographer), The Model and the house in The Sacrifice | Photographic Still, Photographic Still
Nykvist, Sven (Cinematographer), The Model and the house in The Sacrifice | Photographic Still
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Tuli Research Centre for India Studies

Tuli Research Centre

for India Studies

A free and open knowledge base for the modern and contemporary Indian arts, cinema, photography and cultural heritage.

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              Nykvist, Sven (Cinematographer), The Sacrifice: The central sequence frame by frame | Photographic Still, Journal of Arts & Ideas, January-June 1987 | CinemaEducation | 00710300

              Nykvist, Sven (Cinematographer), The Sacrifice: The central sequence frame by frame | Photographic Still

              CinematographerSven Nykvist
              Document TypePhotographic Still
              The Sacrifice: The central sequence frame by frame
              Film TitleThe Sacrifice (Offret), 1986, France, English, French, Swedish
              ProducerAnna-Lena WibomDirectorAndrei Tarkovsky
              CastSusan Fleetwood, Erland Josephson, Allan Edwall
              Copyright of ImageWith Publisher | Archive Object
              Published In
              Journal of Arts & Ideas

              English, 12-13, January-June 1987, pp. 64-65

              Source
              journal-deshpande-journal-of-arts-and-ideas-january-june-1987-8
              interview-sahni-contemporary-arts-is-devoid-of-a-spiritual-basis-january-june-1987-71

              Research Categories

              1_CinemaEducation12_Scholarship

              Related Links6

              Masterlist2
              Cinema Photographic StillsJournal of Arts and Ideas
              Research Categories2
              01Cinema as a Critical Educational Resource12The History & Historiography of Scholarship in the Arts, Humanities, and Social Sciences
              Object2
              Journal Deshpande Journal of Arts and Ideas January June 1987 8Interview Sahni Contemporary Arts Is Devoid of a Spiritual Basis January June 1987 71