Contents
Introduction: Critical Interfaces in Jahangir Jani's Artistic Explorations —Shivaji K. Panikkar
1. Sculpture: Jehangir Jani, the Making of 'Peers' —Mortimer Chatterjee
2. Sculpture: Casting an 'In fidel' Head: Relief Sculptures by Jehangir Jani —Nancy Adajania
3. Sculpture: The Dancer in the Tomb: Jehangir Jani's Transgressive Gesture —Ranjit Hoskote
4. Sculpture: Religious Scores, New-Age Techno Cultures and Museal Tales —Nancy Adajania
5. Sculpture: Marked by Restraint —Girish Shahane
6. Canvas: The Otherness of the Self: Jehangir Jani's Recent Paintings —Ranjit Hoskote
7. Canvas: Painting the Moment —Deeptha Achar
8. Watercolour: Sculpted Watermarks: An Alternate Lyricism —Anupa Mehta
9. JJ in Conversation: Ratnottama Sengupta
Notes and Contributors
About the Publication
The self-taught artist, Jehangir Jani, fiercely independent of cliques or trends, has been a whirlwind of activity since his first canvases were exhibited in 1991. Jani’s art uninhibitedly represents experiential realms of sexual... Read More
About the Author
Introduction by Shivaji K Panikkar, with essays by leading art critics Ranjit Hoskote, Anupa Mehta, Mortimer Chatterjee, Nancy Adajania Girish Shahane and Deeptha Achar.
