ArchivedDeconstructing the Hindi Film SongProject 63
A Musical Glue for Nation-Building
Four Classic Songs from the cinema of V. Shantaram and B.R. Chopra and the genius of Vasant Desai, O.P. Nayyar, Ravi, Bharat Vyas, Sahir Ludhianvi, Hasan Kamal, Asha Bhosle, Salma Agha & Mohammed Rafi
Aye Maalik Tere Bande Ham | Do Aankhen Baara Haath-1957 Udein Jab Jab Zulfen Teri | Naya Daur-1957 Din Hai Bahar Ke | Waqt-1965 Dil Ke Armaan Aansuon Mein Bah Gaye | Nikaah-1982
19th February 2026
Time11:30am, 19th February 2026
VenueM.L. Bhartia Auditorium, Alliance Francaise de Delhi, 72 K.K. Birla Lane, Lodi Estate, New Delhi, 110007
A key section of the India Studies framework at The Tuli Research Centre for India Studies (T.R.I.S.) is “Deconstructing the Hindi Film Song”. It will begin with a series of four workshops that brings together leading scholars & academics, film practitioners & students, along with fans of the Hindi film song. The objective of these workshops is to deconstruct iconic Hindi film songs to examine their formation across music, lyrics, playback, choreography, directorial visualisation, as they fuse into sites where aesthetics, ideology, and performance intersect. The Hindi Film Song functions as a narrative device, conveying myriad textures of emotion through melody, voice and poetry. As cultural texts that encode memory, desire, and ideology, songs are integral to the circulation and resonance of films in the public realm. Over time they have become autonomous bundles of creative energy - the glue that binds us over time, articulating and perhaps even defining the idea of Indianness. The first Workshops are an attempt to understand the nature and power of this glue, while contemplating the ways to situate it within TRIS' academic framework for Contemporary India Studies.
Event record
Project63
FormatDeconstructing the Hindi Film Song
StatusArchived
Dates19th February 2026
VenueM.L. Bhartia Auditorium, Alliance Francaise de Delhi, 72 K.K. Birla Lane, Lodi Estate, New Delhi, 110007