Subscribe

https://tuliresearchcentre.canto.global/direct/image/agk7vta95939f2jl6nab5fqe78/N-3qK_SwHSoAw0e7OoxtThIC4yU/m800/800

A cinematic masterpiece that redefined Indian filmmaking, Aan stands as a testament to the nation's burgeoning film industry. As the most expensive film produced in India at the time, Aan set new standards for production value and storytelling. It also became the first Indian film to receive a worldwide release. Subtitled in 17 languages and released in 28 countries, including the US, UK, and Japan, the film marked Indian cinema's international breakthrough. The story follows Jai Tilak (Dilip Kumar), a fearless peasant who confronts the tyranny of a despotic prince, Shamsher Singh (Premnath). After defeating the prince in combat, Jai kidnaps his sister, Rajkumari (Nadira), a haughty princess who eventually falls for him. Meanwhile, Jai's romance with Mangala (Nimmi) introduces a subplot of emotional depth and sacrifice. The film climaxes with the overthrow of the oppressive monarchy, symbolising the triumph of the people over autocracy. Drawing inspiration from Western costume adventure films, it brought an indigenous twist with its opulent sets, colourful costumes, and stunning depictions of idealised imagined Indian kingdoms of Rajpoots from several centuries ago. The film conjures a mesmerising world of Maharajas, grand palaces, and royal intrigue, resonating with Indian audiences while appealing to global tastes. Jewish-born Nadira made her iconic debut as the film's vamp, arguably the first of Indian cinema, portraying a scheming yet captivating royal. Naushad's musical genius also left an indelible mark, as he became the first Indian composer to record a film's background score overseas, at the prestigious Royal Albert Hall in London. His rich compositions for Aan enhanced its grandeur, adding another layer of distinction to this pioneering cinematic achievement.

Irani, Faredoon A. (Cinematographer), Aan, 1952 | Lobby Card

Irani, Faredoon A. (Cinematographer), Aan, 1952 | Lobby Card

Mehboob (Producer), Aan, 1952 | Cyclostyled Lyrics Leaflet

Mehboob (Producer), Aan, 1952 | Cyclostyled Lyrics Leaflet

Irani, Faredoon A. (Cinematographer), Aan, 1952 | Photographic Still

Irani, Faredoon A. (Cinematographer), Aan, 1952 | Photographic Still

A cinematic masterpiece that redefined Indian filmmaking, Aan stands as a testament to the nation's burgeoning film industry. As the most expensive film produced in India at the time, Aan set new standards for production value and storytelling. It also became the first Indian film to receive a worldwide release. Subtitled in 17 languages and released in 28 countries, including the US, UK, and Japan, the film marked Indian cinema's international breakthrough. The story follows Jai Tilak (Dilip Kumar), a fearless peasant who confronts the tyranny of a despotic prince, Shamsher Singh (Premnath). After defeating the prince in combat, Jai kidnaps his sister, Rajkumari (Nadira), a haughty princess who eventually falls for him. Meanwhile, Jai's romance with Mangala (Nimmi) introduces a subplot of...

Read More

आन वो फ़िल्म है जिसने भारत में फ़िल्म निर्माण को नई ऊँचाइयों पर पहुँचा दिया। इसने दुनिया को दिखाया कि भारत में सिनेमा उद्योग किस गति से तरक्की कर रहा है। निर्माण के समय भारत में बनी सबसे महंगी फ़िल्म मानी गई आन ने फ़िल्म प्रोडक्शन के और कहानी कहने के नए मानक स्थापित किए। यह ऐसी पहली भारतीय फ़िल्म थी, जिसे वैश्विक स्तर पर रिलीज़ किया गया। कुल 17 भाषाओं में हुए सबटाइटल्स के साथ इसे अमेरिका, ब्रिटेन और जापान सहित 28 देशों में रिलीज़ किया गया और इस तरह इस फ़िल्म ने भारतीय सिनेमा को अंतरराष्ट्रीय पटल पर लाकर खड़ा कर दिया। आन एक ऐसे निडर किसान जय तिलक (दिलीप कुमार) की कहानी कहती है, जो राज्य के निरंकुश शहज़ादे शमशेर सिंह (प्रेमनाथ) के अत्याचारों का डटकर सामना करता है। युद्ध में शहज़ादे को पटखनी देने के बाद जय उसकी बहन राजकुमारी (नादिरा) को अगवा कर लेता है। शहज़ादी नकचढ़ी और घमंडी है, लेकिन उसे जय से प्यार हो जाता है। पर इधर जय का मंगला (निम्मी) के साथ रोमांस कहानी को दूसरा ही मोड़ देता है जिसमें जज़्बातों का उबाल भी है और त्याग की गहराई भी। क्लाईमैक्स में जाकर फ़िल्म में दमनकारी राजशाही का अन्त होता है, जिसे राजसत्ता पर लोकसत्ता की जीत का प्रतीक माना...

Read More

Research Centre

Moraes, Frank (Editor). Filmfare, 05 September 1952 | Magazine | 00793119

Moraes, Frank (Editor). Filmfare, 05 September 1952 | Magazine | 00793119

Moraes, Frank (Editor). Filmfare, 05 September 1952 | Magazine | 00793119

Moraes, Frank (Editor). Filmfare, 05 September 1952 | Magazine | 00793119

Moraes, Frank (Editor). Filmfare, 21 March 1952 | Magazine | 00793109

Moraes, Frank (Editor). Filmfare, 21 March 1952 | Magazine | 00793109

Moraes, Frank (Editor). Filmfare, 21 March 1952 | Magazine | 00793109

Moraes, Frank (Editor). Filmfare, 21 March 1952 | Magazine | 00793109

Moraes, Frank (Editor). Filmfare, 25 July 1952 | Magazine | 00793116

Moraes, Frank (Editor). Filmfare, 25 July 1952 | Magazine | 00793116

Plaudits from Press All Over India. In <i>Blitz.</i> 02 August 1952 | Film Review | 00144157

Plaudits from Press All Over India. In Blitz. 02 August 1952 | Film Review | 00144157

Close-Ups and Long Shots. In <i>Blitz.</i> 02 August 1952 | Film Review | 00144156

Close-Ups and Long Shots. In Blitz. 02 August 1952 | Film Review | 00144156

At Aan's Bombay Premiere…. In <i>Blitz.</i> 02 August 1952 | Film Review | 00144155

At Aan's Bombay Premiere…. In Blitz. 02 August 1952 | Film Review | 00144155

Aan . In <i>Blitz.</i> 26 July 1952 | Film Review | 00144153

Aan . In Blitz. 26 July 1952 | Film Review | 00144153

Moraes, Frank (Editor). Filmfare, 25 July 1952 | Magazine | 00793116

Moraes, Frank (Editor). Filmfare, 25 July 1952 | Magazine | 00793116

No more items to load