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  1. A Musical Glue for Nation-Building
    ArchivedDeconstructing the Hindi Film SongProject 60
    A Musical Glue for Nation-Building
    Four Classic Songs from the cinema of Chetan Anand and the genius of Madan Mohan, Kaifi Azmi, Lata Mangeshkar & Mohammed RafinnKar Chale Hum Fida | Haqeeqat-1964 nYeh Duniya Yeh Mehfil | Heer Ranjha-1970 nMilo Na Tum To Hum Ghabrayen | Heer Ranjha-1970 nYeh Mana Meri Jaan | Hanste Zakhm-1973
    16th February 2026
    3:30pm
    M.L. Bhartia Auditorium, Alliance Francaise de Delhi, 72 K.K. Birla Lane, Lodi Estate, New Delhi, 110004
    Ketan Anand, Ravikant, Pavan Jha, Neville Tuli
    A key section of the India Studies framework at The Tuli Research Centre for India Studies (T.R.I.S.) is “Deconstructing the Hindi Film Song”. It will begin with a series of four workshops that brings together leading scholars & academics, film practitioners & students, along with fans of the Hindi film song. The objective of these workshops is to deconstruct iconic Hindi film songs to examine their formation across music, lyrics, playback, choreography, directorial visualisation, as they fuse into sites where aesthetics, ideology, and performance intersect. The Hindi Film Song functions as a narrative device, conveying myriad textures of emotion through melody, voice and poetry. As cultural texts that encode memory, desire, and ideology, songs are integral to the circulation and resonance of films in the public realm. Over time they have become autonomous bundles of creative energy - the glue that binds us over time, articulating and perhaps even defining the idea of Indianness. The first Workshops are an attempt to understand the nature and power of this glue, while contemplating the ways to situate it within TRIS' academic framework for Contemporary India Studies.
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