Collage, as an art form, brings together fragments of paper, fabric, print, or found materials to construct new visual and conceptual narratives. Emerging as a modernist response to the complexities of the 20th century, the collage challenges notions of originality, authorship, and material hierarchy. Artists use layering, juxtaposition, and interruption to invite viewers into multidimensional readings of form and meaning. From early Cubist explorations to contemporary mixed-media innovations, the collage remains a dynamic medium that resists fixity and embraces hybridity. The form emerged as a radical departure in early 20th-century Europe, with Pablo Picasso and Georges Braque incorporating newspaper, wallpaper, and everyday ephemera into their canvases by 1912. It continued to evolve through the Dada and Surrealist movements, later becoming central to Pop Art and postmodern practice.

Collage, as an art form, brings together fragments of paper, fabric, print, or found materials to construct new visual and conceptual narratives. Emerging as a modernist response to the complexities of the 20th century, the collage challenges notions of originality, authorship, and material hierarchy. Artists use layering, juxtaposition, and interruption to invite viewers into multidimensional readings of form and meaning. From early Cubist explorations to contemporary mixed-media innovations, the collage remains a dynamic medium that resists fixity and embraces hybridity. The form emerged as a radical departure in early 20th-century Europe, with Pablo Picasso and Georges Braque incorporating newspaper, wallpaper, and everyday ephemera into their canvases by 1912. It continued to evolve through the Dada and Surrealist movements, later becoming central to Pop Art and postmodern practice.