In 2002, the artist achieved a new high in the auction market with the sale of Assassinated (1968), offered in the Masterpieces & Museum Quality Indian Modern & Contemporary Paintings by Osian's, which concluded on 05 December 2002 at Mumbai, achieving a sale price of ₹3,85,000 ($7,981). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.
Karmakar, Prokash (Artist). Conflict Series. Oil on paper pasted on canvas board, 1971 | Painting | 00881125
1971
Public Auction High
In 2006, the artist achieved a new high in the auction market with the sale of Conflict Series (1971), offered in the Forty Masterpieces Museum Quality Series VII by Osian's, which concluded on 09 September 2006 at Mumbai, achieving a sale price of ₹60,00,000 ($129,674). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.
In 2003, the artist achieved a new high in the auction market with the sale of Untitled (1972), offered in the Forty Masterpieces: 20th Century Painting and Drawing from India, Pakistan, Bangladesh & Sri Lanka by Osian's, which concluded on 27 March 2003 at Mumbai, achieving a sale price of ₹6,60,000 ($13,848). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.
Karmakar, Prokash (Artist). The Black Light. Oil on Board, 1973 | Painting | FineArts | 00418022
1973
Literary Reference
Prokash likes to draw or paint birds, horses, man and woman – anything from life around him…His lines are thin or thick depending on the mood to be conveyed. He makes effective use of colour – black for an engrossing darkness or red to indicate blood-spilling as for instance when he depicts strife…He has his own symbolism. He prefers to depict a part like an eye to signify a man. Or, he makes use of green instead of a tree, because a complete depiction would disturb or destroy the overall conception.
Karmakar, Prokash (Artist). Women In Landscape. Oil on canvas, 1990 | Painting | FineArts | 00597861
1990
Public Auction High
In 2005, the artist achieved a new high in the auction market with the sale of Women In Landscape (1990), offered in the Indian Contemporary Art: Paintings, Drawings & Sculpture by Osian's, which concluded on 09 February 2005 at Mumbai, achieving a sale price of ₹13,80,000 ($31,622). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.
Osians (Auction House) and Neville Tuli (Curator). India: The Passionate Detachment - Curated Auctions of Indian Modern and Contemporary Art and Books. 24 February 2001, Mumbai | Auction Catalogue | EconomicsArt | 00861871
2001
First Auction Appearance | BOOK.AUC
On 24 February 2001, made their debut in the Indian public auction market when Woman was presented as Lot in India: The Passionate Detachment: Curated Auctions of Indian Modern and Contemporary Art and Books, conducted by Osian's in Mumbai, India. This auction marked the artist's first recorded appearance in the public auction market, establishing the earliest chapter of their auction history.
In 2005, the artist achieved a new high in the auction market with the sale of Landscape (2002), offered in the Masterpieces and Museum Quality Series: Indian Contemporary Art by Osian's, which concluded on 02 December 2005 at Mumbai, achieving a sale price of ₹23,00,000 ($49,869.9). This record marked a defining moment in the artist's market history, reflecting both the significance of the artwork and its reception within the broader art world.