Roy, Soumendu (Cinematographer), Ashani Sanket, 1973 | Photographic Still | CinemaEducation | 00662964

Roy, Soumendu (Cinematographer), Ashani Sanket, 1973 | Photographic Still | CinemaEducation | 00662964

[1/24]

Gangacharan Chakraborty (Soumitra Chatterjee) settles in a new village as the resident Brahmin teacher-doctor-priest with his wife (Babita). As the Brahmin who inhabits the highest caste rank in the Hindu feudal order and mediates ritual worship between man and the gods, Gangacharan is treated with high regards by fellow villagers and often receives gifts of fresh produce, fish, jaggery, grains, fruits, clothes etcetera. The film unfolds in a slow pace, revealing the austerity of the caste system, the politics of touch, the subservience of the backward caste who are conditioned to treat the Brahmin with blind faith and the knowing deception of the Brahmin himself who takes glaringly apparent advantage of his position. However, the cataclysmic famine of 1943 upends the order of things. Dinabandhu Bhattacharya, photographed in the right, begging for rice gains, brings about the watershed moment in the film when Gangacharan gets to know that a crisis of grain is catching up with the countryside.

Roy, Soumendu (Cinematographer), Ashani Sanket, 1973 | Photographic Still | CinemaEducation | 00662964
Roy, Soumendu (Cinematographer), Ashani Sanket, 1973 | Photographic Still | CinemaEducation | 00662965
Roy, Soumendu (Cinematographer), Ashani Sanket, 1973 | Photographic Still | CinemaEducation | 00662966
Roy, Soumendu (Cinematographer), Ashani Sanket, 1973 | Photographic Still | CinemaEducation | 00662967
Roy, Soumendu (Cinematographer), Ashani Sanket, 1973 | Photographic Still | CinemaEducation | 00662968
Roy, Soumendu (Cinematographer), Ashani Sanket, 1973 | Photographic Still | CinemaEducation | 00662969
Roy, Soumendu (Cinematographer), Ashani Sanket, 1973 | Photographic Still | CinemaEducation | 00662970
Roy, Soumendu (Cinematographer), Ashani Sanket, 1973 | Photographic Still | CinemaEducation | 00662971
Roy, Soumendu (Cinematographer), Ashani Sanket, 1973 | Photographic Still | CinemaEducation | 00662972
Roy, Soumendu (Cinematographer), Ashani Sanket, 1973 | Photographic Still | CinemaEducation | 00662973
Roy, Soumendu (Cinematographer), Ashani Sanket, 1973 | Photographic Still | CinemaEducation | 00662974
Roy, Soumendu (Cinematographer), Ashani Sanket, 1973 | Photographic Still | CinemaEducation | 00662975
Roy, Soumendu (Cinematographer), Ashani Sanket, 1973 | Photographic Still | CinemaEducation | 00662976
Roy, Soumendu (Cinematographer), Ashani Sanket, 1973 | Photographic Still | CinemaEducation | 00662977
Roy, Soumendu (Cinematographer), Ashani Sanket, 1973 | Photographic Still | CinemaEducation | 00662978
Roy, Soumendu (Cinematographer), Ashani Sanket, 1973 | Photographic Still | CinemaEducation | 00662979
Roy, Soumendu (Cinematographer), Ashani Sanket, 1973 | Photographic Still | CinemaEducation | 00662980
Roy, Soumendu (Cinematographer), Ashani Sanket, 1973 | Photographic Still | CinemaEducation | 00662981
Roy, Soumendu (Cinematographer), Ashani Sanket, 1973 | Photographic Still | CinemaEducation | 00662982
Ghosh, Nemai (Still Photographer), Ashani Sanket, 1973 | Working Still | CinemaEducation | 00663678
Ghosh, Nemai (Still Photographer), Ashani Sanket, 1973 | Working Still | CinemaEducation | 00663679
Ghosh, Nemai (Still Photographer), Ashani Sanket, 1973 | Working Still | CinemaEducation | 00663680
Ghosh, Nemai (Still Photographer), Ashani Sanket, 1973 | Working Still | CinemaEducation | 00663681
Ghosh, Nemai (Still Photographer), Ashani Sanket, 1973 | Working Still | CinemaEducation | 00663682
Roy, Soumendu (Cinematographer), Ashani Sanket, 1973 | Photographic Still | CinemaEducation | 00662964
Roy, Soumendu (Cinematographer), Ashani Sanket, 1973 | Photographic Still | CinemaEducation | 00662965
Roy, Soumendu (Cinematographer), Ashani Sanket, 1973 | Photographic Still | CinemaEducation | 00662966
Roy, Soumendu (Cinematographer), Ashani Sanket, 1973 | Photographic Still | CinemaEducation | 00662964

Roy, Soumendu (Cinematographer), Ashani Sanket, 1973 | Photographic Still | CinemaEducation | 00662964

[1/24]

Gangacharan Chakraborty (Soumitra Chatterjee) settles in a new village as the resident Brahmin teacher-doctor-priest with his wife (Babita). As the Brahmin who inhabits the highest caste rank in the Hindu feudal order and mediates ritual worship between man and the gods, Gangacharan is treated with high regards by fellow villagers and often receives gifts of fresh produce, fish, jaggery, grains, fruits, clothes etcetera. The film unfolds in a slow pace, revealing the austerity of the caste system, the politics of touch, the subservience of the backward caste who are conditioned to treat the Brahmin with blind faith and the knowing deception of the Brahmin himself who takes glaringly apparent advantage of his position. However, the cataclysmic famine of 1943 upends the order of things. Dinabandhu Bhattacharya, photographed in the right, begging for rice gains, brings about the watershed moment in the film when Gangacharan gets to know that a crisis of grain is catching up with the countryside.